Frank Maher Movies

Innocent Bystanders stars Stanley Baker as a Bondlike British secret service agent. In collaboration with fellow spies Geraldine Chaplin and Dana Andrews, Baker is sent behind the Iron Curtain to locate a Russian scientist who has escaped from Siberia. There's a likelihood that the scientist was permitted to escape so that he can spy on the Good Guys. Baker must decide if the escapee is to be rescued or eliminated. The level of sadism and bloodshed in Innocent Bystanders is such that at times it makes the James Bond films look like models of decorum. ~ Hal Erickson, All Movie Guide

An organization specializing in extortion manages to extract money from nervous millionaires by demonstrating how easy it would be to commit murder. The mastermind behind these simulated killings is Nathaniel Needle (George Murcell), who makes it plain that he's just as capable of pulling off the "real thing." Steed and Emma dedicate themselves to stopping Needle's nasty little protection racket -- if they can avoid being murdered themselves. Written by Philip Levene, "You Have Just Been Murdered" premiered in England on October 28, 1967, and in America on January 24, 1968. ~ Hal Erickson, All Movie Guide

When a country clergyman is found dead with a gun and a roll of microfilm in his possession, Steed poses as the man's replacement. This enables him to gain access to the venerable crime organization Bibliotek, at present locked in a power struggle. This episode marks the second time that The Avengers utilized a machine gun-wielding nun as a plot device. Written by Eric Paice, "The Little Wonders" first aired in England on January 11, 1964; American viewers finally caught up with the episode when it was shown on the A&E cable network on March 25, 1991. ~ Hal Erickson, All Movie Guide

One-and-a-half seconds after his election, a muckraking politician is murdered. Hoping to get to the bottom of the mystery, Steed arranges for Cathy to take the dead man's place. But it turns out that the "murder victim" is very much alive, and he intends to detonate a nuclear warhead in London on Guy Fawkes' Day. Originally telecast in England on November 2, 1963 (three days before the annual Guy Fawkes celebration), "November Five" was written by Eric Paise. The significance of its title (and its topicality) was lost to American viewers when the episode made its U.S. TV debut on March 12, 1991. ~ Hal Erickson, All Movie Guide

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide

Although there were Westerns before it, Stagecoach quickly became a template for all movie Westerns to come. Director John Ford combined action, drama, humor, and a set of well-drawn characters in the story of a stagecoach set to leave Tonto, New Mexico for a distant settlement in Lordsburg, with a diverse set of passengers on board. Dallas (Claire Trevor) is a woman with a scandalous past who has been driven out of town by the high-minded ladies of the community. Lucy Mallory (Louise Platt) is the wife of a cavalry officer stationed in Lordsburg, and she's determined to be with him. Hatfield (John Carradine) is a smooth-talking cardsharp who claims to be along to "protect" Lucy, although he seems to have romantic intentions. Dr. Boone (Thomas Mitchell) is a self-styled philosopher, a drunkard, and a physician who's been stripped of his license. Mr. Peacock (Donald Meek) is a slightly nervous whiskey salesman (and, not surprisingly, Dr. Boone's new best friend). Gatewood (Berton Churchill) is a crooked banker who needs to get out of town. Buck (Andy Devine) is the hayseed stage driver, and Sheriff Wilcox (George Bancroft) is along to offer protection and keep an eye peeled for the Ringo Kid (John Wayne), a well-known outlaw who has just broken out of jail. While Wilcox does find Ringo, a principled man who gives himself up without a fight, the real danger lies farther down the trail, where a band of Apaches, led by Geronimo, could attack at any time. Stagecoach offers plenty of cowboys, Indians, shootouts, and chases, aided by Yakima Canutt's remarkable stunt work and Bert Glennon's majestic photography of Ford's beloved Monument Valley. It also offers a strong screenplay by Dudley Nichols with plenty of room for the cast to show its stuff. John Wayne's performance made him a star after years as a B-Western leading man, and Thomas Mitchell won an Oscar for what could have been just another comic relief role. Thousands of films have followed Stagecoach's path, but no has ever improved on its formula. ~ Mark Deming, All Movie Guide

Archetypal depression-era stars Henry Fonda and Sylvia Sidney are felicitously teamed in Fritz Lang's You Only Live Once. Fonda plays an ex-convict who can't get a break on the "outside". He marries Sidney, who like her husband is one of life's losers. Framed on a murder rap, Fonda is forced to take it on the lam, with his wife and baby in tow. In trying to avoid capture, Fonda becomes a murderer for real, condemning himself and Sidney to an early demise. Partly based on the legend of Bonnie and Clyde, the Gene Towne-Graham Baker screenplay stacks the deck against its protagonists to such an extent that the audience is virtually forced to hate their various antagonists. As superb as Henry Fonda is in portraying the foredoomed hero, Sylvia Sidney is even better as his wife; her reading of such lines as "We just call him...baby" are enough to shrivel the heart even after six decades. ~ Hal Erickson, All Movie Guide