Bernard Cribbins Movies

Ghost of a Chance is a whimsical "preservationist" comedy filmed in England. Three young children oppose the destruction of an historical landmark, but their pleas fall on deaf ears. Coming to the rescue is a coterie of friendly ghosts, who stave off the wrecking ball long enough for the authorities to reconsider. Veteran British character actor Graham Stark plays head ghost "Dogood". Ghost of a Chance premiered in the US over the weekly CBS Children's Film Festival in 1972. ~ Hal Erickson, All Movie Guide

Steed and Tara investigate when the directors of Project Cupid, a top-secret construction project, are being systematically murdered. The culprit turns out to be a has-been vaudeville comedian, who resents the fact that Project Cupid plans to demolish a number of old music halls. Captured by the comedian and his minions, a bound-and-gagged Tara is subjected to the most hideous torture of all -- having to listen to their wheezy old jokes. John Cleese of Monty Python fame appears in an uproarious guest star role. Written by Dennis Spooner, this capriciously titled Avengers episode debuted in America on May 8, 1968, and was seen in England the following December 4th. ~ Hal Erickson, All Movie Guide

In this last gasp of the "Carry On" series, minus most of the "Carry On" players, Jim Dale plays Spanish map-maker Christopher Columbus, who has a plan to navigate a new route to India, bypassing the Sultan of Turkey (Rik Mayall) and his sky-high tributes. He convinces King Ferdinand of Spain (Leslie Phillips) and Queen Isabella (June Whitfield) to finance his trip, and he sets off for points east with a cabin boy in tow. But what Columbus doesn't realize is that his cabin boy is, in fact, a cabin girl. ~ Paul Brenner, All Movie Guide

Britain's long-running (some would say interminable) series of "Carry On" comedies managed to satirize virtually every film genre ever conceived over three decades. Since espionage dramas were hot in 1964, it was inevitable that the unwary world would be treated to Carry on Spying. The "maguffin" in this yarn is the top-secret Formula X, which has been pilfered by that insidious organization S.T.E.N.C.H. (Society for Total Extinction of Non-Existent Humans). Enter the heroes, the men and women of British Operational Security--better known as B.O.S.H. The good guys are understaffed, thus novice agent Kenneth Williams is put in charge of smashing the evil machinations of Dr. Crow (Judith Furse) and The Fat Man (Eric Pohlmann). The level of wit in Carry on Spying is sustained by the character name of leading lady Barbara Windsor, who plays the delectable Daphne Honeybutt. ~ Hal Erickson, All Movie Guide

In this children's sports drama the police team up with a local soccer league help a children's team thwart the evil plans of a local leader. ~ Sandra Brennan, All Movie Guide

In this comic-detective movie, Dangerous Davies, a bungling gumshoe uses archaic methods to solve his cases. This time he must solve a 15-year-old murder involving an adolescent girl. He finds himself on a convoluted trail surrounded by the lowest of the lowlife. It is not until the picture is almost over that he realizes that the solution to the mystery has been under his nose all along. ~ Sandra Brennan, All Movie Guide

Humorist Max Wilk scripted this listless film version of his book of the same name. Jerry Lewis plays George Lester, an American entrepreneur living in London. After a money-raising scheme fails, his wife Pamela (Jacqueline Pearce) threatens him with divorce. Trying to demonstrate his willingness to get serious with Pamela, George, with crackbrained finesse, turns her country home into a discotheque. Pamela, shocked, demands that George restore her home the way it was. While defending himself, George notes than Pamela now has a snobbish suitor in tow -- Dudley Heath (Nicholas Parsons). To show up Pamela, George contacts an old friend, conman H. William Homer (Terry-Thomas). Together, they concoct a scheme to abscond with Dudley's blueprints for an electronic oil drill and sell it to the Arabs. But complications occur when George catches the mumps and has to rely upon airline steward Fred Davies (Bernard Cribbins) to transport the microfilmed blueprints to Lisbon in his teeth. Once in Lisbon, a local dentist, Dr. Pinto (John Bluthal), is tabbed to remove the blueprints from Davies's mouth, but Dr. Pinto double-crosses them. George flies off to Lisbon with Pamela in pursuit, and the chase is on. ~ Paul Brenner, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

In this crime drama, the son of a cafe owner investigates the theft of an Egyptian mummy. ~ Sandra Brennan, All Movie Guide

In this drama, an ex-WW II pilot leads a quiet life in Hong Kong when suddenly the US government asks him to do some spying. Reluctantly he accepts the request and begins helping a Chinese woman find her missing son, also a pilot. The American, assisted by a Russian pal, finds the boy, but then gets romantically entangled with an American agent trying to sell a secret formula. As he helps her escape, she is killed and he returns to Hong Kong where he refuses to do anymore work for American intelligence. ~ Sandra Brennan, All Movie Guide

Hammer Films co-produced this lavishly mounted adventure, the fourth adaptation of the novel by H. Rider Haggard. In Jerusalem, Leo Vincey (John Richardson) meets with a slave girl, Ustane (Rosenda Monteros), who has been charged with bringing him to an immortal queen, Ayesha (Ursula Andress). Ayesha, who desires Leo because of his resemblance to her long-dead lover, offers riches if he will travel to her lost city in the mountains, where a magical flame will also give him eternal life. Accompanied by his adventurous friend Major Horace Holly (Peter Cushing), Leo sets out for the fabled city across the desert, but along the way Ustane causes trouble when she decides she wants Leo for her own. She (1965) was followed by a sequel, The Vengeance of She (1968), although the follow-up did not star Andress. ~ Karl Williams, All Movie Guide