Steve Krantz Movies

In this fifth TV movie based on the character of incorruptible Chicago detective Jack Reed, Brian Dennehy once again wears two hats as both star and director. A multiple murder has occurred in a suburban cemetery in broad daylight. Most of the victims are Russian immigrants, whose friends and relatives refuse to cooperate in the investigation conducted by Jack Reed (Dennehy). As he pursues the case, Reed learns that the central figure in the mystery is a militant Russian who is organizing several of his fellow émigrés into his own army. Meanwhile, Reed must also contend with influential mayoral candidate Gordon Thomas (Joe Morton), whose minions are strong-arming the department to drop vehicular homicide charges against his son. Despite his tawdry surroundings, Reed retains his patented wicked sense of humor, especially when reciting the required Miranda rights while cuffing perpetrators ("You've got the right to cable TV, and the right to free counseling by Susan Sarandon and Tim Robbins.") Jack Reed: Death and Vengeance made its NBC debut on November 17, 1996. ~ Hal Erickson, Rovi

This made-for-TV movie examines a rare genetic disorder that makes certain people so sensitive to light that they can only survive at night. The story centers on a family that has two so-afflicted children. ~ Sandra Brennan, Rovi

In this sequel to the 1992 made-for-TV crime drama Deadly Matrimony, police detective Reed (Brian Dennehy) returns, this time to bring in a murderous sociopath. He soon discovers, however, that this routine case is complicated by the U.S. government as they are using the killer as an informant and are therefore willing to go to great lengths to protect him. ~ Sandra Brennan, Rovi

Originally titled Judith Krantz' Till We Meet Again, this two-part soaper covers forty-three years in the lives of three women. In 1913, French chanteuse Lucy Gutteridge embarks upon a successful showbiz career. She marries a champaigne heir and bears two daughters, played by Courtney Cox and Mia Sara. The story follows the trials and tribulations of mother and daughters through three wars and an infinite number of romances. A dash of adventure is provided by Courtney's activities as a stunt pilot, while there's glamour aplenty as Mia becomes a world-renowned movie star. The best scenes take place during World War 2, with the horrors of the battlefield running second place to the ladies' boudoir escapades. Barry Bostwick, who seems to have been in every Judith Krantz movie ever made (at least, that's what TV Guide told us back in 1989), costars as Courtney's erstwhile lover. Partly filmed in England, Till We Meet Again was first telecast November 19 and 21, 1989. ~ Hal Erickson, Rovi

This glitzy miniseries based on the Judith Krantz novel is a wicked soap opera about sex, power, and betrayal. Valerie Bertinelli stars as Maxi, whose mother (Francesca Annis) marries her father's hated brother Cutter (Perry King) after his death. Cutter had sworn to destroy everything his late brother valued and proceeds to run his publishing empire into the ground. Maxi, who has already been through three husbands by age 29, turns over a new leaf by gathering her family and making a commitment to save the business, which she does by becoming the editor of a successful fashion magazine. Maxi lives in the Trump Tower, whose famed real-life owner appears as himself. It has some unintentionally campy moments, but King is quite good as the villainous Cutter, and fans of this sort of high-gloss '80s melodrama will want to put it on their lists. ~ Robert Firsching, Rovi

A French model (Stefanie Powers) poses for an artist (Stacy Keach), and they begin an affair. It doesn't last, however, and the model moves on to a married man (Timothy Dalton), while the artist has an affair with his benefactor (Lee Remick). This TV miniseries is based on a novel by Judith Krantz. ~ John Bush, Rovi

Adapted from the Judith Krantz novel of the same name, the CBS miniseries Scruples zeroes in on a trendy, upscale Beverly Hills boutique. The guiding force behind the Scruples shop is beautiful Billy Ikelhorn (Lindsay Wagner), who, though born into grinding poverty, had risen to the uppermost rungs of L.A. society by virtue of her marriage to millionaire Ellis Ikelhorn (Efrem Zimbalist Jr.). When her husband dies after a long illness, Billy compensates for her grief by becoming a Boadicea of the fashion industry. Her personal and professional life is entangled with those of her closest associates, fashion photographer Spider Elliott (Barry Bostwick) and designer Valentine O'Neill (Marie-France Pisier). Originally telecast in six two-hour episodes on February 25, 26, and 28, 1980, Scruples proved popular enough to warrant a 1981 TV-movie sequel, starring Shelley Smith as Billy, Dirk Benedict as Spider and Olga Karlatos as Valentine. ~ Hal Erickson, Rovi

Jennifer, directed by Brice Mack is an uninspired, low-budget rip-off of Brain De Palma's far superior Carrie but also borrows a bit from Ben and Willard. Jennifer (Lisa Pelikan) is an outcast student who gets her revenge on her classmates at the exclusive "Greenview School for Girls." Jennifer is able to communicate with snakes and calls them to do her bidding, particularly when she gets her revenge on an especially obnoxious popular blonde fellow student. Jennifer, also released as Jennifer (The Snake Goddess), has little to recommend it even for the most fervent horror fan, but it has a few moments, and Lisa Pelikan gives an appealing performance as Jennifer. TV fans will note game-show host Bert Convy in one of the lead roles. ~ Linda Rasmussen, Rovi

This Americanized remake of Lina Wertmuller's The Seduction of Mimi offered audiences the novelty of seeing Richard Pryor performing three different roles in the same film. Which Way Is Up? tells the tale of Leroy Jones (Pryor), a poor orange picker who gets fired from his job when he accidentally joins a worker's union during a demonstration. He is forced to travel to Los Angeles and abandon his family, which includes his wife, Annie Mae (Margaret Avery), and his perpetually randy father, Rufus (also Pryor). While there, he falls in love with labor organizer Vanetta (Lonette McKee), but is soon rehired by his former employers when they realize he is easily manipulated. Back home, Leroy discovers his new managerial role alienates him from his former friends as he tries to divide his time between Annie Mae and Vanetta. When he discovers Annie Mae has been impregnated by the Reverend Lennox Thomas (Pryor's 3rd role) during his absence, Leroy sets his sights on seducing Lennox's wife. The resulting film had ambition to spare, but was generally panned as an inferior remake by the critics and failed to find a mass audience. However, Which Way Is Up? gained a second lease on life via cable and home video and has become a cult favorite with Pryor's fans. ~ Donald Guarisco, Rovi

In this follow-up to the 1972 animated hit Fritz the Cat (the first animated feature to receive an X rating), Fritz (voice of Skip Hinnant) is married, out of work, on welfare, and not at all happy. Desperate to blot out the misery of living with his nagging wife (voice of Reva Rose), Fritz smokes as much marijuana as he can afford and finds himself fantasizing about how his life could have been. His Walter Mitty-like adventures find him travelling in outer space, working at the White House, assisting Adolph Hitler, and becoming involved with African-American radicals. Unlike its raunchier predecessor, The Nine Lives of Fritz the Cat only merited an R rating upon initial release. Neither Robert Crumb (the comic artist who created the character) nor Ralph Bakshi (director of the first film) were involved in its production. ~ Mark Deming, Rovi

In the hands of writer and director Ralph Bakshi, a popular underground comics character was the inspiration for the first X-rated animated feature in Hollywood history, over the strenuous objections of its creator, cartoonist Robert Crumb. Fritz is a feline college student of New York City in the '60s, using hippie buzzwords and fashion to score easy sex and drugs. After smoking some strong marijuana in Harlem, Fritz hallucinates and ignites a shooting incident with the police, resulting in the death of his friend Duke. Fritz flees across country in a Volkswagen Bug with a girlfriend and encounters a heroin addict biker rabbit and bomb-making terrorist radicals, obvious references to the Hell's Angels and the Black Panthers, respectively. A trippy journey through its anti-establishment times, Fritz the Cat (1972) was viewed as a must-see novelty, a radical departure from the juvenile, saccharine type of animation with which America was familiar. Nevertheless, the film was opposed by Crumb, who felt that his work had been bastardized. The film was followed by a sequel, The Nine Lives of Fritz the Cat (1974). ~ Karl Williams, Rovi