Laura Z. Hobson Movies

Laura Z. Hobson was one of the most influential authors of the mid-20th century, achieving renown for her novel Gentleman's Agreement, which was filmed -- over the objections of most of Hollywood -- by 20th Century Fox under production chief Darryl F. Zanuck. Hobson's career, however, was filled with works that challenged peoples' beliefs and prejudices. Born Laura Kean Zamekin in New York City, she was the daughter of Michael Zamekin, a Russian-Jewish émigré, and the former Adella Kean, and was raised on Long Island. Her progressive-minded parents taught their daughter to be a free-thinker, and,among other issues troubling the world, she was very sensitive to anti-Semitism, even in her teens. Hobson graduated from Cornell University and became a copywriter for an advertising firm, and later a reporter for the New York Post. (In those days, the Post was a bastion of progressive, pragmatic liberalism, in sharp contrast to what it became in the 1970s under publisher Rupert Murdoch.) In 1930, she married publishing executive Francis Thayer Hobson, taking his name, and in 1934, joined the promotion staff of Luce publications, which, at the time, owned Time, Life, and Fortune magazines. Her marriage ended in 1935, the same year she wrote her first short story. Hobson's work began appearing in all of the top magazines in the U.S., and she became successful enough to leave Luce in 1940.

Hobson's first novel, The Trespassers (1943), was a searing attack on the American immigration quota system that existed in the '30s, which had made it impossible for many refugees from Hitler's Germany to gain entry into the United States. In 1943, she began work on her second book, Gentleman's Agreement, telling her publisher, in an oft-quoted presentation, "I've got an idea for a book that the magazines will never look at, the movie won't touch, and the public won't buy -- but I have to do it." An account of anti-Semitism in present day America, the book, published in 1947, fulfilled the most promising elements of its predecessor and proved much more popular than anyone involved ever predicted. Serialized by Cosmopolitan, it generated the largest amount of mail in the magazine's history and became an instant bestseller when published by Simon & Schuster. An account of a non-Jewish man's effort to pass as Jewish in New York City (in order to write a magazine article) and the problems he encounters from friends, colleagues, strangers,and others, the book was, at the time, an eye-opening piece of fiction for many non-Jewish readers, and evoked much sympathy. But it also opened old wounds for Jewish readers, who took the work to heart. Zanuck, one of the few Hollywood moguls who was not Jewish, licensed the movie rights for a reported $75,000 (a huge sum in those days) plus a percentage of the profits to Hobson. Most of his peers, who were Jewish, were appalled at his decision to make the movie; as older, assimilated Jews, they believed that the film would only stir up trouble. The book and the movie had their limitations: Both dealt almost exclusively with the middle- and upper-middle classes. But the film struck like a thunderbolt in the hands of director Elia Kazan and a cast led by Gregory Peck, Dorothy McGuire, and Anne Revere, earning huge box-office returns and a brace of Oscar nominations. The book and the movie's impact was felt throughout society, and even received praise from the NAACP.

Hobson tried her hand at writing screenplays with the drama Her Twelve Men (1954), but she was much more comfortable in the milieu of literary creation, and her stay in Hollywood was a short one. Her later books all sold well, and several embraced difficult and challenging subjects -- and were even more groundbreaking than Gentleman's Agreement -- most notably Consenting Adult (1975). Adapted in 1985 as a made-for-TV movie, it told the story of a couple suddenly confronted by the fact that their college-age son is gay. Hobson's novel The Tenth Month, dealing with a woman who chooses single motherhood, was also made into a 1979 film starring Carol Burnett.

Hobson continued writing up until her death in 1986; in the decades since, most of her books have been in print at various times. In 2002, Kazan's film Gentleman's Agreement helped inaugurate Fox Video's Studio Classics DVD series. ~ Bruce Eder, All Movie Guide
1985  
 
Martin Sheen, who in 1972 co-starred in That Certain Summer, the precedent-setting TV movie concerning homosexuality, is cast as the father of an "out of closet" gay son in Consenting Adult. Sheen and his wife Marlo Thomas are devastated when their college-age son Barry Tubb comes forth with details of his sexual preference. Thomas is convinced that Tubb can be "cured" through psychiatry; Sheen, a prideful man suffering from several illnesses, is unable to accept his son for what he is--as much as he wants to. Only Tubb's married sister Talia Balsam can approach the situation with understanding. Consenting Adults is based on a novel by Laura Z. Hobson (of Gentleman's Agreement fame). It was first telecast on February 4, 1985. ~ Hal Erickson, All Movie Guide

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1979  
 
Robert Altman protégé Joan Tewkesbury called the directorial shots on the made-for-TV The Tenth Month. After a whirlwind affair with famed concert pianist Keith Michell, middle-aged, unmarried Carol Burnett becomes pregnant. Rather than seek out the father, she decides to raise the baby by herself. Though she'd previously played comparatively "straight" roles in such films as The Front Page (1974), The Tenth Month represented Carol Burnett's TV dramatic debut, as well as her first post-Carol Burnett Show project (the producer was her husband Joe Hamilton). Adapted by Ms. Tewkesbury from a novel by Laura Z. Hobson, The Tenth Month premiered on September 16, 1979. ~ Hal Erickson, All Movie Guide

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1954  
 
After a fruitful 15-year association, Greer Garson and MGM parted company with Her Twelve Men. The William Roberts-Laura Z. Hobson screenplay was adapted from Louise Baker's autobiographical novel Miss Baker's Dozen, the title of which pointed out the fact (which the film's title does not) that there are thirteen men in the story. Ms. Garson plays widow Jan Stewart, who after several years of marriage decides to create a new life for herself as a teacher at an exclusive boys' school. It takes her some time to win over her 13 troublesome students, but win them over she does. A more formidable task is to convince stodgy professor Joe Hargrave (Robert Ryan) that her teaching methods are viable; also doubtful of Jan's capability is Richard Y. Oliver (Barry Sullivan), the oil-rich father of her most contentious student (Tim Considine). Featured as another of the parents is Frances Bergen, the real-life wife of ventriloquist Edgar Bergen and the mother of Murphy Brown star Candice Bergen. ~ Hal Erickson, All Movie Guide

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Starring:
Greer GarsonRobert Ryan, (more)
1947  
 
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Adapted by Moss Hart from the novel by Laura Z. Hobson, this film stars Gregory Peck as recently widowed journalist Phil Green. With a growing son (Dean Stockwell) to support, Green is receptive to the invitation of magazine publisher John Minify (Albert Dekker) to write a series of hard-hitting articles on the scourge of anti-Semitism. In order to glean his information first hand, Green decides to pose as a Jew. As the weeks go by, Green experiences all manner of prejudice, the most insidious being the subtle, "gentleman's agreement" form of bigotry wherein anti-Jewish sentiments are merely taken for granted. Green's pose takes a toll on his budding romance with Minify's niece Kathy (Dorothy McGuire), who comes to realize by her own example that even those who insist that they harbor no anti-Semitic feelings are also capable of prejudice. Watching from the sidelines is Green's lifelong Jewish friend Dave (John Garfield, in what may be his best performance), who despite his inherent rage over the iniquities of racism has learned to be philosophical about the failings of his fellow man-but not to the extent that he's willing to give up the fight against blind hatred. Though warned by several Jewish film moguls that to produce the film would merely "make trouble," 20th Century-Fox chieftan Daryl F. Zanuck (who was not himself Jewish) saw the project through to its conclusion. The wisdom of Zanuck's decision was proven when Gentleman's Agreement not only made a fortune for Fox, but also won three Academy Awards, including Best Picture, Best Director (Elia Kazan) and Best Supporting Actress (Celeste Holm). ~ Hal Erickson, All Movie Guide

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Starring:
Gregory PeckDorothy McGuire, (more)

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