Victor Lyndon Movies

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.

With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, Rovi

American audiences were disappointed when the nude scenes featuring sexy Baby Doll (1956) star Carroll Baker were excised from this potboiler for its exhibition on U.S. shores. At an isolated oil pumping station deep in the African desert, workers Kramer (Peter Van Eyck), Fletcher (Ian Bannen), Macey (Denholm Elliott), Martin (Hansjorg Felmy), and Santos (Mario Adorf) are tense, lonely, and love-starved. A little excitement unexpectedly comes into their lives when they rescue a couple, Jimmy (Biff McGuire) and Catherine (Baker), from a wreck. While Jimmy is bed-ridden with his injuries, Catherine flirtatiously arouses passions and inflames simmering resentments among the oil crew. An amusing dalliance goes too far when Catherine sleeps first with Kramer and then Martin. Based on the play Men Without a Past by Jacques Maret, Station Six-Sahara (1963) played as the B-slot picture on a double bill with Topkapi (1964). ~ Karl Williams, Rovi

The Devil's Agent is Peter Van Eyck in this economical espionager. A Viennese wine merchant, Van Eyck becomes the unwilling dupe for the Russians. In retaliation, he offers to become a double agent for the United States. The better-than-average cast includes Macdonald Carey, Christopher Lee, Billie Whitelaw, Marius Goring and Helen Cherry. Somewhat lost amidst the flashier James Bond clones of the late 1960s, The Devil's Agent holds up pretty well when seen today. ~ Hal Erickson, Rovi

Robert Aldrich (Kiss Me Deadly) directed this cloak-and-dagger yarn (based on a bestseller by Leon Uris), filmed on sumptuous locations in Greece. Set in Athens in 1941, before the Nazis overran the country, Robert Mitchum plays American war correspondent Mike Morrison, who has come into the possession of a list of 16 Greek underground leaders that he agrees to deliver to British intelligence in London for a $20,000 fee. Trying to keep him from getting there is the local Gestapo chief Conrad Heisler (Stanley Baker) and fifth columnist Tassos (Theodore Bikel). Morrison also becomes involved with a group of Greek freedom fighters -- particularly the beautiful Eleftheria (Gia Scala). But then Morrison comes down from the mountains and back to Athens, where he finds himself trailed, not only by the Nazis, but by charming widow Lisa Kyriakides (Elisabeth Muller). ~ Paul Brenner, Rovi

The fast-paced world of stock-car racing provides the backdrop of this British adventure. The story centers on Katie Glebe as she attempts to save her father's failing garage after he is killed during a race. She ends up assisted by an American driver, Larry Duke. Unfortunately, creditor Turk McNeil is determined to take the garage to repay a debt. Real trouble ensues when Turk's lover Gina becomes interested in Larry. Turk then rigs the race and has Larry beaten up. Fortunately, this does not stop the determined Yankee from winning the race and the girl in the end. ~ Sandra Brennan, Rovi

In this children's movie, little orphan Johnny endeavors to fulfill his dream and return to Poland, his native land. Unfortunately, his attempts get him entangled with jewel thieves who use him to pull off several robberies. The innocent boy has no idea he is being used until it is almost too late. He then comes upon a village populated by people from all over the world who protect him from the wicked outlaws. ~ Sandra Brennan, Rovi