Thomas Pope Movies
- 1989
- NR
In this black comedy starring Randy Quaid, a dead dog, a red-hot date, and a Zen-quoting cabbie with strange connections provide the ingredients for the most frustrating night in poor Michael Latchmer's heretofore dull life. ~ Sandra Brennan, All Movie Guide
- Starring:
- Randy Quaid, Frank Whaley, (more)
In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Jason Patric, Corey Haim, (more)
Adapted from a long novel by Pat Conroy, the story is shortened to focus on a harrowing account of institutional racism in the 1960s American South. David Keith stars as Will McLean, a senior student at the fictional Carolina Military Institute. When the school admits its first black student, McLean is confidentially charged with making sure that the newcomer's initiation does not get too violent. Yet that is exactly what happens, and McLean becomes alarmed when it seems like someone is out to kill his new charge. McLean's own investigation of the matter uncovers an elusive group of sadistic students who will go to any length to control their school. ~ Bernadette McCallion, All Movie Guide
- Starring:
- David Keith, Robert Prosky, (more)
Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn. ~ Hal Erickson, All Movie Guide
- Starring:
- Frederic Forrest, Peter Boyle, (more)
Low-budget horror director William Girdler's last film stars Susan Strasberg as Karen Tandy, a San Francisco woman who develops a strange growth on her neck. After an operation fails because the doctor is forced to cut his own hand, Karen seeks out an Indian shaman (Michael Ansara), who tells her that the thing on her neck is the fetus of a reincarnated witch doctor. Eventually, Karen goes to the hospital and gives "birth" to a silly-looking creature played by Cousin Itt himself, Felix Silla. It runs amok in the building until boyfriend Tony Curtis figures out that his love for Karen can boost the hospital's electrical supply to zap the pesky beast. Generally acknowledged as one of the silliest horror films ever made, The Manitou should please camp buffs more than serious fans. ~ Robert Firsching, All Movie Guide
- Starring:
- Tony Curtis, Michael Ansara, (more)
One of the first of several horror films with "Don't" leading the title, this gory low-budget thriller takes place in an experimental hospital for the criminally insane, where the pioneering director allows several patients to act out their twisted fantasies (which involve necrophilia, paranoia and popsicles). When a new staffer shows up, things start to go haywire -- beginning with the bloody axe-murder of the doctor himself and leading to a total takeover of the asylum by its most dangerous inmates. The acting is horrendous, the sound is incoherent and the color is so cheap-looking that some theaters were issued black-and-white prints... but somehow the intrinsic sleaziness generated by the threadbare production manages to lend it a remarkably suitable ambience. Instead of vanishing into obscurity, this quirky little potboiler became a staple on the early-70's drive-in circuit, thanks to Hallmark Films' frequent double-bill bookings with Wes Craven's Last House on the Left (even borrowing the logline "Keep telling yourself: It's only a movie...") and Mario Bava's Bay of Blood. Some video versions are missing most of the graphic violence from the original cut. ~ Cavett Binion, All Movie Guide
