Jeanne Crain Movies

Three wives, played by Jeanne Crain, Ann Sothern and Linda Darnell, are about to embark on a boat trip when each receives a letter, written by a mutual friend named Addie, informing her that Addie is about to run off with one of their husbands. In flashback, each wife wonders if it is her marriage that is in jeopardy. Deborah (Crain) recounts her fish-out-of-water relationship with her up-and-coming hubby (Jeffrey Lynn); businesswoman Rita (Sothern) asks herself if she's been too rough on her professorial spouse (Kirk Douglas); and Lora May (Darnell), a girl from (literally) the wrong side of the tracks, questions the security of her marriage to a brash business executive (Paul Douglas). The voice of Addie, who is never seen, is provided by Celeste Holm. Thelma Ritter shows up in a hilarious unbilled bit as a slatternly domestic, while an equally uncredited Carl "Alfalfa" Switzer makes a quick entrance and exit as a bellhop. Written with perception and not a little witty condescension by director Joseph L. Mankiewicz, A Letter to Three Wives won two Oscars ,both for Mankiewicz. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part. ~ Hal Erickson, All Movie Guide

Myrna Loy returns as Mrs. Gilbreth -- efficiency expert, industrial engineer, and mother of twelve -- in this sequel to Cheaper By The Dozen. After the death of her husband, Gilbreth is forced to take over as the family's primary breadwinner, but she soon discovers that not every company who hired her and her husband in the past is eager to work with her on her own. Facing prejudice from many of her prospective clients, Gilbreth finally makes good training engineers for Sam Harper (Edward Arnold), putting her family back on solid financial ground. In the meantime, the dozen Gilbreth children are growing up, most notably eldest daughter Ann (Jeanne Crain), who enters into a serious romance with Bob Grayson (Jeffrey Hunter), a young doctor. The supporting cast includes Hoagy Carmichael, Debra Paget, Barbara Bates and Robert Arthur. ~ Mark Deming, All Movie Guide

Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, All Movie Guide

An international cast wanders in and out of the lavish sets in Daggers of Blood. Set in 18th-century Eastern Europe, the film concerns the star-crossed romance between a Polish military officer and a gorgeous Slavic princess. The princess' vengeful lover cuts a path of death and destruction throughout the land. The showdown finds the villain holding the princess captive as the hero and the thousands under his command race to the rescue. Jeanne Crain, then pushing 40, is as lovely and fragile as ever as the Princess; less attractive is John Drew Barrymore (son of the Great Profile, father of Drew Barrymore) as the heavy. France's Pierre Brice is the hero, while veteran scene-stealer Akim Tamiroff growls and glowers as a bibulous baron. Based on a novel by Henry (Quo Vadis) Sienkewicz, the French-Italian-Yugoslavian Daggers of Blood was originally titled Col Ferro e Col Fuccio. It has also been released as With Fire and Blood and Invasion 1700. ~ Hal Erickson, All Movie Guide

In this thriller, shot on location in Rhodesia, an American insurance investigator looks into the strange death of a diamond broker who drowned while diving for diamonds off the African coast. The broker had been insured for over $1 million. The sleuth's prime suspect is the broker's fiancee. He trails her as she goes on a dangerous safari. He quickly finds out that the broker isn't dead at all. The two had designed the scam to raise money for the dive. The agent and the crook engage in a canoe chase that culminates in the crook's capture. ~ Sandra Brennan, All Movie Guide

In this action drama, ranchers and lumberjacks are at loggerheads over the proper usage of the land. When the logging team finds a prime stand, the ranchers beg the loggers not to harvest it because the lack of trees will cause deadly mud slides during the rainy season that will destroy their homes. The battle becomes quite heated as the ranchers and the lumberman begin blowing each other up. In the midst of explosive tempers and fighting, a romance blooms between lovers on each side. Finally the lead forester sees that he is wrong after the head rancher's daughter, the woman he loves, is almost blown to bits. Unfortunately, his partner doesn't and continues to fight until he is shot and killed. ~ Sandra Brennan, All Movie Guide

In this youthful actioner, two young hot-rodding hoods torment a family while they are en route to a motel in the California desert. The film is also known as 52 Miles to Midnight. The family goes there to take over the establishment. When they finally arrive, tired and frightened by their ordeal, they are horrified to discover that the ramshackle inn is all but abandoned but for the teens who use it as a place to drink. The father and his clan then head for his brother's house 52 miles down the road. Again the young hoodlums launch a vicious attack. Something inside the father snaps. Suddenly stopping his speeding car, he aims his headlights right into the windshield of the oncoming teens, blinding them with the light. The kids crash. The father then forces them to promise to mend their delinquent ways. If they don't, he will send them to jail for a long, long, time. The creepy kids decide to reform. The father, decides to return to the motel and try to fix it up. ~ Sandra Brennan, All Movie Guide

In this wartime comedy, a spoiled socialite attempts to endure army life after marrying a lieutenant. The constant traveling and inadequate quarters are almost more than she can bear. That she cannot get along with the other soldier's wives makes matters worse. When her husband's unit is placed on alert, she tries to get her father to help him get assigned a permanent position stateside. The couple then has a misunderstanding when he falsely believes that she is with child. Finally the woman begins to understand the nature of true patriotism and begins supporting her husband. ~ Sandra Brennan, All Movie Guide

Gene Tierney portrays a beautiful but unstable woman who marries successful novelist Cornel Wilde. Tierney wants to spend all her time with her new husband, but finds it impossible to do so thanks to his work and the frequent visits of family and friends. When Wilde's crippled younger brother (Darryl Hickman) comes to the couple's summer house to stay, Ms. Tierney indirectly causes the boy to drown. Later, upon discovering that she's pregnant, Tierney deliberately falls down the stairs, choosing to miscarry rather than share her husband's affections with an infant. When it becomes clear that family friend Jeanne Crain is attracted to her husband, Ms. Tierney commits suicide, making her death appear to be murder and framing Crain for the "crime." In court, Ms. Crain is mercilessly grilled by prosecuting attorney Vincent Price, who happens to be Tierney's ex-lover! Filmed in lush Technicolor, Leave Her to Heaven is based on the best-selling novel by Ben Ames Williams. ~ Hal Erickson, All Movie Guide

In this deceptively titled and paced Western, Kirk Douglas shines in the hyper-macho role of Dempsey Rae, a good-natured drifter with a mysterious past up from Texas, a top hand with a gun, a horse, or a herd, who can even play the banjo and sing. He rides into a Wyoming town in a freight car, in the company of much younger drifter Jeff Jimson (William Campbell), who knows even less about the West than he does about life. Dempsey gets Jeff out of a few scrapes with the law, and both get hired by the foreman (Jay C. Flippen) of the Triangle Ranch. With 8,000 head, the Triangle is already the largest spread in the territory, but the new owner from back east, Miss Reed Bowman (Jeanne Crain), arrives with plans to move in another 22,000 head onto the open range, threatening to squeeze out the smaller ranches completely. Meanwhile, the other ranchers plan on saving some of the grass for winter feed and fence it off with barbed wire. When Bowman discovers that she can't hold onto Dempsey as either a man or a foreman, she seduces Jeff -- who's too quick to become a man -- to run interference on him, and hires a crew of gunmen led by Steve Miles (Richard Boone) to tear down the wire. A range war is about to break out, and Dempsey, who wants no part of barbed wire and carries the scars to show why, plans on pulling out. But then Miles and his men overplay their hand, and Dempsey throws in with the smaller ranchers. The body count suddenly starts going against Miles, who digs in for a final fight, and now it's Jeff and Bowman who find themselves caught between two unstoppable forces that they've helped unleash. ~ Bruce Eder, All Movie Guide

In this Italian costume epic chronicles the exploits of an innocent maiden who lives near Thebes. She is in love with a sculptor but cannot marry him when a high-ranking reveals that he is her father and that she was betrothed at birth to a mentally ill prince slated to soon take over the country. The father then hands down a death sentence for the sculptor, but fortunately he escapes to find the prince, who happens to be a friend of his. There he asks for and is granted a pardon. Time passes and the prince becomes king; meanwhile, the maiden undergoes a ritual purification and changes her name to "Nefertiti." The sculptor is now with a gypsy. Unfortunately, he is again imprisoned by Nefertiti's father who threatens to kill him unless his unwilling daughter marries the new king. After the wedding, the sculptor does a bust of his beloved, and she tells him that while she still loves him, she fears for her husband's mind if she leaves. Her manipulative father is well aware of the king's instability and is hoping that eventually he will have all the power. To get closer, he kills the king's best friend, a rival priest, which pushes the king to suicide. Suddenly Nefertiti becomes queen. With the sculptor's help, she rallies the army and wins her power. In the end, the jilted gypsy gets her revenge by killing Nefertiti's father. ~ Sandra Brennan, All Movie Guide

People Will Talk was less a movie than a conduit for the genteel liberalism of screenwriter/director Joseph M. Mankiewicz. Cary Grant plays Dr. Praetorius, an unorthodox medical professor at a sedate midwestern college who seems more interested in the human soul than in the cold facts of the human body. Praetorius' nemesis is a conservative rival doctor (Hume Cronyn) who presses for an investigation of our hero's clouded past--with special emphasis given the mysterious old man (Finlay Currie) who lives with Praetorius and waits on him hand and foot. In the course of the film, Praetorius falls in love with one of his students, an unmarried pregnant girl (Jeanne Crain). At the climactic hearing concerning Praetorius' fitness, the presiding judge (Basil Ruysdael) decides that Praetorius' "modern" methods are more worthwhile than the pragmatic, cut-and-dried theories of his enemies. Based on a German play by Curt Goetz, People Will Talk is a bit too proud of its own cleverness, with Mankiewicz' political planks being wedged in at all the inappropriate times (while conversing with the father of the pregnant girl, Praetorius launches on a gratuitous attack against farm subsidies!) Still, the film is ten times more intelligent than most of Hollywood's 1951 output, and contains one of Cary Grant's best and subtlest seriocomic performances. Bonus: In the first scene of People Will Talk, the snoopy lady who brings Praetorius' "shady" past to the attention of Hume Cronyn is played by an uncredited Margaret ("Wicked Witch of the West") Hamilton. ~ Hal Erickson, All Movie Guide

This Italian drama tells the story of Christ's crucifixion from the viewpoint of the Roman emperor's procurator in Israel who must try to quell a Jewish revolt. In a bizarre twist, John Drew Barrymore plays both Jesus and Judas in the film. ~ Sandra Brennan, All Movie Guide