Laird Cregar Movies

Set in turn-of-the century London, this period thriller stars Laird Cregar as George Harvey Bone, a composer who suffers from a rather severe case of artistic temperament. Driven to distraction by the discordant sounds of the city, the usually sensitive Bone occasionally snaps when exposed to undue stress, and the results can be deadly; he sometimes blacks out and commits murders that he can't quite recall the next morning. Working on a major concerto, Bone is at his wit's end, and when an antique dealer tries to cheat him, the salesman turns up dead. Dr. Allen Middleton (George Sanders), a psychologist with Scotland Yard, questions Bone about the crime; he claims to know nothing about it, but the perceptive doctor suggests that Bone needs to relax more. Taking Middleton's advice, Bone visits a music hall that evening and sees Netta London (Linda Darnell), a singer with whom Bone immediately becomes entranced. This makes the composer even less patient with his sweetheart Barbara Chapman (Faye Marlowe), whose father, the wealthy Sir Henry Chapman (Alan Napier), has commissioned Bone's latest work. When Barbara tells Bone that his concerto is not up to snuff, she only narrowly escapes with her life, and while Bone believes that he's found true love with the beautiful Netta, the singer finds herself in danger when Bone suspects her of infidelity. Hangover Square gave character actor Laird Cregar his first starring role. Sadly, it was also his last film; Cregar, who struggled with weight problems all his life, tipped the scales at nearly 300 pounds when he made this film. Eager for more starring roles, Cregar went on a dangerous crash diet, and while he soon lost 100 pounds, it put his health into serious disarray, and the actor died of a heart attack at the age of 28, shortly before the release of his first starring vehicle. ~ Mark Deming, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide

Though a lesser 20th Century-Fox musical, Hello, Frisco, Hello was one of the studio's most successful wartime efforts. John Payne plays Johnny Cornell, a sharp wheeler-dealer operating on the Barbary Coast at the turn of the century. With the help of his songstress girlfriend Trudy Evans (Alice Faye), Johnny gains a reputation as a first-class showman. Soon, however, success goes to Johnny's head, and he deserts Trudy in favor of Nob Hill socialite Bernice Croft (Lynn Bari). The disheartened Trudy heads to England, where she becomes the toast of London's theatrical set. Meanwhile, Johnny marries Bernice, who talks him into a series of money-losing "artistic" theatrical ventures. Learning of the reversal in Johnny's fortunes, Trudy secretly finances his comeback, leading to a happy ending for everyone except the pretentious Bernice. A loose reworking of 1936's King of Burlesque, Hello, Frisco Hello benefits from the comedy relief of Jack Oakie and from a string of enjoyable tunes, including the Oscar-winning "You'll Never Know." ~ Hal Erickson, All Movie Guide

Perhaps unintentionally, the 1942 Technicolor swashbuckler The Black Swan is a bondage fetishist's dream, with hero and heroine Tyrone Power and Maureen O'Hara taking turns being tied up and imprisoned throughout the film's brisk 85-minute running time. Very loosely adapted by Ben Hecht and Seton I. Miller from a novel by Rafael Sabatini, the film casts Power as rogueish, hot-tempered buccaneer Jamie Waring, who considers the day wasted when he hasn't sacked a Spanish galleon or plundered a rich coastal town. Jamie's partner in crime is pirate king Henry Morgan Laird Cregar, an alliance that comes to an end when Morgan is appointed governor of Jamaica. Disgusted by this defection, Jamie considers joining the scurrilous Redbeard George Sanders, but eventually decides to reform his ways when he falls in love with Margaret Denby Maureen O'Hara, the gorgeous daughter of the former Jamaican governor Lord Denby George Zucco. Before the final obligatory sail into the sunset, however, Margaret is kidnapped and manhandled on a seemingly hourly basis, while Jamie is subjected to even more abuse at the hands of pirates and officials alike. Henry King handles the derring-do in Black Swan with commendable sobriety, leaving the story's tongue-in-cheek elements in the capable hands of the cast and the screenwriters. ~ Hal Erickson, All Movie Guide

At first glance, we seem to be watching the 1934 Fred Astaire/Ginger Rogers musical The Gay Divorcee, which opens with a montage of Paris nightspots. Suddenly, however, stock footage from that earlier film is cut short, the screen goes dark, and an offscreen radio voice announces the Nazi invasion of France. At this point, the plot of Joan of Paris gets under way. Michèle Morgan plays a Parisian barmaid, Joan, whose patron saint is Joan of Arc. Thus, she considers it her bounden duty to aid Free French pilot Paul Lavallier (Paul Henreid) and his RAF comrades (one of whom is Alan Ladd) in their efforts to escape from occupied France. And if this means that Joan must face death at the hands of slimy Gestapo chief Herr Funk (Laird Cregar), she's eager and willing to make that sacrifice. One of the earliest French Underground dramas, Joan of Paris posted a neat profit for ever-in-the-red RKO Radio Pictures. ~ Hal Erickson, All Movie Guide

Well-known New York sports promoter Frankie Christopher (Victor Mature) is the prime suspect in the murder of Vicky Lynn (Carole Landis), a successful model and would-be actress. Questioned relentlessly by the police, and particularly by hulking detective squad commander Ed Cornell (Laird Cregar), he maintains his innocence. Meanwhile, Vicky's sister Jill (Betty Grable) is also being questioned. Their answers, given in adjoining interrogation rooms, become the basis for brief, neatly constructed interlocking flashbacks at the opening of the movie that explain a ton of plot in very little time. Both are released after admitting nothing, and the police begin working on other suspects, including journalist Larry Evans (Allyn Joslyn), aging actor Robin Ray (Alan Mowbray), and hotel clerk William Harrison (Elisha Cook Jr.) Jill had little use for Frankie, the man who had been promoting her sister's career, but the two are drawn together in the course of trying to sort out their lives and the murder of her sister, and her realization that Frankie is capable of truly loving a woman, and not just exploiting her. Meanwhile, Cornell makes it his business to pressure and torment Frankie, illegally entering his apartment and promising him an arrest and a death sentence. Eventually, the noose seems to tighten around Frankie as the circumstantial evidence piles up, until Frankie, trying to clear himself, uncovers a clue leading back to the real killer -- who was known to Cornell all along. Confronting the detective in his apartment, Frankie discovers a veritable shrine to Vicky -- copies of her magazine covers and photos filling the walls of his apartment -- and learns that the man had his own dark reasons for wanting to kill him. His psychosis finally catching up with him, his career and reputation in ruins, Cornell reveals the truth to Frankie as he proceeds to take his own life. ~ Bruce Eder, All Movie Guide

Jack Benny brings his own distinctive touch to Brandon Thomas' venerable (and oft-filmed) stage farce Charley's Aunt. Utilizing a gloriously unconvincing broad-A English accent, Benny is cast as Lord Fancourt Babberly, a somewhat overaged undergraduate at Oxford University. Babbs' roommates Jack Chesney (James Ellison) and Charley Wyckeham (Richard Haydn, in his film debut) are desirous of inviting their lady friends Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter) to their quarters, but first they must secure the services of a proper escort. When Charley's aunt Donna Lucia D'Alvadorez (Kay Francis) is detained, Jack and Charley coerce Babbs, who has dressed up as an old lady for a school play, to pose as the absent Donna Lucia. The fun really begins when, for reasons far too complicated to detail here, both Jack's father Sir Francis Chesney (Laird Cregar) and Amy's uncle Stephen Spettigue (Edmund Gwenn) romantically pursue the bogus aunt. The third-act arrival of the real Donna Lucia only adds to the comic confusion-but at least poor Babbs has finally found a lady friend closer to his own age. The female-impersonation angle in Charley's Aunt has been known to descend into vulgarity, but Jack Benny remains both hilarious and tasteful throughout. Understandably, the film was one of Benny's favorites. ~ Hal Erickson, All Movie Guide

This sweeping drama chronicles the foundation a Canadian institution: the Hudson's Bay Trading Company. Set in the 17th century when the fur trade was at its peak the story centers on Radisson, a far-sighted entrepreneurial fur trapper, and his sidekick who dream of establishing a major trading post on the title bay. Opportunity arises when they encounter an exiled British aristocrat and begin teaching him frontier ways. He in turn has them travel to England with him. There the determined Radisson, must first convince King Charles that the proposed post would be a lucrative venture. The king eventually agrees to fund the first post and Radisson, his partner and the aristocrat return to the Canadian frontier. The company gets off to a good start until the aristocrat's brother-in-law gets drunk and kills a native thereby nearly starting a war that Radisson averts by having the drunken killer killed. The nobleman is outraged and as soon as the three return to England to give a report to the King, he has the two trappers placed in prison. Fortunately, Radisson is able to appeal to the King's greed by telling him that the heretofore successful trading post will collapse without the two of them and they return to Canada to found a business empire that is still going strong today. ~ Sandra Brennan, All Movie Guide