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Seymour Nebenzal Movies

Seymour Nebenzal was one of the more notable film producers in Germany during the 1920s and early '30s, and went on to a significant career in France and then in America. What made him unusual, apart from the quality of the movies that he produced in Germany, was that he was born in America and immigrated back to Europe to start his career. Born in New York City to a Jewish family at the end of the 19th century (some sources list his year of birth as 1897, others as 1899), Nebenzal moved to Germany in the 1920s and began his film career in Berlin during 1924, when he and director Richard Oswald formed Nero Films. Nebenzal went on to produce such movies as G.W. Pabst's Pandora's Box, The Threepenny Opera, and Kameradschaft, Fritz Lang's M and Testimony of Dr. Mabuse, and Paul Czinner's Ariane. He also bought the film rights to Pierre Benoit's L'Atlantide, which he filmed in 1932 as Die Herrin Von Atlantis, directed by Pabst, which was also released in an English version called Lost Atlantis. During his period in Germany, he was usually credited as Seymour Nebenzahl or simply as S. Nebenzahl. The rise of the Nazi Party made it impossible for Nebenzal to remain in Germany, and he moved to France in 1933. His productions during the mid-'30s included Mayerling by Anatole Litvak and Werther by Max Ophuls. Nebenzal returned to America at the end of the '30s and resumed movie production at the outset of the new decade with We Who Are Young and Prisoner of Japan. In 1942, Nebenzal became an investor and producer at PRC, where he worked with director Douglas Sirk on Hitler's Madman (and later, separate from PRC, on Summer Storm), and he was also responsible for getting Edgar G. Ulmer involved in the company. Together, the two made the crime/thriller Tomorrow We Live (1942) at the studio. Nebenzal produced a trio of eclectic mainstream movies immediately after WWII, the film noir The Chase, adapted from a story by Cornell Woolrich, the drama Whistle Stop, co-starring George Raft and Ava Gardner (both films which were done in association with screenwriter Philip Yordan), and the Western/fantasy film Heaven Only Knows. His most visible activity, however, was as the producer of remakes of two valuable properties that he owned: Die Herrin Von Atlantis as Siren of Atlantis, starring Maria Montez and Jean-Pierre Aumont, and Joseph Losey's American version of M, starring David Wayne. Nebenzal made his final film, The Girl From Hong Kong, in 1961, the year of his death. ~ Bruce Eder, Rovi
1966  
 
Originally released in Germany as Bis Zum Ende Aller Tage, this film stars Chinese actress Akiko in the title role. Helmut Griem plays a German sailor on leave in Hong Kong who falls in love with Akiko. Despite her questionable past, Griem marries her and brings her home. When Griem's family gives her a chilly reception, Akiko sadly decides that it would be best to quietly exit her husband's life. Though it looks a like lot the old British chestnut Waterloo Bridge, it was actually based on Heinrich Hauser's novel Brackwasser. ~ Hal Erickson, All Movie Guide

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1961  
 
Originally released in Germany as Bis Zum Ende Aller Tage, this film stars Chinese actress Akiko in the title role. Helmut Griem plays a German sailor on leave in Hong Kong who falls in love with Akiko. Despite her questionable past, Griem marries her and brings her home. When Griem's family gives her a chilly reception, Akiko sadly decides that it would be best to quietly exit her husband's life. Though it looks a like lot the old British chestnut Waterloo Bridge, it was actually based on Heinrich Hauser's novel Brackwasser. ~ Hal Erickson, Rovi

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1951  
 
It took nerve for director Joseph Losey to attempt a remake of Fritz Lang's classic chiller M, but by and large Losey was up to the challenge. David Wayne steps into the old Peter Lorre role as the compulsive child-murderer who is tracked down and then placed on trial by the criminal underworld. Whereas the original was set in Berlin, the remake takes place in Los Angeles. Syndicate chieftain Marshall (Martin Gabel) organizes his fellow crooks in order to bring "M" to justice, thereby keeping the police off their own backs. Found guilty by his "peers" and sentenced to death, "M" makes an impassioned plea for his life, explaining that he is unable to stop himself from committing his unspeakable crimes. Filmed just before Joseph Losey was banned from Hollywood in the wake of the communist witch-hunt, M features such fellow blacklist victims as Howard da Silva, Luther Adler and Karen Morley. ~ Hal Erickson, Rovi

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Starring:
David WayneLuther Adler, (more)
 
1948  
 
Siren of Atlantis is the third movie version of Pierre Benoit's fantasy novel L'Atlantide, first film in 1921. Jean-Pierre Aumont and Dennis O'Keefe star as Foreign Legionnaires Andre and Jean, who while on a routine mission in the African desert stumble upon the sunken city of Atlantis. Once they've arrived in the subterranean metropolis, they are forbidden to leave by sultry Queen Antinea (Maria Montez). For her own perverse amusement, Antinea romances both Andre and Jean, then sits back and watches the two duke it out over her affections. One of the men survives to tell the tale-if he can find anyone to believe him, that is. To their credit, Henry Daniell and Morris Carnovsky play their supporting roles with utterly straight faces. Of the many deliriously awful Maria Montez vehicles of the 1940s, Siren of Atlantis may well be the worst, though it's not without its campy pleasures. ~ Hal Erickson, Rovi

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Starring:
Maria MontezJean-Pierre Aumont, (more)
 
1947  
 
Also released as Montana Mike, Heaven Only Knows is an offbeat western with fantasy overtones. Hard-bitten gambling boss Brian Donlevy rules his frontier community with brawn and bullets. To his dismay, Donlevy discovers that he has a guardian angel (Robert Cummings), who shows up in the guise of an Eastern tenderfoot. The angel has been sent from Above to save Donlevy's soul, and to that end encourages the one-time villain to squire a minister's daughter (Jorja Curtwright) rather than his usual dance-hall girls. Donlevy is also given tips on winning against his enemies without resorting to gunplay. The gambler finally redeems himself with Heaven by rescuing the angel from a lynch mob (how can you lynch an angel?) Heaven Only Knows deserves an "E" for Effort for bringing a fresh twist to the venerable western genre. ~ Hal Erickson, Rovi

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Starring:
Robert CummingsBrian Donlevy, (more)
 
1946  
 
In this drama, Mary (Ava Gardner) returns to her small town after she becomes a success in the city. Meeting up with her old love, Kenny (George Raft), she discovers that he is still the unambitious, lazy man he was when she left, and she begins an affair with nightclub owner Lew Lentz (Tom Conway). When a jealous rivalry arises between Lew and Kenny, the results could be deadly. ~ Iotis Erlewine, Rovi

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Starring:
George RaftAva Gardner, (more)
 
1946  
 
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Originally slated for release through Monogram Pictures, The Chase was ultimately distributed by United Artists. Adapted by Philip Yordan from Cornell Woolrich's The Black Path of Fear (a perennial of the radio series Suspense), the film stars Robert Cummings as Chuck, shell-shocked ex-GI. Tormented by bizarre dreams, Chuck is drawn into the orbit of racketeer Roman (Steve Cochran). Hired as Roman's chauffeur, Chuck deals as best he can with his boss' faithless wife Lorna (Michele Morgan) and sinister henchman Gino (Peter Lorre). Persuaded by Lorna to help her escape the brutish Roman, Chuck agrees, only to end up accused of a murder he didn't commit. Thus begins the chase of the title, with Chuck eluding not only the authorities but also the stiletto-wielding Gino. Just when it seems that Chuck has cleared himself and all's right with the world, the story takes an unexpected turn, thrusting the hero back into a nightmarish maelstrom. ~ Hal Erickson, Rovi

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Starring:
Robert CummingsMichèle Morgan, (more)
 
1944  
 
Summer Storm is a remarkably effective Hollywood filmization of Anton Chekhov's The Shooting Party. Linda Darnell stars as the young and beautiful wife of a middle-aged Russian civil servant (Hugo Haas). Darnell becomes the object of the affections of her husband's employer, a lecherous count (Edward Everett Horton). The girl in turn is enamored of a provincial judge (George Sanders). At first, all flirtations are playful and harmless, but the judge takes Darnell so seriously that he ends up killing her in a jealous rage. Her husband is blamed for the crime, but the Count gets his comeuppance during the 1917 Bolshevik revolution (which didn't figure into the original Chekhov story, inasmuch as the author died in 1904). The big surprise in this is not that it works as well as it does, but that it features comic actor Edward Everett Horton in a straight, almost unsympathetic role, which he underplays beautifully. ~ Hal Erickson, Rovi

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Starring:
George SandersLinda Darnell, (more)
 
1943  
 
Hitler's Madman is based on an all-too-real wartime atrocity. John Carradine portrays Heydrich, the vicious SS officer put in charge of Nazi-occupied Czechoslovakia. Heydrich is killed by the Czech underground, prompting the Nazis to plan a horrible retaliation. The Gestapo selects the Czech village of Lidice for annihilation: They kill all the male villagers, throw the women and children into concentration camps, and torch Lidice into nonexistence. The victims of Nazi tyranny become martyrs to the underground cause, ending the film on a note of triumph. Based on a narrative poem by Edna St. Vincent Millay, Hitler's Madman was produced by the "poverty row" PRC studio, but was sold to MGM and given a class-A presentation at choice theatres throughout the U.S. ~ Hal Erickson, Rovi

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Starring:
Patricia MorisonJohn Carradine, (more)
 
1942  
 
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A crime lord with the ability to mesmerize and manipulate others forces an old ex-convict to do his evil bidding. When the reformed crook's daughter finds out, she starts working to save him. ~ Sandra Brennan, Rovi

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1940  
 
This upbeat domestic drama chronicles the struggles of a newlywed couple as they try to keep their marital status secret from their boss (company police forbids marriages between co-workers), cope with money issues and the wife's pregnancy. Real woes begins when the boss finds out about their union and fires the woman. Unable to pay their bills, the couple lose their furniture. Desperate for money, the husband gets involved with loan sharks. When his boss finds out about that, he fires him too. Despite their terrible troubles, the young couple remain steadfast in their love. ~ Sandra Brennan, Rovi

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Starring:
Lana TurnerJohn Shelton, (more)
 
1938  
 
Originally Tarakanowa, Feodor Ozep's Princess Tarakanova resurfaced under a variety of titles following its 1937 European release, including Orloff and Tarakanova and Betrayal. Annie Vernay plays the title character, an ambitious young woman of dubious heritage who aspires to the throne of 18th-century Russian monarch Catherine the Great. Princess Tarakanova is able to muster an army of fervent supporters, and for a while its seems that Catherine will be toppled from her throne. But the princess foregoes power in favor of romance when she falls in love with the dashing Count Orloff (Pierre Richard Wilm). Essentially a romantic drama, Princess Tarakanova ignores the tragic fate of the real-life princess in favor of a storybook ending. ~ Hal Erickson, Rovi

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Starring:
Annie VernayPierre Richard-Willm, (more)
 
1936  
 
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Based on Idol's End, a novel by Claude Anet, the French Mayerling is based on the tragic real-life story of Hapsburg Crown Prince Rudolph and his mistress, Baroness Marie Vetsera. Since the details of Rudolph and Marie's lives and deaths are clouded in controversy, much of the film is romanticized speculation-with emphasis on the romance. The film establishes Rudolph (Charles Boyer) as a rebellious "man of the people", at eternal odds with his despotic father, Emperor Franz Joseph (Jean Dax). To keep him quiet and out of trouble, Rudolph is forced into an arranged marriage, and surrounded by Hapsburg informers and spies. In an effort to escape this oppressive atmosphere, a disguised Rudolph dashes off to a fair, where he meets the beauteous 17-year-old Marie (Danielle Darieux). Thus begins an illicit romance, which the lovers try vainly to keep secret from the prying eyes of the Emperor's flunkeys. One of Rudolph's enemies arranges for Marie to be taken away to Trieste for a "rest cure." Rudolph sinks into a drunken depression, snapping out of it only when Marie returns. They attempt to legitimize their love through marriage, but the Catholic hierarchy will not approve of Rudolph's divorcing his wife. Desperately, the lovers flee to Rudolph's hunting lodge in Mayerling. Here they spend an exquisite last night together, then formulate a death pact. The following day, Marie and Rudolph are found lying side by side-united in death. Transforming this grim story into a tender, moving romance was quite an undertaking, but the end result was worth it: Mayerling was a huge international hit, and the winner of several industry awards, including the New York film critics' "best foreign picture" prize. Mayerling was remade in surprisingly cold and distant fashion in 1968, with Omar Sharif and Catherine Deneuve. ~ Hal Erickson, Rovi

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Starring:
Charles BoyerJean Dax, (more)
 
1934  
 
In an attempt to boost his then-flagging career, comedian Buster Keaton starred in the 1935 French production Le Roi de Champs Elysses (released in the U.S. as Champ of the Champs Elysees). Keaton plays a dual role as fugitive American gangster Buster Garner and his look-alike, a hapless Parisian publicist named Jim LeBalafre who's been fired from his job for handing out authentic French francs instead of banknote-shaped advertising flyers. The inevitable occurs when LeBalafre is mistaken for Garner, and his phony francs are mixed up with the genuine article. At the end of the film, the "Great Stone Face" breaks into an uncharacteristic wide smile, much to the delight of casual fans but to the dismay of dyed-in-the-wool Keaton aficionados. ~ Hal Erickson, Rovi

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Starring:
Buster KeatonPaulette Dubost, (more)
 
1932  
 
In this mythical fantasy, the evil queen of Atlantis lives in a magnificent palace, the halls of which are filled with the mummified remains of former lovers. ~ Sandra Brennan, Rovi

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Starring:
Brigitte Helm
 
1932  
 
Also known as Die Herrin von Atlantis, this expansive G. W. Pabst production is a remake of the 1921 Jacques Feyder film of the same name. Like the earlier film, the remake was largely shot in the Sahara Desert and cost a fortune to put together. Based on the best-selling novel by Pierre Benoit, the original story of adventure, sacrifice, fantasy and mysticism is largely dispensed with as Pabst focuses on the pivotal character of Anitnea, played by the always fascinating Brigitte Helm. Still, plenty of time is afforded the narrative of a group of French soldiers literally stumbling upon the underground city of Atlantis, their efforts to escape, and the ultimate destruction of the lost metropolis. Though Feyder's film is still the superior of the two versions, there is still much to recommend Pabst's L'Atlantide. ~ Hal Erickson, Rovi

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Starring:
Brigitte HelmPierre Blanchar, (more)
 
1931  
 
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Fritz Lang's classic early talkie crime melodrama is set in 1931 Berlin. The police are anxious to capture an elusive child murderer (Peter Lorre), and they begin rounding up every criminal in town. The underworld leaders decide to take the heat off their activities by catching the child killer themselves. Once the killer is fingered, he is marked with the letter "M" chalked on his back. He is tracked down and captured by the combined forces of the Berlin criminal community, who put him on trial for his life in a kangaroo court. The killer pleads for mercy, whining that he can't control his homicidal instincts. The police close in and rescue the killer from the underworld so that he can stand trial again in "respectable" circumstances. Some prints of the film end with a caution to the audience to watch after their children more carefully. Filmed in Germany, M was the film that solidified Fritz Lang's reputation with American audiences, and it also made a star out of Peter Lorre (previously a specialist in comedy roles!). M was remade by Hollywood in 1951, with David Wayne giving a serviceable performance as the killer. ~ Hal Erickson, Rovi

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Starring:
Peter LorreEllen Widmann, (more)
 
1931  
 
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Filmmaker G.W. Pabst's adaptation of Bertoldt Brecht and Kurt Weill's Threepenny Opera (Die Dreisgoschenoper) is every bit as good as the stage original, and sometimes even better. Filmed in both German and French versions with different casts (a planned English-language version was abandoned), Threepenny is most readily available today in its German incarnation. Rudolf Forster stars as robber captain MacHeath -- aka Mackie Messer, or Mack the Knife -- who falls in love with Polly (Carola Neher), daughter of beggar king Peachum (Fritz Rasp). Despising MacHeath, Peachum plots the thief's downfall with his best friend, corrupt police official Tiger Brown (Reinhold Schunzel). The satirical "happy ending" of the original -- MacHeath, en route to the gallows, suddenly and without motivation promoted to knighthood! -- is altered somewhat by Pabst and his scenarists to accommodate a swipe against Depression-era bankers. Lotte Lenya, Weill's wife, brilliantly repeats her stage role as Pirate Jenny. Stylistically, Threepenny Opera is a Georg Grosz drawing come to life; despite its 1890s London setting, the film's calculatedly tawdry veneer is clearly meant to represent the wide-open Berlin of the 1930s. For the record: the French version of Threepenny Opera starred Albert Prejean as MacHeath. ~ Hal Erickson, Rovi

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Starring:
Rudolf ForsterCarola Neher, (more)
 
1931  
 
Kameradschaft is set in a mining community on the French/German frontier, where several French miners are trapped in a cave-in. Their only hope for rescue lies in a long-abandoned underground tunnel, buried since the First World War. Ignoring the ethnic and political differences that have long separated the two countries, a group of German miners pick their way through the old tunnel to save the entombed Frenchmen. They do this despite the reluctance of the mine owners, who'd rather keep the nationalistic lines drawn, no matter how many lives it costs. When asked why they're willing to rescue the same people who'd forced their country into bankruptcy after the war, the German workmen reply "Miners are miners." Once the Frenchmen are brought to surface, however, the owners see to it that the borders knocked down by the Germans are quickly replaced; everything has changed, yet nothing has changed. Ironically, the German public, whose decency and humanity is celebrated in Kameradschaft, tended to avoid the film. ~ Hal Erickson, Rovi

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Starring:
Andrée DucretErnst Busch, (more)