Neil Hartley Movies

Peter Ustinov stars once more as Hercule Poirot, Agatha Christie's insufferably brilliant Belgian detective. Unlike many of Ustinov's earlier Poirot vehicles, which were set in the 1930s, the made-for-TV Dead Man's Folly takes place in contemporary England. Jean Stapleton costars as an American mystery novelist who organizes a "murder hunt" at a sprawling English manor. It isn't long before several of the guests are also sprawling--on the ground, stone cold dead. American-born British stage star Constance Cummings makes a rare TV appearance as a mysterious noblewoman. Dead Man's Folly was lensed on location at West Wycombe Park in Buckinhamshire. ~ Hal Erickson, All Movie Guide

This macabre, whimsical, erotic, dark, seriocomic film is a complex tale about an eccentric family and the psychological and emotional maelstroms that follow them around from New England to New York to Vienna, where the Hotel New Hampshire is located. Writer-director Tony Richardson worked from the convoluted novel by John Irving that covers most universally saleable topics -- homosexuality, death, incest, abandonment, Nazis, masochism, terrorists, rape, mental instability, and anarchists. The children in the family are the main focus: John (Rob Lowe) is a womanizing high-school student with a deep-rooted desire for his own sister; Franny (Jodie Foster) is the eldest daughter, a victim of a gang rape, now morbidly fascinated by one of the rapists, and equally attracted to her brother with incestuous desire; Frank (Paul McCrane) is the younger gay brother; and Lilly (Jennifer Dundas) is the little sister who blossoms into a famous author. Associated with the family is Suzie the Bear (Nastassja Kinski) who is not secure enough to come out of her bear suit. One friend of the family, Freud (Wallace Shawn), has been blinded by the Nazis and is running the Hotel New Hampshire in Vienna when he asks everyone to come and help him out. By this time, the plot has run out of room, and the climactic endings to several unresolved relationships happen in quick succession. ~ Eleanor Mannikka, All Movie Guide

Welsh-born writer Emlyn Williams' 1938 play The Corn is Green originally starred Ethel Barrymore as L.C. Moffat, the strong-willed schoolteacher under whose guidance the illiterate Welsh teenager Morgan Evans matriculates as an honor student. Bette Davis played Moffat in the 1945 film version; this second filmization, made for television on location in North Wales, stars Katharine Hepburn. Morgan Evans is portrayed by newcomer Ian Saynor; the rest of the cast is populated by such old reliables as Bill Fraser and Anna Massey. Directed by George Cukor (his ninth collaboration with Katharine Hepburn), The Corn is Green premiered on January 29, 1979. ~ Hal Erickson, All Movie Guide

Based on a book by National Hunt jockey Dick Francis, the horseracing thriller Dead Cert was filmed in the village of Findon, West Sussex, U.K. When jockey Bill Davidson (Ian Hogg) is killed in a horseracing incident, his best friend Alan York (Scott B. Anthony) decides to investigate. He believes that Bill's death was not an accident, and he intends to expose the real killers. Judi Dench stars as Bill's wife, Laura Davidson, while her real-life husband Michael Williams appears as jockey Sandy Mason. Directed by Tony Richardson, Dead Cert received a U.K. theatrical release in 1974. In British slang, a "dead cert" means something that is definite. ~ Andrea LeVasseur, All Movie Guide

Ned Kelly (Mick Jagger) is the legendary outlaw of the Australian outback sought by authorities for stealing horses. At age 20, Ned has already served a three-year prison term at hard labor. When Ned's mother (Clarissa Kaye) is arrested and jailed on a bogus murder charge, Ned offers to surrender in exchange for his mother's freedom. When the authorities refuse, the Kelly brothers go on a robbing rampage. Cornered by the law in a saloon, Ned's brothers commit suicide rather than be taken alive. Shel Silverstein wrote the music performed by Waylon Jennings, Jagger and Glen Tomasetti. Australian folk songs are also included in this story taken from a popular 19th-century ballad. ~ Dan Pavlides, All Movie Guide

During the ill-fated charge of British troops at Balaclava in the Crimean War, loyal soldiers who blindly followed orders were led to certain death. This is the fifth time the story has been told on film, but the actual event is an afterthought to the main plot. Snobbish aristocrats and ineffectual politicos combine with pompous blue-bloods to make decisions affecting 600 men thousands of miles away. A decidedly anti-war and satirical slant is presented, as inept generals stand knee-deep in bodies, each blaming the other for the fiasco. Vividly underscored here is the fanaticism, dedication, and blind loyalty which caused the total annihilation of hundreds of soldiers. This 5-million-dollar epic film recouped only 1 million after the initial release, leaving critics to compare the real-life disaster with the financial one suffered by the producers. Trevor Howard, John Gielgud and Vanessa Redgrave head the excellent cast. ~ Dan Pavlides, All Movie Guide

The satire in Evelyn Waugh's darkly comic novel The Loved One was originally double-edged. The book was not only an attack on the Southern California funeral industry but also a lampoon of Hollywood's "British colony," those clannish, cricket-playing English actors of years gone by who bemoaned the artificiality of Tinseltown while eagerly accepting the demeaning and insignificant movie roles they were offered. The film version of The Loved One, anxious to live up to its ad-campaign promise of containing "something to offend everybody," downplays the British-colony business (save for the presence of the magnificent Robert Morley) and pumps up the "death" gags. Innocent British poet Dennis Barlow (Robert Morse) falls in love with funeral-home cosmetician Aimee Thanatogenos (Anjanette Comer), who in turn is loved by prissy funeral director Mr. Joyboy (Rod Steiger). The latter lives with his obese mother (Ayllene Gibbons), whose eating sequence is far more hilarious (and more tasteless) than many of the film's calculatedly "black" jokes. A huge guest-star cast is headed by Jonathan Winters in a dual role as a funeral home manager and his covetous twin brother, who operates an elaborate pet cemetery. Musician Paul Williams is also on hand as a 13-year-old aeronautics genius who develops a method of sending corpses into "eternal orbit" (a plot device that Waugh neglected to include in his novel). Film historian William K. Everson has commented that The Loved One is one of the best and most underrated comedies of the 1960s. For others, especially those who might feel guilty chuckling at the sight of Anjanette Comer committing suicide with an embalming needle, it's purely a matter of taste...or lack of same. ~ Hal Erickson, All Movie Guide