N. Richard Nash Movies

A small Kansas town's preparations for its annual Fourth of July parade provide the backdrop of this drama that centers around the sudden turmoil experienced by three generations of women in a family when one of their husbands is released from a seven year sentence in prison and comes home looking for revenge. ~ Sandra Brennan, All Movie Guide

One Summer Love is a drama about a man (Beau Bridges) who is released from a mental hospital and sets out to rejoin his nutty family. Along the way, he meets a pretty gal (Susan Sarandon) who works in a movie theatre, and they fall in love. In a dramatic manner, their love exorcises the psychological devils which have troubled him. ~ All Movie Guide

N. Richard Nash's play The Rainmaker has always attracted the most flamboyant of performers, and this 1956 film version is no exception. Burt Lancaster all but bursts from the screen with his arm-waving portrayal of a confidence artist who works the drought-ridden Southwest, promising to bring rain for a flat fee of a hundred bucks. During his latest campaign, Lancaster takes up residence in the home of farmer Cameron Prud'homme (repeating his Broadway role) and his three offspring: rambunctious Earl Holliman, suspicious Lloyd Bridges, and ugly-duckling Katharine Hepburn. In a scene which has since become a standard in high school acting classes, Lancaster works his carnival-huckster charm on Hepburn, convincing her that she's the most gorgeous creature on earth. Armed with new self-confidence, Hepburn stops her tomboyish behavior and becomes a delectable object of affection for local suitor Wendell Corey. After performing this "miracle," Lancaster's last-act ability to conjure up a cloudburst seems almost anticlimactic. The probing lens of the movie camera does little to hide the fact that virtually everyone in the film is too old for their roles, but The Rainmaker makes up its shortcomings with sheer unbridled energy. ~ Hal Erickson, All Movie Guide

The title refers not to James Cagney's curtain line in White Heat but to Northern Alaska, where this film is set. Dale Robertson plays an Air Force jet pilot who resents the fact that he's been transferred from Hawaii to the frozen north. He changes his mind when he meets his ex-wife (Evelyn Keyes), now the proprietress of an Alaskan nightclub. Alas, Evelyn is planning to get married again -- and her intended is none other than her ex-husband's commanding officer (Frank Lovejoy)! Hostilities build to a fever pitch, but all petty differences are forgotten when the commander oversees a rescue mission to save the pilot and his crew from a floating glacier. The aerial photography is the most entertaining ingredient of Top of the World. ~ Hal Erickson, All Movie Guide

Though filmed in Hollywood, The Vicious Years is set in postwar Italy. Tommy Cook plays a homeless orphan named Mario, who happens to witness a murder committed by the son of a wealthy family. The enterprising Mario moves in with the family, promising to keep his mouth shut in exchange for food, shelter, and creature comforts. Gradually, a genuine affection develops between the boy and the family. But the homicidal son (Gar Moore) unrepentantly schemes to rid himself of Mario at the first opportunity. The slow, leisurely pace of The Vicious Years accelerates dramatically during the climactic scenes. Way down on the cast list is future MGM leading man Russ Tamblyn, here billed as Rusty. ~ Hal Erickson, All Movie Guide

A radio favorite since 1929, actress/producer Gertrude Berg's "Goldberg Family" made its film debut in 1950's The Goldbergs. Berg recreates her radio role of Molly Goldberg, the firm but gentle matriarch of a Jewish family living in the heart of New York. Carried over from the TV version of The Goldbergs (which debuted in 1949) is Philip Loeb as Jake Goldberg, who in this film expresses mild annoyance when Alexander (Eduard Franz), one of Molly's old flames, comes to visit. Jake changes his tune when Alexander offers to finance Jake's business ventures. This plan is scotched when well-meaning Molly breaks up a romance between Jake and the much-younger Debby (Barbara Rush). Things take a happier turn towards the end, as all "Goldbergs" fans knew they would. Featured in the cast is Eli Mintz as Uncle Jake, Larry Robinson as Sammy and Arlene McQuade as Rosalie, all of whom were concurrently featured in the Goldbergs TV series. ~ Hal Erickson, All Movie Guide

Never mind Veronica Lake and Joan Caulfield: the real star of The Sainted Sisters is Barry Fitzgerald, dispensing Hibernian blarney by the wheelbarrowful. The story begins as turn-of-the-century golddiggers Letty and Jane Stanton (Lake and Caulfield) escape New York after divesting a gullible millionaire of $25,000. En route to Canada by way of Maine, the girls are caught in a storm and forced to seek shelter in the home of canny New Englander Robbie McCleary (Fitzgerald). Quickly figuring out that his pretty guests aren't the winsome innocents they pretend to be, McCleary draws upon his own larcenous impulses to convince the sisters to dispense their money amongst the needy and deserving. Letty and Jane not only accede to McCleary's wishes, but reform themselves in the process. Though George "Superman" Reeves is the nominal leading man, The Sainted Sisters belongs to its character actors: Fitzgerald, William Demarest, Beulah Bondi, Chill Wills,et. al. Incidentally, when first released, the word "Sainted" was italicized in the main titles, lest the producers be accused of sacrilege. ~ Hal Erickson, All Movie Guide

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide