Clair Huffaker Movies

The US title of this Italian-Spanish-French coproduction is Chino, in deference to the character played by star Charles Bronson. Having long suffered the stigma of being part-Indian, New Mexico horse breeder Chino Valdez (Bronson) wants nothing more than to be left alone with his beloved horses. Even so, Chino opens his heart and his home to teenaged runaway Jamie Wagner (Vincent Van Patten), who becomes his protégé. But things take an unpleasant turn when the formerly taciturn Chino falls in love with Louise (Jill Ireland, the half-sister of antagonistic rancher Maral (Marcel Bozzuffi, replacing the original choice for the role, Lino Ventura). This film was based on The Valdez Horses, a novel by Lee Hoffman. ~ Hal Erickson, All Movie Guide

Flap is marginally significant as the only western ever directed by Britain's Sir Carol Reed. Anthony Quinn is top-billed as Flapping Eagle, a modern-day Native American stuck on a squalid reservation. Though liquored up most of the time, Flapping Eagle undergoes an eleventh-hour social awakening. Making certain that the media is notified, he hijacks a train and heads for Phoenix, demanding full restoration of rights for his people. Played uneasily for laughs, Flap tries to make up for its shortcomings with a 1970s-style tragic ending, but by that time most of the audience has given up. The working title for Flap was Nobody Loves Flapping Eagle, which was closer to the name of source material, Clair Huffaker's novel Nobody Loves a Drunken Indian. ~ Hal Erickson, All Movie Guide

Chance Buckman (John Wayne) heads a team of international trouble shooters who travel around the world to put out oil fires. The dangerous profession has taken a toll on the marriage between Chance and Madelyn (Vera Miles), who leaves when she can no longer endure the stress of saying goodbye and fearing she will never see him again. With his faithful assistant Greg (Jim Hutton), the team is ready at a moments notice to race anywhere to extinguish the flames of oil fires raging out of control. Greg eventually falls for Chance's daughter, Tish (Katherine Ross), who shares her mother's concern over the dangers the men endure. Hellfighters received technical advising from famed oil-well fighter Red Adair and his assistants who provided excellent and credible information for the film and the pyrotechnic team headed by legendary special-effects expert Fred Knoth. ~ Dan Pavlides, All Movie Guide

In this jungle adventure, Tarzan is first seen wearing a business suit instead of a loincloth, but when he learns that a young boy who supposedly knows the location of a fabulous jungle treasure has been kidnapped by an evil explorer, he sheds his city clothes and hits the trees. Once in the jungle, he warns the chief who guards the gold mines that the explorer is planning to attack. The villain gets his comeuppance after he is smothered in gold dust. ~ Sandra Brennan, All Movie Guide

Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.

Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide

Seven Ways from Sundown is a well-wrought western by director Harry Keller, starring Audie Murphy in the title role (his character's "first" name is the same as the title). Young "Seven" is a talented but novice Texas Ranger who is in the process of learning the tricks of the trade from veteran Ranger Sergeant Hennessey (John McIntire). The two are currently hunting down the flamboyant outlaw Jim Flood (Barry Sullivan), crafty enough not only to elude them, but to take a surprise offensive against them as well. In the end, it will take all of "Seven's" abilities to capture the wanted criminal. ~ Eleanor Mannikka, All Movie Guide

Tensely directed by Don Siegel, Flaming Star is the grittiest of Elvis Presley's post-Army films. Elvis plays Pacer Burton, a half-breed youth in the old West, torn between loyalty to the whites, as represented by his father (John McIntyre), and the Indians, represented by his mother (Dolores Del Rio). A series of brutal Kiowa raids, and the subsequent reprisals by the white settlers, sorely test Pacer's fortitude. Though offered moral support from his loved ones, Pacer is forced to work things out himself. The film was based on a novel by Clair Huffaker. ~ Hal Erickson, All Movie Guide