Fred Pressburger Movies

All but forgotten today, Crowded Paradise was one of the first in-depth studies of racial tensions in postwar New York City. Mario Alcade plays Juan Figueroa, a Puerto Rican youth who come to Manhattan for the purpose of marrying his sweetheart Felicia Diaz (Enid Rudd). Despite running up against all manner of obstacles--most of them having to do with prejudice and misunderstanding--Juan is determined to make good in the his adopted country. The film veers dangerously towards melodrama at the climax, when a bigoted, sex-obsessed landlord (well played by Hume Cronyn) schemes to sabotage Juan and Felicia's wedding. Nancy Kelly costars as the landlord's sight-impaired wife, one of the few sympathetic Anglo characters in the film. Crowded Paradise was photographed on location by Boris Kaufman, who'd previously lensed the Oscar-winning "reality" drama On the Waterfront; the script was co-authored by Marc Connelly, of Green Pastures fame. ~ Hal Erickson, Rovi

On the eve of their 50th anniversary, a couple argue about whether or not to reveal a story from the husband's past that explains how they met and came to be married. We flashback to the mid-1890's and Larry Stevens' (Dick Powell) first day on the job as a reporter for a New York newspaper -- celebrating his release from writing obituaries with a few too many beers, he and his colleagues start to listen to aging newspaper employee Pop Benson (John Philliber) talk about the past and the future, and the fact that to him they're interchangeable. Larry goes out with his friends to check out a clairvoyant act featuring Cigolini, a phony Italian mystic (Jack Oakie), and a very pretty woman assistant, Sylvia Smith (Linda Darnell). He starts to woo Sylvia, who resists his charms, before heading back to the newspaper, where he meets Pop, who hands him what he says is the newspaper he wanted -- it's only later that Larry realizes that he has tomorrow night's newspaper, and that one story concerns a robbery at the opera house. He gets to the performance that night, with Sylvia accompanying him (at first unwillingly) and witnesses the robbery, writing it up before the police can even leave the scene. His editor (George Cleveland) is ecstatic, but police inspector Mulrooney (Edgar Kennedy) wants to know how Larry knew about the robbery. Sylvia tries to protect him by claiming that she predicted it in her act, and to cover herself and Larry she predicts the drowning of a woman that night in the river. Meanwhile, Larry meets Pop again, who tells him of tomorrow's paper and its account of his attempted rescue of a drowning woman -- he later realizes that the woman is Sylvia, attempting to save him and having to fake a drowning to convince the police of her predictions; he runs to the river and dives in to rescue her. By this time, the two of them are totally involved with each other emotionally, but now Larry must face a new threat. Pop appears again and hands him a newspaper from the next day, which includes a front page story about Larry being shot and killed at the St.George Hotel. Larry vows to avoid the hotel at all costs, and even tries to get some good out of the paper by betting on the winners in five consecutive horse races that afternoon; but it seems that no matter what he does to stay away, he's destined to be at the hotel, at the appointed time. ~ Bruce Eder, Rovi