Kenneth Cranham Movies

Gladiator duo Ridley Scott and Russell Crowe re-team for this adaptation of author Peter Mayle's best-selling novel about a London-based investment banker who relocates to Provence in hopes of selling a small vineyard he has inherited from his recently deceased uncle. As a child, Max Skinner (Freddie Highmore) was taught to appreciate the finer things in life while wandering the vineyard estate of his sophisticated uncle Henry (Albert Finney). Life has a strange way or turning out how you least expect it to though, and 25 years later, Max (Russell Crowe) is now a prosperous moneyman wheeling and dealing in the cutthroat world of London business. When Max learns that Henry has recently passed away and that he has been named the sole beneficiary of his late uncle's modest estate, the keen businessman hastily arranges a flight to France in order to assess the value of the old property and get it prepped for sale. After Max arrives to find the vineyard in a crumbling state of disrepair, his troubles are further compounded by the stubbornness of gruff estate winemaker M. Duflot (Didier Bourdon) and the unexpected arrival of a determined California beauty named Christie (Abbie Cornish), who presents herself as a long-lost cousin while making a dubious claim to Henry's estate. Meanwhile, the overstressed Max reluctantly finds himself falling for local café owner and town siren Fanny (Marion Cotillard), whose formidable guard is quickly worn down by the smitten beneficiary. ~ Jason Buchanan, All Movie Guide

Warren Mitchell stars in All the Way Up as a dimwitted British salesman. Though a bit shy in the brains department, Mitchell has hopes of climbing the corporate ladder. To do this, he tries to whip his addled family into a semblance of social acceptability. This being a comedy, Mitchell soon learns that his high-society aspirations are not only beyond his reach, but also not worth all the bother. All the Way Up was based on Semi-Detached, a play by David Turner. ~ Hal Erickson, All Movie Guide

In modern-day London, three men and three women fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers (Ian Hart and John Thomson), who engage in an ongoing conversation about sex. In one pairing, Eleanor (Olivia Williams), a sophisticated and slightly anal art restorer, is pitted against Frankie (Craig Ferguson), a smartly dressed divorcee who still shares a flat with his bitter ex-wife. The two meet one night at a salsa club, and a caustic attraction soon flourishes. Another pairing sees Mo (Jane Horrocks), a tough, love-'em-and-leave-'em Liverpuddlian, reunite with Eddie (Jimi Mistry), a clumsy bloke who was in love with Mo years before and now dreams of winning her back. Meanwhile, Jocelyn (Catherine McCormack), a young woman both neurotic and without self-esteem, finds unlikely happiness with the slovenly Fergus (David Morrissey), who bemoans the lack of love in his life. Born Romantic is the second feature of British writer/director David Kane, who made his feature debut with the similarly themed This Year's Love in 1999. ~ Rebecca Flint Marx, All Movie Guide

Chimera was originally produced for Britain's BBC television network. The title creature is a half man, half ape (Douglas Mann), the product of a hush-hush government project. Journalist John Lynch gets wind of the experiment when his girlfriend dies in a fertility clinic explosion. At the center of things is a mad-as-a-hatter scientist, whom the government continues to protect until it's almost Too Late. Christine Kavanaugh costars in this new twist on the old Frankenstein story. Chimera premiered in the US over the A&E Cable service on November 1, 1992. ~ Hal Erickson, All Movie Guide

The 13-part Danger UXB was the third presentation in the 1980-81 season of PBS' Masterpiece Theatre. Based upon the memoirs of Major A. B. "Bill" Hartley, this British production stars Anthony Andrews as engineer Brian Ash. In the early days of World War II, Brian volunteers for the Royal Engineers' UXB, or "Unexploded Bomb", division. Making his already dangerous job doubly perilous is the fact that many of the "dead" bombs that have fallen in the London vicinity have been booby-trapped by German technicians; they can go off without warning at any time, so it's not surprising that the ranks of the UXB unit diminishes on a near-daily basis. The storyline traces Ash's rise through the ranks to Lieutenant, as well as his romance with Susan Mount (Judy Geeson). Danger UXB's American TV run extended from January 4 through March 30, 1981. ~ Hal Erickson, All Movie Guide

Texas-born documentary filmmaker Stephen Purvis made his feature directorial debut with this comedy-drama, loosely based on the stage production, In the West -- a series of monologues written and performed by a group of Texas actors. Purvis and his co-scripters Jesse Sublett and Tom Huckabee) gave this material a clever unifying thread by introducing two British documentary filmmakers who interview a variety of locals in Austin. Recalling the films of Nick Broomfield (Heidi Fleiss, Hollywood Madam), the duo has an assignment from the BBC. As filmmaker Robert Flaherty (Kenneth Cranham of The Boxer) -- an obvious nod to the real-life Robert Flaherty who filmed the classic Nanook of the North (1921) -- and his younger wife Kate Markham (Amanda Root of Persuasion) film the interviews, they find tensions and conflicts threatening their marriage and partnership. Original In the West cast members appear as Austin eccentrics, including a deer hunter (Lou Perryman), a "wild child" (Tim Mateer), a woman (C.K. McFarland) with no regrets over losing both husband and son in a oil rig explosion, and a guard-dog salesman (Marco Perella). Texas music heard on the soundtrack includes Lyle Lovett's "That's Right (You're Not From Texas)" plus tunes by Willie Nelson and Marcia Ball. ~ Bhob Stewart, All Movie Guide

A portrait of a cold-blooded young gangster living and loathing in 1960s London, this drama features Malcolm McDowell in a major role in his first British picture in years. McDowell opens the film as the present day Gangster 55, who learns that an old associate, gangster Freddie Mays (David Thewlis), has just been released from prison after serving a 30-year sentence. The story then flashes back to 1968, when the young Gangster 55 (Paul Bettany) makes Mays' acquaintance and subsequently wins his trust by dealing with his enemies from a rival gang. The relationship between the two men is threatened when Mays falls for Karen (Saffron Burrows), a no-nonsense dancer. When 55 learns that Lennie (Jamie Foreman), a rival gang leader, plans to ambush Mays and Karen one night, he pits the two gangs against one another so that he can emerge as Gangster No. 1. The film was directed by Paul McGuigan, who previously examined the crusty underbelly of British society with his screen adaptation of Irvine Welsh's The Acid House (1998). ~ Rebecca Flint Marx, All Movie Guide

Horror fantasist Clive Barker, director of the original Hellraiser, maintained creative control over this worthy sequel as executive producer, but was unable to occupy the director's chair due to his involvement on other projects. His creative touch is still quite evident here, as the original film's story is expanded in scope and intensity. The story picks up immediately after the events of the original, with the mentally unbalanced Kirsty (Ashley Laurence) confined to a mental hospital after her experiences in the hellish domain of the grotesque Cenobites, which included the gruesome death of her father. Her case attracts the attention of hospital director Dr. Channard (Kenneth Cranham), whose marked interest in her story has more than a little to do with his research into the occult. The chief focus of this extracurricular activity seems centered on his impressive collection of puzzle boxes, many of which are versions of the Lament Configuration -- the device which opens the gateway to the Cenobites' dimension. To further realize his diabolical obsession, Channard conducts grisly human sacrifices to resurrect the body of Kirsty's evil stepmother, Julia (Clare Higgins) -- who has literally been through hell and back. He also recruits mute autistic patient Tiffany (Imogen Boorman), an expert at solving puzzles, to decipher the correct version of the box.

Haunted by visions of her mutilated father suffering in hell, Kirsty joins Tiffany in hopes of rescuing him from the Cenobites' dimension. Tiffany gains them access to the portal, and they make the nightmarish journey down the corridors of hell. Narrowly escaping the diabolical Pinhead (Doug Bradley), they come face to face with Julia, who has already handed Dr. Channard over to the Cenobites to be transformed into a hideous new creation. First-time director Tony Randel acquits himself nicely, and seems to have a real flair for the surreal material; the script by longtime Barker collaborator Peter Atkins elaborates on elements only hinted at in its predecessor. It should follow that the slightly larger budget would allow ample room for this expansion, but the production values actually appear somewhat slimmer. What the film lacks in refined style it makes up for in utter dementia, particularly in its depiction of graphic bloodletting -- numerous scenes were trimmed or deleted altogether in order to obtain an R rating from the MPAA. ~ Cavett Binion, All Movie Guide

Tony Richardson attempts to re-create the glory days of Tom Jones in this adaptation of the 1742 Henry Fielding novel. Peter Firth stars in this picaresque tale as Joseph Andrews, a young servant switched at birth who undergoes a series of romantic escapades. Joseph even has the fortune of becoming the personal footman to Lady Booby (Ann-Margaret). Joseph's romantic peccadilloes cause consternation among a collection of stuffy noblemen and women in 18th-century England. ~ Paul Brenner, All Movie Guide

Filmed several times during the silent era (most notably as a 1915 vehicle for Theda Bara), Mary Elizabeth Braddon's Victorian sensation novel Lady Audley's Secret was revamped as a British TV movie in 2000. Neve McIntosh heads the cast as Lucy, a mysterious woman with a shady past who manages to inveigle a proposal of marriage from her wealthy and aristocratic employer Sir Michael Audley (Kenneth Cranham). Upon his return to England after several years of prospecting for gold, Sir Michael's nephew, Robert (Steve Mackintosh), is immediately smitten by his glamorous young aunt. Equally impressed is Robert's scoundrelly mining partner, George (Jamie Bamber), who apparently knows the whole sordid truth about Lady Audley's past. The plot thickens when the blackmail-minded George abruptly disappears. Lady Audley's Secret was first telecast in the U.K. on May 17, 2000, several weeks after its March 23, 2000, world premiere on the American PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

Re-titled for American release, Monkey Boy is actually an edited version of Lawrence Clark's British production Chimera, about a half-human, half-ape creature who plots a murderous plan of escape from the genetics lab that gave him life. ~ Jason Ankeny, All Movie Guide

Filmed in Britain, Oranges Are Not the Only Fruit stars Charlotte Coleman as a champing-at-the-bit teenager named Jess. The girl's domineering mother (Geraldine McEwan), a religious fanatic, wants Jess to become a missionary; to that end, she refuses to allow the girl any friends her own age. Jess' father has nothing to say in the matter--indeed, he has had nothing to say to anyone for years. The girl's growing awareness of her own sexuality (depicted in steamy detail) flies in the face of her mother's carefully orchestrated plans. Funny in a dark sort of way, Oranges Are Not the Only Fruit was first seen in America over the Arts and Entertainment cable service in late 1990. ~ Hal Erickson, All Movie Guide