Harry Ray Movies

This enchanting yet dark romantic comedy stars Jack Lemmon and Juliet Mills as a pair of mismatched lovers helplessly drawn into a series of seemingly hopeless but humorous situations as in Lemmon's The Out-of -Towners two years earlier. Lemmon is Wendell Armbruster Jr., an overbearing American business tycoon forced to travel to the beautiful Italian island of Ischia to claim the body of his recently departed father. What begins with a rather elementary premise evolves into a succession of somber twists and turns, as Armbruster meets Pamela Piggott (Mills), the daughter of his father's mistress, who, Lemmon is appalled to learn, died alongside Armbruster Sr., while zipping through the Italian countryside in his sportscar. Even worse, the family who owns the vineyard that his father's car crashed into has stolen the bodies in exchange for damages. Although plagued with a plethora of such problems, as well as an inability to enjoy life (and the ulcers to prove it), Wendell eventually falls in love with Pamela, almost exactly as his father did with her mother. ~ Don Kaye, All Movie Guide

For his only directorial effort, Jack Lemmon selected his old friend and habitual co-star Walter Matthau to play the central character. Joseph P. "Kotch" Kotcher (Walter Matthau) is an irksome 72-year-old who lives with his son (Charles Aidman) and daughter-in-law (played by Lemmon's wife Felicia Farr). Kotch is far from senile, but there are times that his family wishes he was a little more docile and doddering; he insists upon expressing his unwarranted opinions on all matters, both large and small, forever challenging his daughter-in-law's authority. When it is suggested that Kotch find himself a nice retirement home, the rebellious old man decides instead to take a long bus ride, hoping that his family will have cooled off by the time he returns. Before leaving, he tries to make amends with the family's former baby-sitter Erica (Deborah Winters), whose dismissal he has brought about. Upon learning that Erica is pregnant, Kotch loans her some money; and when she moves away to Palm Springs, he moves in with her, hoping to be of some help. As they get to know one another, Kotch and Erica discover that they're very much alike: both have been cast aside by their relatives due to their independent airs. Kotch was adapted by John Paxton from a novel by Katharine Topkins. Watch for director Jack Lemmon in a bit as a bus passenger. ~ Hal Erickson, All Movie Guide

Compulsive neatnik Felix Unger (Jack Lemmon) is thrown out of his house by his divorce-bound wife. He wanders aimlessly through the streets of New York, toying with the idea of suicide, before gravitating to the apartment of his best friend, incorrigibly sloppy sportswriter Oscar Madison (Walter Matthau). Worried that Felix will try something desperate, Oscar, himself in the process of being divorced by his wife, invites Felix to move in with him. Within a few days, this mismatched pair is on the verge of mutual murder: Felix cannot abide Oscar's slovenliness, while Oscar is driven insane by Felix's obsession with cleanliness. A potentially passionate evening with Oscar's neighbors, the "coo-coo" Pigeon sisters (Monica Evans and Carole Shelley) is ruined when Felix, ruminating over his wife and children, reduces the two ladies to remorseful tears. Pushed to the brink, Oscar stalks around the apartment making as big a mess as possible. Comes the next week's poker game, and the previously vengeful Oscar is worried that Felix might have attempted to do away with himself again. Instead, a surprisingly self-confident Felix shows up to collect his belongings, then announces that he's temporarily moving upstairs with the toothsome Pigeon sisters! There's a laugh a second in this faithful movie adaptation of Neil Simon's hit Broadway play. A foolproof comic situation (allegedly based on a chapter in the life of Simon's brother Danny) is kept alive and healthy by some of the funniest dialogue ever written. The Odd Couple was later adapted into a long-running TV sitcom starring Tony Randall and Jack Klugman. ~ Hal Erickson, All Movie Guide

This romantic comedy opens with a resounding warning: its chief concerns are passion, bloodshed, desire, and death. "Everything," exclaims the narrator, "that makes life worth living." Irma La Douce (Shirley MacClaine) is Paris' most prosperous prostitute. Wise, endearing, and compulsively clad in green, Irma rules the rue Casanova. She triumphantly works the most coveted corner on a street where the cops gladly look the other way and the naughty johns leave tips. Her street is a content community of live and let live and good-natured desire, an Augean stable of human understanding. However, to upright Nester Patou (Jack Lemmon), the area's new policeman, genial wrongdoing is still wrongdoing. Freshly promoted from day patrol at a children's playground, the scrupulous Nestor arrests Irma and her colleagues in a bumbling, unauthorized raid. He takes pity on Irma, but harasses the guilty johns -- including the police captain. Promptly unemployed, Nester returns to the scene of his crime, the rue, and to Irma. After physically besting her pimp, Nester unwittingly takes his position. The two fall madly in love, but Nestor quickly grows jealous of Irma's patrons. Thus, he masquerades as a wealthy English aristocrat and becomes Irma's sole customer -- only to eventually grow violently jealous of himself. Soon enough, this formally righteous cop is comically jailed for his own brutal murder! As the film's prologue promises, Irma La Douce is a celebration of life from beginning to end -- unabashedly adoring lust, emotion, fervor and, above all, foolish love. ~ Aubry Anne D'Arminio, All Movie Guide

Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises. ~ Hal Erickson, All Movie Guide

Having just recovered from a heart attack, fabled British barrister Sir Wilfred Robards (Charles Laughton) has been ordered by his doctor to give up everything he holds dear-brandy, cigars and especially courtroom cases. Robards' already shaky resolve to follow doctor's orders flies out the window when he takes up the defense of Leonard Vole (Tyrone Power), a personable young man accused of murdering a rich old widow. The case becomes something of a sticky wicket when Vole's "loving" German wife Christine (Marlene Dietrich) announces that she's not legally married to Robards' client-and she fully intends to appear as a witness for the prosecution! At the close of this film, a narrator implores the audience not to divulge the ending; we will herein honor that request. A delicious Billy Wilder mixture of humor, intrigue and melodrama, Witness for the Prosecution is distinguished by its hand-picked supporting cast: John Williams as the police inspector, Henry Daniell as Robards' law partner, Una O'Connor as the murder victim's stone-deaf maid, Torin Thatcher as the prosecutor, Ruta Lee as a sobbing courtroom spectator, and Charles Laughton's wife Elsa Lanchester as Robards' ever-chipper nurse (a role especially written for the film, so that Lanchester could look after Laughton on the set). And keep an eye out for that uncredited actress playing the vengeful-and pivotal-cockney. Adapted by Wilder, Harry Kurnitz and Larry Marcus from the play by Agatha Christie, Witness for the Prosecution was remade for television in 1982. ~ Hal Erickson, All Movie Guide

Also known as Twilight, Without Honor is a tour de force for leading-lady Laraine Day. During a quarrel with her lover Dennis Williams (Franchot Tone), Mrs. Jane Bandle (Day) attacks him with an ice pick. Believing she has killed Williams, she hurriedly hides the body in her laundry room when her husband Fred (Bruce Bennett) comes home. As Jane's nasty brother-in-law Bill Bandle (Dane Clark) reveals her romantic peccadilloes to Jane's husband and to Williams's wife Katherine (Agnes Moorehead), the "dead" man recovers and drags himself to a nearby hospital. Amazingly, the only one to suffer long-term consequences from this whole mess is the obnoxious Bill! As always, composer Max Steiner's musical score dutifully clues the viewer in as to what's about to happen next in any given scene. ~ Hal Erickson, All Movie Guide