Guy Anderson [Herbert] Movies

Friday (Jack Webb) and Smith (Ben Alexander) are stymied by a series of well-planned safe burglaries, pulled off right under the authorities' noses. A clue provided by the owner of a fix-it shop turns out to be the latest in a long of false leads, but finally the investigation bears fruit when two witnesses identify a prematurely gray young man who is fascinated with all things mechanical. Based on a Dragnet radio program first heard on May 1, 1952, this episode features a cameo appearance by future TV producer Aaron Spelling as a hopped-up suspect. ~ Hal Erickson, All Movie Guide

Robbery victim Arthur McKinley is found strangled with his own necktie in a dingy alley. Friday (Jack Webb) and Smith (Ben Alexander) find it odd that the well-dressed and apparently well-off McKinley would be hanging around in such a disreputable neighborhood. Suspects include a drunk, a store owner, and an ex-con who'd done some work for the dead man. Character actress Lillian Buyeff has a marvelously underplayed scene as McKinley's benumbed widow. This episode is based on the Dragnet radio broadcast of November 23, 1952. ~ Hal Erickson, All Movie Guide

Obviously inspired by the success of Red Skelton's The Fuller Brush Man, The Yellow Cab Man stars Skelton as a Rube Goldberg-type inventor who can't seem to stay out of trouble. He also can't hold down a job, either, much to the consternation of girl friend Gloria De Haven. Through the auspices of cab driver James Gleason, Red is hired by the Yellow Cab company, nearly losing his job on the very first day when he gets mixed up in a chaotic wedding reception (in her last feature film appearance, Polly Moran is screamingly funny as the bride's mother). It's all over for Red when he attempts to demonstrate his latest invention, break-proof glass-resulting in a bad bop on the noggin for boss Paul Harvey. Our hero redeems himself by capturing a gang of crooks (among them Walter Slezak and Ray Collins) in an elaborate slapstick finale involving a revolving model home, a hypodermic-shooting toaster, a helium-filled balloon, and a Tarzan-like swing from the rafters of an empty warehouse. Halfway through The Yellow Cab Man, there's an amusing precursor to the "LSD Trip" films of the 1960s, as a drug-benumbed Red Skelton experiences a series of surrealistic dreams. ~ Hal Erickson, All Movie Guide

The 1940 peacetime draft spawned a whole slew of military and naval comedies, the most successful of which was Abbott and Costello's Buck Privates. In this vein, Warners' Navy Blues features several studio contractees (including Ann Sheridan and Jack Carson), a few borrowed comedians (Jack Oakie, Jack Haley, Martha Raye) and a plethora of forgettable musical numbers. The plot: A ship's crew goes on leave in Honolulu, has a high old time, meets a few pretty girls, and heads back to sea. That's all. Modern viewers will get a kick out of spotting Navy Blues supporting actor Jackie Gleason, who must have relished the opportunity of working with his idol Jack Oakie. ~ Hal Erickson, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide