Elmer Rice

It is said that every actor wants to play Shakespeare. Will Rogers would seem a likely exception to that rule, but here he is in this silent, taking a stab (albeit comic) at Romeo. Slim (Rogers), of course, begins as a cowpuncher but his boss switches from cattle to sheep, throwing him out of work. In addition his sweetheart, Lulu (Sylvia Breamer), says he should learn to be a real lover, like Douglas Fairbanks. So Slim decides to go work in motion pictures to discover how film folk make love. After he doubles for villains and heroes alike, Lulu changes her mind -- now she thinks Romeo and Juliet is the yardstick by which all lovers should be measured. So Slim obligingly gets his hands on a copy of the play and tries to read it. Naturally he falls asleep, but he dreams the story with himself and his girl in the title roles. When he awakes, however, he throws all technique out the window, grabs Lulu away from his rival (Raymond Hatton) and drags her off to the preache r. His show of force is what she wanted after all and the film ends happily. This was the final picture of Rogers' contract with the Goldwyn Studios. ~ Janiss Garza, All Movie Guide

Bing Crosby and Fred Astaire star in Holiday Inn as a popular nightclub song-and-dance team. When his heart is broken by his girlfriend, Crosby decides to retire from the hustle-bustle of big city showbiz. He purchases a rustic New England farm and converts it to an inn, which he opens to the public (floor show and all) only on holidays. This barely logical plot device allows ample space for a steady flow of Irving Berlin holiday songs (including an incredible blackface number in honor of Lincoln's Birthday). Oddly enough, the most memorable song in the bunch, the Oscar-winning White Christmas, is not offered as a production number but as a simple ballad sung by Crosby to an audience of one: leading lady Marjorie Reynolds. Fred Astaire's best moment is his Fourth of July firecracker dance. Ah, but what about the plot? Well, it seems that Astaire wants to make a film about Crosby's inn, starring their mutual discovery Reynolds. Bing briefly loses Reynolds to Astaire, but wins her back during the filming of a musical number on a Hollywood soundstage (eleven years earlier, Bing enjoyed a final clinch with Marion Davies under surprisingly similar conditions in Going Hollywood). As with most of Irving Berlin's "portfolio" musicals of the 1940s, the song highlights of Holiday Inn are too numerous to mention. This delightful film is far superior to its unofficial 1954 remake, White Christmas. ~ Hal Erickson, All Movie Guide

In this musical comedy, based on a failed Broadway play, two American sailors are stationed in Naples to find a wooden legged thief. Songs include: "Love Comes in the Moonlight," "Leave a Little Smile," "Tell Us Which One Do You Love," "Highway to Heaven," and "The Laughing Song." ~ Sandra Brennan, All Movie Guide

This second film version of Elmer Rice's play On Trial stars Edward Norris as a green lawyer on his first case. He is assigned to defend alleged killer John Litel, who makes Norris' job doubly hard by refusing to defend himself. Through flashbacks, Norris discovers the reason behind Litel's recalcitrance. The young attorney also reunites the convicted man with his missing wife (Margaret Lindsay) and his little daughter (Janet Chapman). The original Broadway production of On Trial gained a near-legendary reputation through its ground breaking use of flashbacks and its surprise ending; these elements aren't quite as innovative in the film version, but they still retain their effectiveness. ~ Hal Erickson, All Movie Guide

Elmer Rice's Pulitzer Prize-winning play Street Scene was purchased for the screen by producer Samuel Goldwyn in 1931. The entire story takes place on the street in front of a foreboding old New York brownstone, between one evening and the next afternoon. The individual fates of eight neighboring Manhattan families intertwine during this brief stretch of time. Special emphasis is given the Maurrant family: the philandering mother (Estelle Taylor), the drink-sodden husband (David Landau) and long-suffering daughter Rose (Sylvia Sidney). When the husband catches the wife "in the act" with bill-collector Russell Hopton, the resulting tragedy is not shown, but reflecting in the wildly varying reactions of neighbors and passersby. Though resisting the temptation to "open up" the play, director King Vidor nonetheless injects his cinematic know-how into the proceedings, by utilizing an entirely different camera setup or angle for each individual "take." The cast of Street Scene includes several carry-overs from the Broadway original, including David Landau, Max Montor, Matt McHugh (brother of Frank), John Qualen, George Humbert, Tom H. Manning, and Anna Konstant (Sidebar: Shirley Kaplan, the role played by Ms. Konstant, was portrayed in the London production of Street Scene by Greer Garson). Unavailable for TV for many years due to legal tangles, Street Scene was freed up for the small screen when it lapsed into public domain in the early 1980s. ~ Hal Erickson, All Movie Guide

This satirical fantasy is based upon an Elmer Rice play from 1923. A hard-working office employee is rewarded for his years of slavish devotion to the company by getting fired just prior to retirement and being replaced with an adding machine. Now, with only his nagging wife waiting at home to add more misery to his dreary life, the man has nothing left and goes over the edge. He murders his boss and then goes on trial. He is convicted and put to death. He dies a happy and free man, thinking that he will surely go to Hell. Strangely enough, he ends up in a heavenly waiting area with other killers who are all there to be reassigned to new lives back on Earth. While waiting, he meets his new guardian angel. ~ Sandra Brennan, All Movie Guide