Janet Green Movies

Robert Mantegna stars as tough Boston private eye Spencer in this made-for-cable adaptation of the Robert B. Parker novel Thin Air. It all begins when Lila St. Claire (Yancy Butler, the new bride of police detective Frank Belson (David Ferry), is kidnapped by Latino ganglord Luis DeLeon (Jon Seda). As a personal favor to Belson, Spencer agrees to burrow into the barrio in hopes of rescuing Lila. In so doing, Spencer is made privy to more unsavory aspects of Beantown's Latino subculture--and also learns more than he cares to know about Lila's clouded past. Thin Air was originally telecast by the A&E network on September 12, 2000. ~ Hal Erickson, All Movie Guide

John Ford's final film is set in China in 1935, where a group of American women, led by Agatha Andrews (Margaret Leighton), work as missionaries. One of the women, Florrie (Betty Field), is pregnant and accompanied by her husband, Charles (Eddie Albert), while the others are single and on their own. The mission has become crowded after a cholera epidemic forced several outsiders to flee a nearby British mission and seek shelter with the American group, while a Mongol warrior, Tunga Khan (Mike Mazurki), has assembled troops who are sacking the area. When a female doctor, Dr. D.L. Cartwright (Anne Bancroft), enters the picture, she attempts to bring humor and civility to the group, but her tough yet compassionate nature clashes with Agatha's by-the-book approach, and when Cartwright is willing to put her own safety at risk to gain the attentions of Tunga Khan and slow his onslaught, the group is strongly divided -- most of the women admire the doctor's bravery, but Agatha (who seems to have a non-professional interest in Cartwright herself) considers her foolish and reckless. Seven Women was originally planned to star Patricia Neal as Dr. Cartwright, but when she suffered a stroke during filming that put her acting career on hold for several years, Anne Bancroft was recast in the role. ~ Mark Deming, All Movie Guide

In its time, Victim was considered as a daring a film as had ever been made in England. Taken at face value, Janet Green and John McCormick's screenplay is nothing new: Dirk Bogarde plays a lawyer who agrees to defend an old friend (John McEnery) on a theft charge, only to be enmeshed in a blackmailing scheme. What set this one apart is the fact that the lawyer had once been the male lover of his client. At a time when homosexuality was a criminal offense in England, any film that depicted the gay scene in a non-judgmental light was in for a rough time from the bluenose brigades. What really startled filmgoers of 1962 is that the homosexuals shown in Victim were seemingly normal, everyday blokes, a far cry from the stereotyped "nance" characters common to films. Denied the MPAA seal when it was released to the United States, Victim surprisingly ran into very little interference when it was released to television in the mid-1960s. ~ Hal Erickson, All Movie Guide

Nigel Patrick and Michael Craig portray two Scotland Yard detectives who are investigating the murder of a young black woman who had been passing for white. As timely a topic today as when made in an England rampant with racial prejudice in the 1950s, it stays just this side of an in-depth indictment of racism and bigotry as the detectives investigate the vast array of suspects--everyone from the girl's white boyfriend and his parents who feared that the association would destroy his career to the boys that the girl had spurned when she was accepted by white society. ~ Tana Hobart, All Movie Guide

In this suspenseful crime drama the trouble begins when the healthy wife of a crippled plantation owner prepares to leave with her handsome lover. Just before she does, her ailing husband tells her that he will only live a few months more, and if she remains with him she will inherit $20 million. She then dumps her lover and returns to her husband. Time passes and he is still alive. She grows impatiant and pushes her husband and his wheelchair into the swimming pool and gets her money. Afterward, she murders a snoopy servant, but in the end one of her late husbands' servants avenges his death and kills the conniving wife. Meanwhile, the lover returns to the piano bar where he met the woman. The film was shot in oppulent Havana, Cuba before Castro came to power. ~ Sandra Brennan, All Movie Guide

Jack Hawkins is starred as a gruff, intensely dedicated Scotland Yard superintendent. Working as much by instinct as through scientific methods, Hawkins and rookie sergeant John Stratton tackle the case of a string of unsolved safecrackings, committed by the elusive Richard Leech. This Dragnet approach gives way to suspense as robbery leads to murder. A neat surprise twist caps this finely honed example of British moviemaking know-how. The Long Arm was released in the U.S. as The Third Key. ~ Hal Erickson, All Movie Guide

Dirk Bogarde digressed from his usual lightweight image to portray a smarmy murderer in Cast a Dark Shadow. He kills his first wife (Mona Washbourne), hoping to claim her inheritance. Surprise! The inheritance is a myth. Thus Bogarde sets his sights on barkeeper Margaret Lockwood, whom he knows to be heavily insured. But Lockwood is possessed of a naturally suspicious nature, making Bogarde's second murder plot a bit more delicate than his first. Cast a Dark Shadow is a too-literal adaptation of Janet Green's stage play Murder Mistaken. ~ Hal Erickson, All Movie Guide

The Clouded Yellow stars Trevor Howard as David Sommers, a former member of the British Secret Service. After the war, Sommers takes a low-profile job cataloguing butterfly specimens. While thus employed, he make the acquaintance of Sophie Malraux (Jean Simmons), a curious young lady who seems to be hiding something. Indeed she is, as Sommers discovers when Sophie is brought up on murder charges. Championing her cause, Sommers helps Sophie escape, prompting Scotland Yard to put another ex-secret agent on the couple's trail. The chase extends from London to Liverpool, culminating in a tangled web of murder and madness. The Clouded Yellow was the first independent production supervised by Betty E. Box. ~ Hal Erickson, All Movie Guide