Robert Presnell, Jr. Movies

Most TV movies about obscene phone callers concentrate on the reactions of the victims--and the subsequent dangers they're exposed to. The Secret Night Caller takes a different tack, telling its story from the point of view of the caller. What makes the film doubly disturbing is that the dirty-mouthed phoner is played by Brady Bunch star and TV icon Robert Reed. Reed portrays an IRS agent (and seemingly contented family man) who is overtaken by his compulsion to phone strangers and whisper profanities. Even worse, Reed's access to tax-office records enables him to ring up people all over the country. The drama concentrates on Reed's mounting realization that he has to stop himself before someone else does. Though seedy and manipulative at times, The Secret Night Caller is elevated by the multifaceted performance of Robert Reed. ~ Hal Erickson, All Movie Guide

Ritual of Evil was a sequel to the earlier TV movie Fear No Evil; both were pilots for a never-realized Universal series, Bedevilled. Louis Jourdan stars as a psychiatrist investigating the suicide of one of his patients. He stumbles onto the realization that the death was tied in with the Supernatural, and that perhaps he shouldn't probe any deeper. Were he to stop at this point, the producers would had to have filled the remaining hours' worth of film with commercials or cartoons, so Jourdan forges ahead at the risk of his own life. This concept was eventually refined into Universal's short-lived series The Sixth Sense, which utilized much of the eerie William Goldenberg background music first heard in Ritual of Evil. ~ Hal Erickson, All Movie Guide

Leaning heavily on violence to ostensibly deliver a pacifist message, this standard drama by Philip Leacock looks at the problem of teen gangs from a slightly different angle -- these teens are all wealthy. Everything starts off when aerospace engineer Walt Sherill (Alan Ladd) is accosted and severely beaten by a group of young punks. The victimized man decides to hunt down the thugs on his own, at first just for curiosity and then increasingly for vengeance. His actions spark retaliatory measures, and before the credits roll, the body count is elevated by a few more victims in what amounts to nothing more than a blood feud. In the end, justice of the legal and politically correct sort makes a token appearance. ~ Eleanor Mannikka, All Movie Guide

Scripted by Robert Presnell, Jr. from a short story by John Collier, this Twilight Zone episode focuses on Robert Shackleforth (George Grizzard), a lovestruck young man who cannot get the girl of his dreams, the ravishing Leila (Patricia Barry), to acknowledge his existence. In desperation, Robert pays a visit to the mysterious Professor Daemon (John McIntyre), who gives the young would-be romeo a potion that transforms the icy Leila into Robert's "love slave." Before long, however, Robert regrets having Leila hanging upon him like a clinging vine, leading him to contemplate using Daemon's special antidote: The dreaded "glove cleaner." Previously dramatized in 1951 on Billy Rose Television Theater, "The Chaser" made its Twilight Zone bow on May 13, 1960. ~ Hal Erickson, All Movie Guide

Good actors help raise the level of this downbeat drama of drugs and survival by Philip Leacock. The story is set in Chicago's notorious South side and is based on Willard Motley's novel of a mother struggling to raise her son "right" in spite of the odds against her. Nellie (Shelley Winters) herself is battling her dependency on drugs, battling poverty after her husband was executed for crimes he committed, and also fighting to keep her son Nick (James Darren) from following in his father's footsteps. Nick also wants to rise above his environment but even with the help of some friends, the boy and his mother are up against very tough odds. ~ Eleanor Mannikka, All Movie Guide

Produced and directed by Henry Hathaway, The Legend of the Lost boasted the one-time-only teaming of John Wayne and Sophia Loren. Location-filmed in the Sahara desert, the story concerns the efforts of Wayne, Loren and Rosanno Brazzi to locate a missing treasure in the ruins of ancient Timgrad. Once found, the treasure is stolen by Brazzi, who leaves his partners in the middle of nowhere to die like rats. Fortunately, Wayne and Loren survive the ordeal, though Brazzi is not so lucky. Of the three stars, Brazzi delivers the most interesting performance, while Wayne and Loren seem ill-at-ease throughout. The best aspect of this sometimes ponderous effort is the color cinematography of the great Jack Cardiff. ~ Hal Erickson, All Movie Guide

In this western, an adventurous gambler goes on the lam when he is falsely accused of a riverboat killing. He hides out for three years before returning to prove his innocence, and to find the girl he loves. Unfortunately, the girl is involved with a gambler, the ringleader of the gang responsible for the killing. The fugitive, assisted by a comic sidekick, soon brings them all to justice, and reclaims his lady love. Songs include: "Give Me Your Love," "Happy Go Lucky," and "The Gypsy with the Fire in His Shoes." ~ Sandra Brennan, All Movie Guide

Man in the Attic is a sweat-stained remake of the oft-filmed Mary Belloc Lowndes suspense story The Lodger. Jack Palance plays a mild, secretive pathologist who rents an attic apartment in the heart of London. Palance falls in love with dancer Constance Smith, daughter of the landlady, but she doesn't seem interested. Meanwhile, several unsolved murders of women have been committed on the fogbound London streets--and all of the victims are showgirls. Unlike Hitchcock's 1926 version of The Lodger, the most likely suspect is indeed the "Jack the Ripper" character hunted by the police. The only surprise in Man in the Attic is that the London bobbies didn't arrest Jack Palance on sight long before the movie started. ~ Hal Erickson, All Movie Guide