John Craven Movies

Debuting in 1972, this twice-weekly British news broadcast was aimed at children, though it was refreshingly free of condescension. Even so, host John Craven tended to avoid "hard news," preferring humorous special-interest features. Eventually pared down to a single weekly telecast, the series was retitled as simply Newsround when Craven left in 1979. Remaining constant throughout the series' lengthy run (which extended into the 21st century) was its catchy xylophone background music. John Craven's Newsround also spawned a pair of spin-offs, Newsround Weekly (1977) and Newsround Extra (1981). ~ Hal Erickson, All Movie Guide

Several years after a nuclear war, a handful of survivors are compelled to follow the instructions of the mysterious "old man in the cave." Enter a band of mercenaries headed by Major French (James Coburn), who laughs at the notion of a group of people living under the thumb of an unseen entity. Despite the dire warnings of community leader Goldsmith (John Anderson), French is determined to expose the "old man" as a fraud -- but even he is not prepared for what he finds when he storms the cave. Scripted by Twilight Zone creator Rod Serling from a short story by Henry Slesar, "The Old Man in the Cave" was originally telecast November 8, 1963. ~ Hal Erickson, All Movie Guide

A newspaper headline prompts Clete Vine (John Craven) to recall an incident in his childhood, 35 years ago. Growing up in a gang-infested neighborhood, young Clete (played by Glenn Walken, the brother of Christopher Walken) idolizes local mob boss Mr. Rose (Dennis Patrick), while Clete's best friend, Iggy (Barry Gordon), reserves his idolatry for his own father (Biff Elliot). When both boys witness Rose in the act of killing a man, Clete is intimidated into silence, but Iggy immediately heads to the police -- thereby setting off a four-decade marathon of duplicity, disillusionment, and death. ~ Hal Erickson, All Movie Guide

During a Los Angeles Christmas, a group of 82nd Airborne vets assembles under the leadership of gamblin' man Danny Ocean (Frank Sinatra) to rip off four Las Vegas casinos just after the stroke of midnight on New Year's Day. Playboy Jimmy Foster (Peter Lawford) joins in the scheme because he's sick of needing his oft-married mother's money, especially now that she's about to wed Duke Santos (Cesar Romero), a self-made man with all sorts of underworld ties. After he receives the news that he could die at any time, newly released convict Anthony Bergdorf (Richard Conte) reluctantly agrees to participate so he can leave some money to his estranged wife and young son. Ocean's own wife, Beatrice (Angie Dickinson), doesn't think much of her husband's promise of a big score to come, but her quiet protests don't dissuade him. With Las Vegas garbage man and fellow vet Josh Howard (Sammy Davis Jr.) and several casino employees among their number, the titular band of thieves have just a few days to get ready for their caper. When Duke Santos, Jimmy's mother, and one of Ocean's discarded paramours all show up in Sin City at the same time as the veterans, the crew's perfect plans face some serious hurdles. ~ Brian J. Dillard, All Movie Guide

This fact-based episode is set in 1912, just before Grace Farley (Barbara Lord) is to embark on her honeymoon with new husband Eric (a pre-Avengers Patrick Macnee). Although she lives in a land-locked area, and despite the fact that the couple will be honeymooning in Switzerland, Grace has a nightmare in which she sees herself drowning in the ocean. Shortly thereafter, hubby Eric shows up with the news that he's changed their travel plans--and that he has booked passage on the maiden voyage of the "Titanic." Though the ending of this story would at this point appear to be a foregone conclusion, there are several surprises in store for both Grace and the viewer . . .and as a bonus, host John Newland links the episode's climactic "psychic wave" sequence with a remarkable novel written in 1898, which predicted the fate of the "Titanic" down to the tiniest detail. ~ Hal Erickson, All Movie Guide

Adapted from the best-selling novel by Jessamyn West, Friendly Persuasion is set in Southern Indiana in the early days of the Civil War. Gary Cooper plays Jess Birdwell, patriarch of a Quaker family which does not believe in warfare. Birdwell's son Josh (Anthony Perkins) wishes to adhere to his family's pacifism, but is afraid that if he doesn't sign up for military service, he'll prove to be a coward. Josh joins the Home Guard, which disturbs his mother Eliza (Dorothy McGuire). But Jess Birdwell realizes that his son must follow the dictates of his own conscience. Josh proves his courage to himself when he is wounded during a Rebel raid, while the elder Birdwell is able to stay faithful to his religious calling by not killing a Southern soldier when given both a chance and a good reason to do so. Allegedly, writer Jessamyn West nearly scotched her deal with producer/director William Wyler and distributor Allied Artists when Gary Cooper, taking his fans into consideration, insisted upon including a scene in which he forsakes his pacifism and takes arms against the Rebels. If true, then wiser heads prevailed, since no such scene exists in the final release print. Though uncredited due to his status as a blacklistee, Michael Wilson wrote the screenplay for Friendly Persuasion--and even won an Oscar nomination. Also nominated was the film's chart-busting theme song, "Thee I Love" (by Dmitri Tiomkin and Paul Francis Webster). The story was remade as a 2-hour TV pilot film in 1975. ~ Hal Erickson, All Movie Guide

Director Edward Bernds proved that he was capable of handling a different sort of comedy than the "Bowery Boys" and "Three Stooges" brand in Navy Wife. The film is set in postwar Japan, where Peg Blain (Joan Bennett) and her daughter Debby (Judy Nugent) join Peg's commanding-officer husband Jack (Gary Merrill). Impressed by the independence and self-reliance of Peg and Debby, the local Japanese wives begin demanding the same rights and privileges as their American counterparts. Things come to a head--and a resolution--at a military Christmas party. If the reader is wondering what Joan Bennett is doing in a low-budget Allied Artists film, it is because the producer was Bennett's then-husband Walter Wanger. Navy Wife was based on Mother Sir, a novel by Tats Blain. ~ Hal Erickson, All Movie Guide

Director Don Siegel keeps the events in Count the Hours moving so quickly that no one has time to ponder the film's huge lapses in logic. MacDonald Carey stars as a defense attorney Doug Madison who races against time to save migrant ranchhand George Braden (John Craven) from execution. While Madison tells himself that his motives are altruistic, there are those who believe that the lawyer has designs on Braden's wife, Ellen (Teresa Wright). Sacrificing everything in the pursuit of justice, Madison finally finds the crucial evidence that will free his client--if he can deliver the goods, and the actual murderer, before the switch is thrown in the death house. Produced by Benedict Bogeaus, whose wife Dolores Moran plays a supporting role, Count the Hours was somewhat pointlessly retitled Every Hour Counts when released in England. ~ Hal Erickson, All Movie Guide

One of many films of the late 1940s examining the impact of WWII on post-war domestic life in the U.S., The Swell Guy is the story of an unprincipled war correspondent, Jim Duncan (Sonny Tufts). Jim has returned to his hometown following the war and tries to milk his wartime status and pose as a hero. He's actually a corrupt con man who exploits the good graces of his brother Martin (William Gargan) and tries to woo Martin's wife Ann (Ruth Warrick). Jim cheats the townspeople by staging rigged craps games, and he engages in other nefarious schemes that depend on the local citizens' naïve trust in the supposed war hero. Jim finally steals money from the town's charity campaign for war veterans and tries to leave town before his misdeeds catch up to him. But Jim gets a chance for redemption and real heroism when he alone can save his nephew's life. This film was directed by Frank Tuttle and based on the book The Hero by Gilbert Emery. ~ Michael Betzold, All Movie Guide

The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, All Movie Guide

Mabel Paige, one of Hollywood's most beloved character actresses, was given her one-and-only starring role in this Republic Pictures tearjerker. Paige plays a wealthy old lady embittered by the long-ago disappearance of her son. She lives alone in a downtown hotel, with only the occasional company of her faithful chauffeur (Harry Shannon). When a group of college boys move into the hotel, Mabel befriends the most troublesome of the bunch (John Craven) because she believes he's her grandson. Her harsh attitude toward the world softened by Craven's presence, Paige dies happy, still under the impression that the boy is her own flesh and blood. Based on a story by Ben Ames Williams, it was remade in 1957 as Johnny Trouble, starring Ethel Barrymore in her final screen role. ~ Hal Erickson, All Movie Guide