Laura Hope Crewes Movies

Charming Sinners was a stilted adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). In retaliation, Kathryn begins a flirtation with her former boyfriend Karl Kraley (William Powell). After reels and reels of verbal fencing, the status quo is re-established, and Robert and Kathryn are reunited. So dour and restrained was Clive Brook's performance that one film critic pretended to mistake him for the family butler! Charming Sinners was also filmed in several foreign-language versions. ~ Hal Erickson, All Movie Guide

Despite a troubled production that witnessed the exits of both leading man (Phillips Holmes) and director (George Fitzmaurice), this tearjerker was a winner at the box office in November of 1932. Constance Bennett plays Broadway diva Judy Carroll who loses custody of a wee orphan after testifying in a notorious embezzlement case. To get over the blow, Judy co-produces a play that basically mirrors her own life experiences, falling in love with playwright Jake (Joel McCrea) in the process. But when she learns that Jake's wife (Virginia Hammond) is with child, Judy nobly severs the romance and instead finds solace in the arms of the worldlier Tony (Paul Lukas). ~ Hans J. Wollstein, All Movie Guide

An espionage drama set in the early 20th century, Ever in My Heart stars Barbara Stanwyck as a New England naif who marries a German citizen (Otto Kruger). In 1915, Stanwyck and her husband suffer a brace of blows: The death of their son, and the sinking of the Lusitania, the latter incident sparking a wave of anti-German sentiment. Hounded out of their small town by the angered citizens, Stanwyck and Kruger move to Europe, where the husband voluntarily leaves his wife to join the Kaiser's army. In 1917, Stanwyck, working as a canteen volunteer in France, discovers that her once pro-American husband is now a German spy. To save him from a firing squad, she poisons his wine, then kills herself. ~ Hal Erickson, All Movie Guide

Sidney Howard's once-controversial play about the smothering aspects of Mother Love, The Silver Cord was filmed in 1933 with Laura Hope Crews recreating her stage role. Ms. Crews plays the outwardly selfless mother of Joel McCrea and Eric Linden; Irene Dunne and Frances Dee play the younger women in the lives of the two sons. Irene, an established physician, is quick to see that Ms. Crews' supposed loving relationship with her sons is an obsessive power trip, and that Mother is actually an emasculating monster who can't stand to have any other woman come between her and her offspring. Crews' steamroller tactics lead Frances Dee to attempt suicide, which results in the breakup of her relationship with Linden. Dunne, who loves McCrea and insists he stand on his own feet, is determined that Mother will exert her insidious influence no longer. She persuades McCrea to sever the "silver cord," leaving Crews alone with her weaker son Linden...a fate both richly deserve. ~ Hal Erickson, All Movie Guide

The melodrama If I Were Free was adapted from the play Behold, We Live by John Van Druten. War veteran lawyer Gordon Evers (Clive Brook) is trapped in a loveless marriage to Catherine (Lorraine MacLean). Sarah Cazenove (Irene Dunne) is trapped in a loveless marriage to Tono (Nils Asther). The couple meet each other in Paris and fall in love. Tono runs off with another woman and Sarah returns to her antiques shop in London. The lovers want to marry, but Catherine won't give Gordon a divorce and Tono shows up unexpectedly at Sarah's shop. After a scare from the doctor about Gordon's health, the couple is united with the help of Gordon's mother (Laura Hope Crews) and their friends, Hector (Henry Stephenson) and Jewel Stribling (Vivian Tobin). ~ Andrea LeVasseur, All Movie Guide

A two sided romantic triangle features Warner Baxter and Victor Jory in love with Elissa Landi and Landi and Jory's wife Miriam Jordan in love with Jory. The love of Baxter wins Landi in the end in this romantic comedy. ~ All Movie Guide

At his 1875 engagement party, Newland Archer (John Boles) is surprised to meet his childhood friend Ellen (Irene Dunne), now Countess Olenska; she's the cousin of his fiancee May (Julie Haydon). The strait-laced society of the time regards her as somewhat scandalous, but she's treated well by Newland and his family, so it's he whom she consults regarding a divorce. Although he talks her out of it at first, he reconsiders when he sees she's being pursued by philanderer Julius Beaufort (Lionel Atwill), but Ellen now realizes divorce would upset her family, especially her beloved grandmother (Helen Westley). Newland himself is strongly attracted to Ellen, and considers breaking his engagement to May, but he hasn't reckoned with the powerful rules of his society. The story is told by Newland to his grandson in flashback. ~ Bill Warren, All Movie Guide

American opera baritone George Houston, who later gained a measure of fame as a western hero, made his film debut in The Melody Lingers On. Houston plays Salvini, a dashing Italian army captain who enjoys a brief romantic fling with concert pianist Ann Prescott (Josephine Hutchinson). Their dalliance results in an illegitimate baby -- and, by extension, brings about Salvini's death when he saves the lives of Ann and the child. Raised by foster parents, Ann's son Guido (Dave Scott) grows up to become a talented musician, never suspecting that his gifts have been inherited; meanwhile, Guido's mother does penance for past sins in an Italian convent. A ruthless assault on the tear-ducts, The Melody Lingers On was adapted from a novel by Lowell Bretano. ~ Hal Erickson, All Movie Guide

Set in the Washington of World War I, Escapade stars William Powell as a newspaper editor eager to sign up for an overseas assignment. Instead, he's ordered to stay in Washington to decode enemy messages. This assignment has been arranged by the dizzy niece (Rosalind Russell) of the Undersecretary of War, who has fallen in love with Powell. She later joins the harried editor in squashing a spy ring, headed by Cesar Romero and Binnie Barnes. Considering how annoying Rosalind Russell's character becomes in Rendezvous, it's understandable that role was turned down by Myrna Loy. ~ Hal Erickson, All Movie Guide

Greta Garbo enjoyed one of her greatest triumphs in this glossy adaptation of Alexandre Dumas' oft-filmed romantic tragedy. Here, Garbo stars as Marguerite Gauthier, who is born into humble circumstances but in time becomes Dame aux Camille, one of the most glamorous courtesans in Paris. Camille is kept by the wealthy and powerful Baron de Varville (Henry Daniell), but after many years of earning a good living from her beauty without finding true love, Camille's heart is stolen by Armand (Robert Taylor), a handsome but slightly naive young man who doesn't know how she came by her fortune. Armand is just as attracted to Camille as she is to him, and she's prepared to give up the Baron and his stipend to be with Armand. However, Armand's father (Lionel Barrymore) begs Camille to turn away from his son, knowing her scandalous past could ruin his future. Realizing the painful wisdom of this, Camille rejects Armand, who continues to pursue her even as Camille contracts a potentially fatal case of tuberculosis. Remarkably, even though this was one of Garbo's greatest commercial and critical successes, she would make only three more films before her retirement in 1941; Camille, however, would be filmed several more times following this version (most memorably by elegant sexploitation auteur Radley Metzger in 1969's Camille 2000). ~ Mark Deming, All Movie Guide

A handful of German soldiers readjust to civilian life in the bitter wake of World War I in this follow-up to the classic All Quiet On The Western Front, which like the first film was based on a novel by Erich Maria Remarque. After the signing of the armistice, Capt. Von Hagen (John Emery) dismisses what is left of his troops, who march home to an uncertain future. Tjaden (Slim Summerville) finds himself helping to fend off rioters demanding food from a shop owned by the town's mayor (Etienne Girardot); the grateful mayor in turn offers Tjaden his daughter's hand in marriage. Weil (Larry Blake) becomes a political activist and finds himself acting as a spokesman for another group of citizens demanding precious food; this time, Weil is shot by troops led by his former commander, Capt. Von Hagen. Willy (Andy Devine) visits his former schoolteacher, who presents him with an ironic gift -- a toy gun he took away from Willy when he was a boy. And Albert (Maurice Murphy) comes home to discover his fiancée has wed another man, a man who avoided the war but found ways to profit from it at home. In a fit of rage, Albert kills the man, and finds himself on trial for his life. Combining a strong anti-war message with prescient warnings about the dangers of the rising Nazi regime, The Road Back was intended to be a powerful and controversial picture, and Universal entrusted it to their finest director, James Whale. However, by the time shooting was completed, new management had taken over the studio, and Nazi officials began applying pressure to Universal (as well as members of the film's cast) to delete the material critical of the Nazis, threatening to scuttle European distribution of future Universal product if their demands were not met. Universal bowed to their wishes, and the film was partially reshot with another director, and the remainder extensively re-edited, leaving the final product a pale shadow of what Whale had originally intended. ~ Mark Deming, All Movie Guide

The popularity of both Bob Hope and the sentimental tune "Thanks for the Memory" by Ralph Rainger and Leo Robin in The Big Broadcast of 1938 led to this plodding little domestic comedy-drama in which Hope plays a stay-at-home author and Shirley Ross his working wife. The situation is, of course, ripe for misunderstandings, and soon each spouse accuses the other of infidelity, with everything neatly solved in the final reel. In addition to the title tune, Hope and Ross also perform Hoagy Carmichael and Frank Loesser's "Two Sleepy People." The film was an unofficial remake of the 1931 production Up Pops the Devil. ~ Hans J. Wollstein, All Movie Guide

Bing Crosby plays the melodic medico of the title. To help cover for his ailing policeman pal (Andy Devine), Crosby takes the policeman's latest assignment and becomes the bodyguard for a loopy but wealthy matron (Bea Lillie). Bing falls in love with the lady's niece (Mary Carlisle), expressing his ardor in song. When the older woman becomes the target of thieves, it's Bing to the rescue. Based on the O. Henry yarn "The Badge of Policeman O'Roon", Dr. Rhythm is a satisfactory Bing Crosby vehicle, with the legendary Bea Lillie permitted a few choice moments in a rare screen appearance. ~ Hal Erickson, All Movie Guide