R.J. Minney Movies

The true story of Violette Szabo, a heroine of the Second World War for her espionage activities on behalf of the British government. Born Violette Bushell (Virginia McKenna) to a French mother and an English father, she chances to meet Etienne Szabo (Alain Saury), a French officer, whom she later marries. They have a child, Tania, but Etienne is fatally wounded in the Battle of El Alamein. Violette is already contributing to the war effort at home, but soon discovers that her bi-lingual skills make her a potentially valuable member of England's Special Operations Executive, the country's wartime overseas espionage unit. She agrees to join and, after extensive training, is sent into France in the spring of 1944, on a mission to salvage a resistance unit in Rouen area. Szabo completes that mission successfully and returns home, intending to resume her life as a mother raising her daughter -- but she is offered a second mission in France, immediately after the Normandy landings, and accepts, with tragic consequences. ~ Bruce Eder, All Movie Guide

This British comedy centers around the game of Cricket. It is set as the British team and their legendary cricket player Sam Palmer, prepare for a big match with the Australians. It will be his swan song in the game. His son Reggie, a fledgling poet, must make a difficult decision. On one hand, he really wants to attend his father's final game, but on the other, he has also been invited to the home of world famous poet Alexander Whitehead. It is Whitehead who solves the dilemma as he is a Cricket fanatic. Together he and the boy speed off to the match. Actual Cricket players appear in the film. ~ Sandra Brennan, All Movie Guide

The dazzlingly handsome Stewart Granger is at least physically well cast as the charismatic 18th century violinist Paganini. The fact that the illusion explodes whenever he opens his mouth mattered not at all to Granger's legions of British female fans. Luckily for the screenwriters, Paganini was as celebrated for his many love affairs as for his musical accomplishments, so it wasn't necessary to cook up a romantic plotline from whole cloth. The actual Paganini solos are performed by Yehudi Menuhin, and in this respect (and this respect only) the film is worthwhile. Magic Bow was another guilty pleasure from Gainsborough Productions, England's principal purveyor of bodice-ripping romances. ~ Hal Erickson, All Movie Guide

A classic in gothic-romantic excess, Madonna of Seven Moons was one of the most successful British films of its genre. Though she doesn't know it at first, young convent-bred Rosalinda (Phyllis Calvert) has been born under a curse: before her life comes to a close, she will be wife, mother and mistress all in one. As a child, Rosalinda is raped by a gypsy, an experience that renders her a schizophrenic. Years later, she is the seemingly contented wife of prosperous Italian businessman Giuseppe (John Stuart) and the mother of attractive teenager Angela (Patricia Roc). From time to time, however, Rosalinda disappears from her home and retreats to the slums of Florence, where she assumes the identity of lustful gypsy girl Maddelina, the mistress of criminal leader Nino (Stewart Granger). Then she returns to her husband and daughter, completely unaware of her "other" self or even that she's been absent. Understandably curious about her mother's long absences, Angela follows Rosalinda during one of her sojourns into the Florentine underworld. Far from home and hearth, poor Angela is targetted for seduction by Sandro (Peter Glenville)--the very gypsy who'd assaulted the younger Rosalinda! And just when it seems that things can't get any more unbelievable?..well, this one is definitely better seen than described. Originally released at 100 minutes, Madonna of Seven Moons was expertly cut to 88 minutes for US consumption. ~ Hal Erickson, All Movie Guide

Released in the US as The Randolph Family, Dear Octopus was based on the internationally popular play by Dodie Smith. The story is motivated by the Golden Wedding anniversary of Charles and Dora Randolph (Frederick Leister, Helen Haye). As the relatives gather, each reveals his or her personal quirks and shortcomings. Caught in the middle is family secretary Penny Fenton (Margaret Lockwood), who has the unenviable task of sorting and smoothing out the family's many deep-set hostilities and jealousies so that a good time will be had by all. The basic premise of Dear Octopus is established early on; the rest of the film is variations on a single theme, albeit consistently amusing ones. ~ Hal Erickson, All Movie Guide