Joseph Crehan Movies

After the end of World War II, the world gradually became aware of the full extent of the war crimes perpetrated by the Third Reich. In 1948, a series of trials were held in Nuremberg, Germany, by an international tribunal, headed by American legal and military officials, with the intent of bringing to justice those guilty of crimes against humanity. However, by that time most of the major figures of the Nazi regime were either dead or long missing, and in the resulting legal proceedings American judges often found themselves confronting the question of how much responsibility someone held who had "just followed orders." Judgment at Nuremberg is a dramatized version of the proceedings at one of these trials, in which Judge Dan Haywood (Spencer Tracy) is overseeing the trials of four German judges -- most notably Dr. Ernst Janning (Burt Lancaster) and Emil Hahn (Werner Klemperer) -- accused of knowingly sentencing innocent men to death in collusion with the Nazis. Representing the defense is attorney Hans Rolfe (Maximilian Schell), while prosecuting the accused is U.S. Col. Tad Lawson (Richard Widmark). As the trial goes on, both the visiting Americans and their reluctant German hosts often find themselves facing the legacy of the war, and how both of their nations have been irrevocably changed by it. Judgment at Nuremberg also features notable supporting performances by Marlene Dietrich, Judy Garland, and Montgomery Clift. Originally written and produced as a play for television, the screen version of Judgment at Nuremberg was nominated for 11 Academy Awards, with Maximilian Schell and Abby Mann taking home Oscars for (respectively) Best Actor and Best Adapted Screenplay. ~ Mark Deming, Rovi

No sooner have the Ricardos and the Mertzes boarded the Union Pacific Domeliner train for New York than Lucy (Lucille Ball) has accidentally pulled the emergency brake -- and rest assured, it isn't for the last time in this episode. As for the plot, Lucy becomes convinced that a traveling jewelry salesman (Lou Krugman) and a detective (Joseph Crehan) are a pair of crooks, and that a genuine jewel thief (Harry Bartell) is an FBI agent! In the course of events, Fred (William Frawley) and Ethel (Vivian Vance) are splattered with mashed potatoes -- no fewer than three times. ~ Rovi

All-American football star Elroy "Crazylegs" Hirsch plays himself in this rousing filmed biography. Beginning with his years in a mid-Wisconsin high school, the film traces Hirsch's multi-lettered career at the University of Wisconsin. After military service, Hirsch turns pro, eventually joining the LA Rams. Sidelined by an injury that threatens his athletic future, "Crazylegs" makes a spectacular comeback. Lloyd Nolan co-stars as coach Win Brockmeier, while Joan Vohs plays Hirsch's high-school sweetheart (and later wife); real-life sports personages in the cast include Bob Waterfield, Bob Kelley, and Bill Brundage. The film was released in most markets under the streamlined title Crazylegs. ~ Hal Erickson, Rovi

An insurance investigator, a dame with a yen for the finer things in life and a mail robbery gone horribly wrong are the ingredients in this low-budget but highly engrossing film noir. Charles McGraw and Louis Jean Heydt are tough insurance agents but their partnership comes in for some rough sailing when he former falls head over heels for Joan Dixon, a lady apparently not averse to letting herself be wined and dined by an obvious gang leader (Lowell Gilmore). In an attempt to win the lady's favors, McGraw concocts a plan to rob a mail train insured by his own company. Too late does he discover that the girl is perfectly willing to accept him as he is. ~ Hans J. Wollstein, Rovi

No good deed goes unpunished in the "Bowery Boys" entry Triple Trouble. When Slip (Leo Gorcey), Sach (Huntz Hall) and the rest of the Bowery Boys attempt to stop a robbery, it is they who wind up in prison. Once behind bars, the boys learn of an escape plan, but when they try to relay this information to the warden, they're threatened with solitary confinement. And when Slip and Sach try to sabotage a short-wave radio that is being used by one of the prisoners to orchestrate burglaries on the outside, our two heroes are thrown into solitary. Even poor sweet-shop owner Louie (Bernard Gorcey) is not spared; running into the street and calling for help after being robbed, Louie is told by the beat cop that he risks arrest for disturbing the peace! Amazingly, the Bowery Boys manage to survive all these knocks and bring the film's genuine bad guys to justice. ~ Hal Erickson, Rovi

In this musical, an ambitious young singer and her band leave their small hometown to head for the Big Apple in hopes of finding fame and fortune. ~ Sandra Brennan, Rovi

Set in a rugged Northwest logging camp, this drama follows the exploits of the lumberjack who inherits the camp. For a long time, he has been courting a pretty young thing, and now that she believes him wealthy, she decides to finally accept his proposal. When she finds out that the company has many financial woes and that living in the woods takes guts and courage, she turns into a nagging shrew, constantly urging him to sell-out to a major corporation. Meanwhile his treacherous foreman, an agent of the bigger company, uses sabotage to change the stubborn camp owner's mind. A big forest fire flushes out the rest of the traitors and makes the wife realize that she loves her husband after all. ~ Sandra Brennan, Rovi

This musical comedy stars William Powell as Emery Slade, who was once a major film star but lately isn't getting much work. Arrogantly determined to climb back to the top, Slade convinces studio chief Melville Crossman (Adolphe Menjou) to give him the male lead in the film version of a Broadway musical. However, Crossman's offer comes with a catch: Emery has to persuade the show's female lead to appear in the movie. Slade heads to New York to seal the deal, but instead he discovers a gifted young unknown named Julie Clark (Betsy Drake) and decides she's perfect for the role. Crossman is not too enthusiastic about this news, and neither is publicist Bill Davis (Mark Stevens), who is given his pink slip along with Slade. However, Slade is determined to make a career for Julie in Hollywood, though it's not until later that he realizes why he feels so strongly about her. Movie buffs will get a kick out of Menjou's performance, closely modeled on 20th Century Fox boss Darryl F. Zanuck. ~ Mark Deming, Rovi

Yards and yards of stock footage from the old German jungle actioner Green Hell were used to pad out the 1949 programmer Amazon Quest. Tom Neal stars as a Dutchman who journeys into the wilds of Brazil to find his father. Neal hopes to clear the name of his dad, who has been accused of deserting his family and friends for a native girl but who was actually on a secret mission on behalf of a major rubber-manufacturing concern. As he ventures deeper into a studio-built forest, Neal finds romance in the shape of Amazonian Carole Mathews. The stock footage is rather clumsily matched with the newly-shot scenes, but director S.K. Seeley manages to keep things moving fast enough to deflect the audience's attention from the film's flaws. ~ Hal Erickson, Rovi

In this boxing drama, Jimmy Brody, a retired middle-weight champion turned publisher, must return to the ring when his company encounters financial difficulties. He is set up by some bad-news bookies who try to convince Brody to take a dive. The ex-champ refuses and triumphs even though his hand was broken during the bout. Furious, the gamblers attempt to kill him. Fortunately the cops arrive in the nick of time. ~ Sandra Brennan, Rovi

Those scurrilous Chinese communists are up to their old tricks in the 1949 flagwaver State Department - File 649. William Lundigan plays Ken, an operative of the U.S. Foreign Service stationed in North China. Ken is one of several people trapped in a remote village by evil warlord Yun Usu (Richard Loo), who intends to sell his services to the highest bidder, be they Red or otherwise. Our hero manages to get a message out to the Free World before the film's operatically self-sacrificial climax. The characterizations are of the cardboard variety and the dialogue is straight out of Fu Manchu. Still, State Department - File 649 is a fascinating encapsulation of postwar political propaganda. ~ Hal Erickson, Rovi

Marking the screen debut of Rex Allen, the last of the Singing Cowboys, The Arizona Cowboy featured a mildly entertaining though hardly innovative story of a rodeo cowboy who learns that his father (John Elliott) is falsely accused of stealing 50,000 dollars from his employer, the Dusty Acres Irrigation Company. Rex goes undercover as Arizona Jones -- with the assistance of I.Q. Barton (comedy relief Gordon Jones) and the irrepressible "Cactus" Kate (Minerva Urecal) -- and soon unmasks the villain who first framed then kidnapped his dad. In-between rescuing his father and romancing leading lady Teala Loring, Allen found time to sing "Arizona Waltz" and "I Was Born in Arizona," both of which he had written himself. A star performer on the famous National Barn Dance radio program from 1945 to 1949, Arizona-born Rex Allen was Republic Pictures' final musical Western star. Allen, in fact, arrived at a time when B-Westerns in general and Singing Cowboys in particular were becoming a losing proposition due to the competition from television. As Allen himself remembered to writer Samuel M. Sherman: "I came in late. They forgot to tell me the whole thing was over when I started." Despite this handicap, Allen managed to stay afloat until 1954. He later starred in the TV series Frontier Doctor and narrated for Walt Disney. ~ Hans J. Wollstein, Rovi