Oreste Palella Movies

1969  
PG  
Serafino (Adriano Celentano) is an illiterate shepherd who lives in the bucolic splendor of the Abruzis mountains. He takes frequent and amorous forays into the village below where he experiences all the pleasures his solitude cannot offer. He is quickly drafted into the military but is dismissed just as fast when he fails to adapt to the rigid discipline and his urban surroundings. He once again takes comfort in the arms of many females eager to make him forget his army life. An uncle dies and leaves him some money and property, but it is claimed by greedy relatives and he gains nothing. In a desperate attempt to survive, Serafino is forces to marry a woman of ill repute who is the mother of four children. ~ Dan Pavlides, All Movie Guide

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Starring:
Adriano CelentanoOttavia Piccolo, (more)
1967  
 
In this campy actioner an American operative is assigned to find the identity of those who have been monkeying with the moon rockets at Cape Kennedy. Eventually he discovers that the mastermind behind the mayhem is an insane villain with a powerful, world-wrecking laser cannon. ~ Sandra Brennan, All Movie Guide

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Starring:
Anthony EisleyDiana Lorys, (more)
1965  
 
La Guerre Secrete is divided into four separate vignettes, each scene representing a day in the life of international espionage agents. Stories involve a secret agent (Vittorio Gassman) who goes undercover as a kidnapper, an attempt to impede a Russian attack on two submarines, and an undercover agent confronting a traitor in the Berlin offices of the CIA. Linking the stories is Robert Ryan as a US Intelligence chief. Terence Young directed the English-language sequences, while Christian-Jacques and Carlo Lizzani handled the French and Italian sequences, respectively. German director Werner Klinger's name does not appear on the US credits of The Dirty Game, inasmuch as his scenes were cut from all American prints. Dirty Game sank without a trace on its initial release, only to pop up on television, intermittently, throughout the '70s. ~ Hal Erickson, All Movie Guide

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Starring:
BourvilRobert Ryan, (more)
1964  
 
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Mistakenly labeled as a neorealist drama in some sources, Seduced and Abandoned is actually a slyly constructed Italian domestic comedy (could anyone have really taken that florid title seriously?) Aldo Puglisi plays a "love 'em and leave 'em" type who impregnates the teen-aged sister (Stefania Sandrelli) of his own fiancee (Paola Biggio). Saro Urzi, the girls' infuriated father, insists that Puglisi break off with the older girl to marry the younger. The police get into the act, threatening to arrests Puglisi for corrupting the morals of a minor. Through some quick thinking on his part, Puglisi manages to get the younger girl to indignantly refuse his hand in marriage. The family is torn asunder by this incident, with darkly comic results. ~ Hal Erickson, All Movie Guide

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Starring:
Stefania SandrelliSaro Urzi, (more)
1962  
 
With a setting in medieval Russia and two top film stars leading the action -- Victor Mature as Oleg and Orson Welles as Burundal -- this otherwise uninspired costume drama has its moments. The Vikings and their leader Oleg are pictured as pacifists, while the Tartars and Burundal are the real culprits, evil and brutal. Both factions hold a coveted woman hostage while they try to work out a deal. That tactic fails and as the slaughter and bloodshed mount, a romance between a young, mixed couple (Viking/Tartar) is beginning to heat up. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Orson WellesVictor Mature, (more)
1962  
 
Based on Flora Sandstrom's novel The Midwife of Pont Clery, this lightweight sexual farce involves the effect that Jessica (Angie Dickinson), a voluptuous midwife, has on the small Sicilian town in which she currently resides. Jessica is an American whose intentions may be charitable but whose physical attractions raise the libido of the men in town. Potential moms decide it is better to forego pregnancy by foregoing sex (this is a Catholic town) rather than have Jessica show up to deliver a baby. Meanwhile, the town priest (Maurice Chevalier), in his wisdom, directs Jessica's attention to the handsome widowed Marquis who lives in a charming castle, all alone -- anything to bring normal marital relations back on track. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Angie DickinsonMaurice Chevalier, (more)
1961  
 
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In the year 20,000 B.C., the continent of Atlantis is ruled by King Yotar (Roldano Lupi), who has set his people on a course of fantastic scientific development. The Atlanteans have dominated the Earth from their capitol city of Metropolis with their powers and technology, but they have also inflicted terrible cruelties on humanity. Yotar has begun experimenting with the powers of life and death on his young son, hoping to grant him immortality. The hero Obro (Gordon Mitchell) appears at the outskirts of Metropolis, leading a quest to stop the Atlanteans and their bloody reign over the Earth. Obro's brothers and allies are killed by the powerful rays dispatched by the Atlanteans, but he is strong enough to survive them -- he is captured, but rather than kill him, Yotar decides to see if Obro's super-strong physique would make him a better subject than his son for his experiments. Obro is put through various tortures, and set upon by menaces including a murderous giant and a horde of blood-thirsty dwarves, and is finally liberated by rebels against Yotar's rule, including Yotar's own daughter, Mesede (Bella Cortez). With their help, Obro begins killing the king's guards and retainers, terrorizing his underlings and eluding capture as he isolates Yotar; meanwhile, Yotar is becoming increasingly concerned not only with his experiment, which is about to reach its conclusion and which may kill his son in the process, but with the volcanic forces that seem to be building up beneath Metropolis. Finally, as if in rebellion against the king's profane use of science, an eruption ensues -- earthquakes rend the city and tidal waves threaten to engulf Atlantis, and amid the conflagration, Yotar is moved to pity by the pleadings of his son. He turns to Obro and Mesede to help save the boy from the doom that he has brought upon Atlantis, its people, and himself. ~ Bruce Eder, All Movie Guide

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