Claude Makovski Movies

Charles is a middle-aged junk dealer, beset by several imagined illnesses. Lucie is his lady friend, a washed-up singer. Vulnerable and easily led, Charles and Lucie fall victim to a confidence scheme. Left penniless in the south of France, our hero and heroine find themselves the targets of pursuit, not only from the authorities but from the underworld. The curious result is that they regain their join in living. Charles and Lucie is one of a handful of amiable character studies (and the last one to date) directed by Abel Gance protegee Nelly Kaplan. ~ Hal Erickson, All Movie Guide

Diquet (Claude Brasseur) is a private investigator. Usually, he just follows people around and records what he sees them doing. His latest case becomes progressively stranger. After he is hired to follow a man's young mistress, the detective finds that her journeys begin to tie into his own life -- to episodes dating back to World War II, and to certain of his friends who are dead. ~ Clarke Fountain, All Movie Guide

Also known as La Fiancée du Pirate and Dirty Mary, this French comedy noir stars Bernadette Lafont as Marie, the title character. Early in the game, Marie learns how to use sex as a means to an end. She enjoys the favors of several of her town's leading citizens, not-too-subtly suggesting that her silence can be bought. Nearly driven out of town by the local moral arbiters, Marie strikes a blow against hypocrisy with a deliciously creative revenge. A Very Curious Girl is the sort of harmless French fare that used to pop up on your local Late Late Late Show in-between the Vegomatic ads and the "Live Better Electrically" public-service spots. ~ Hal Erickson, All Movie Guide

One of pioneering director Jean-Luc Godard's most accessible films is this French spin on Dolores Hitchens' novel Fool's Gold. It tells the tale of three disaffected youths who plan a burglary, leading to deadly results. The alienated young trio is marvelous, particularly Anna Karina, and the early scenes of their clearly overdeveloped fantasy lives are splendidly handled. Something of a companion piece to Godard's classic À Bout de Souffle, its young characters have the same odd mixture of fatalism and starry-eyed naïveté that is, by turns, appealing and tragic. Trivia buffs should note that the film gave its name to Quentin Tarantino's production company (A Band Apart), and several of its scenes are echoed in his Pulp Fiction. ~ Robert Firsching, All Movie Guide