Joseph Crehan Movies

Manpower was Warner Bros' latest reworking of 1932's Tiger Shark, with power-company linemen substituting for tuna fisherman. While repair some downed lines in a heavy thunderstorm, Hank McHenry (Edward G. Robinson) saves the life of his best pal Johnny Marshall (George Raft). While Johnny emerges from the experience unscathed, Hank is permanently crippled. He takes this misfortune in stride, but Johnny vows to look after Hank's best interests for the rest of their lives. When Hank marries blowzy nightclub hostess Fay Duval (Marlene Dietrich), Johnny is disdainful, convinced that Fay is playing Hank for a sucker. While recuperating in Hank's home after a slight injury, Johnny confesses to Fay that he's in love with her, a feeling that turns out to be mutual. Out of loyalty to Hank, Johnny refuses to have anything to do with Fay, who finally decides to leave town rather than break up the men's friendship. But Fay cannot stay away from Johnny, forcing him to confront the ever-trusting Hank with the truth, leading inexorably to the film's violent conclusion on a precariously high utility pole. A few comic interludes aside, Manpower is virile, gutsy entertainment; the fact that Edward G. Robinson and George Raft did not get along at all during shooting-resulting in a well-publicized on-set fistfight-only adds to the film's crackling tension. ~ Hal Erickson, All Movie Guide

It's hard to believe that Wild Bill Hickok Rides is a Warner Bros. picture-and harder still to believe that Constance Bennett deigned to star in the film. Wavering uncomfortably between comedy and drama, this patchwork western features Bruce Cabot as Wild Bill Hickok, who on this occasion goes on the warpath against despotic land baron Harry Farrel (Warren William). When Hickok's rancher friend is lynched by Farrel's flunkeys, the fur-and bullets-really start to fly. Constance Bennett does her best to convincingly portray gambling-hall proprietress Belle Andrews, but it's an impossibly written role. Critic Bosley Crowther of the New York Times summed the whole thing up in a terse single sentence: "Will be remembered as the one in which a Bennett sister slummed. ~ Hal Erickson, All Movie Guide

Perhaps nine lives weren't enough, but 63 minutes was plenty of time to relate the plot of this Ronald Reagan vehicle. Reagan plays a newspaper reporter who has a story "that'll break this town wide open!" The story involves a mysterious, unsolved boarding house murder. The suspects include the seductive Faye Emerson, wide-eyed Joan Perry, and brainless Peter Whitney. Wanna bet none of them did it? Reagan solves the case, wins the girl, and doesn't retire to politics...yet. ~ Hal Erickson, All Movie Guide

Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide

In this crime drama, an ex-crook uses his skills as a forensic scientist to solve crimes. He forms a secret society of forensic scientists. Their main mission is convince skeptical police departments that modern science has a lot to offer them. To prove their point, the scientists randomly choose one large American city. There they enlist the aid of the police chief's daughter and using chemistry, solve a series of puzzling murders. ~ Sandra Brennan, All Movie Guide

MGM's third follow-up to its landmark Broadway Melody is short on story, but that's okay, since the plot is merely a clothesline upon which to hang sleek and opulent musical production numbers by Fred Astaire and Eleanor Powell -- particularly a breathless and eye-popping gloriously black-and-white six-minute tap dance finale between Astaire and Powell to Cole Porter's "Begin the Beguine." The tale itself is a typical backstage contrivance: Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a couple of hoofers working in a dance hall for peanuts. Due to mistaken identity, King gets tapped for the lead in a Broadway show opposite big star Clare Bennett (Eleanor Powell) rather than Johnny. But when King drowns his trouble in booze on opening night, Johnny covers for him, taking his place in the show. ~ Paul Brenner, All Movie Guide

Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide

There are three key characters in Anatole Litvak's filmization of Aben Kandel's novel City for Conquest, as opposed to the six or more in the book -- but the real star, to a large extent, is New York City and its entire population. For purposes of the movie, however, the dramatic arc is linked to James Cagney, as honest, unpretentious truck driver Danny Kenny, whose life is involved with two other people -- his kid brother, Ed (Arthur Kennedy), a gifted musician trying to survive in the rough-and-tumble world of New York's Lower East Side, and Peggy Nash (Ann Sheridan), the neighborhood girl from the Lower East Side whom he's loved, one way or another, since he was a kid. Danny is happy doing what he does, driving a truck, but when Ed's scholarship is cut in half, he reluctantly takes an offer of a boxing match to raise the cash he needs, going into the ring under the fighting name "Young Samson." At about the same time, Peggy -- who loves to dance -- has her head turned by Murray Burns (Anthony Quinn), an ambitious but sleazy aspiring professional dancer. Eventually Peggy goes into partnership with Murray and is ultimately driven by her own ambition to leave Danny after she accepts his marriage proposal. By now, he's getting up in the boxing world, and in his bitterness over losing Peggy he accepts a bout for the world's welterweight championship. He's not overmatched as a boxer, but the money involved in this fight is just too big for it to be honest, and Danny is left all but blinded when his opponent's handlers slip resin dust onto his gloves. Danny is left seemingly a shell of a man, though he's content with his lot in life as far as it goes. He doesn't want any special attention or favors from anyone; the only thing he would like, though he's too proud to admit it, would be for Peggy to come back. But by now her dancing career with Murray has fallen apart, and she's too tortured by guilt, over the sequence of events she helped start, to come near Danny. It falls to Ed, who has never given up composing, to express the inexpressibles that each of these characters feels through his music. His first major classical work is a symphony ostensibly about New York City, which he conducts in its premiere at Carnegie Hall; but it's also about Danny and his life, and his dreams. ~ Bruce Eder, All Movie Guide

Boasting Tony Martin and Rita Hayworth and bandleader Andre Kostelanitz as its leading players, it's surprising that Music in My Heart isn't better than it is. Martin plays European-born actor Robert Gregory, who while rehearsing for a Broadway musical falls in love with chorine Patricia O'Malley (Rita Hayworth). She likewise falls in love with him, even though she's scheduled to marry millionaire Charles Gardner (Alan Mowbray). The relationship is endangered when Gregory faces deportation to his own country, but baton-wieldig Kostelanitz comes to the rescue by making Gregory a radio singing sensation. Talented child actress Edith Fellows, who in previous films had been given top billing over Rita Hayworth, is somewhat wasted in the role of Rita's kid sister. Of the film's six songs, "It's a Blue World" is the singular highlight. ~ Hal Erickson, All Movie Guide

Through a miscarriage of justice, John Ingram (Edward G. Robinson) is convicted of a crime he did not commit and sentenced to a long stretch on a chain gang in the deep South. In time, Ingram flees to Oklahoma, where he makes a living fighting oil fires under an assumed name. Several years later, he has a successful business, a loving wife (Ruth Hussey), and a child. But he still lives in fear that his secret will be revealed, and one day he's visited by William Ramey (Gene Lockhart). Ramey admits that he committed the crime for which Ingram was convicted; he proposes that they meet with the authorities together, and Ramey will sign a confession that will clear Ingram's name. But Ramey instead double-crosses Ingram, putting him back on the chain gang while Ramey lays claim to his business. Before long, Ingram learns that his wife and child are nearly broke thanks to Ramey's gutting of his once-thriving business, and he decides that he must once again escape if he is to protect the safety of his family. Blackmail marked one of Edward G. Robinson's first "good guy" roles after making his name in a series of gangster epics; a year later, he would be starring in prestigious biopics, such as Dr. Ehrlich's Magic Bullet and A Dispatch From Reuters. ~ Mark Deming, All Movie Guide

Brian Donlevy was well enough established as a film personality in 1939 that he didn't have to accept the leading role in the Columbia "B" Behind Prison Gates. But like many other actors, Donlevy realized that Columbia treated character actors like stars-and boy, did he ever want to be a star. In this no-frills prison drama, Donlevy plays an undercover agent who goes "in stir" to locate the money stolen by a pair of cop-killing bandits. He almost pulls it off, but then someone recognizes him. Jacqueline Wells assumes the "gal on the outside" role generally played by Anne Sheridan over at Warner Bros. ~ Hal Erickson, All Movie Guide

In this newspaper drama, a young man's father, a prominent newspaper publisher is violently murdered by famous gangsters. The young man uses the power of his newly inherited press to get revenge upon the killers by exposing them. Unfortunately, the young man's schemes go awry when he learns the identity of the trigger man. ~ Sandra Brennan, All Movie Guide