Michael Craig Movies

In this mystery, Peter Ustinov reprises the role of Hercule Poirot, the fussy and flower-tending detective from Belgium created by Agatha Christie. In 1937, Mrs. Emily Boynton (Piper Laurie) is on an archeological dig in Palestine; she inherited the wealth of her recently deceased husband and feels little inclination to share it with her relatives. When she turns up murdered, there are plenty of logical suspects among the people who hated Emily, so which one did the deed? It's up to Poirot to find out. The supporting cast includes Lauren Bacall, John Gielgud, and Carrie Fisher; the film was Ustinov's sixth go-round as Poirot. ~ Mark Deming, All Movie Guide

In the 12th episode of the season-long continuity "The Trial of a Time Lord," the Valeyard (Michael Jayston), bent upon condemning the Doctor (Colin Baker) for violating the Laws of Time, argues that the Doctor's videotaped evidence does not correspond with the facts. But the Doctor argues that, contrary to those "facts," he and his companion, Mel (Bonnie Langford), were indeed responsible for rescuing the passengers of the spaceliner Hyperion III from being devoured by a series of ravenous plants -- and that the Hyperion III did not meet its doom in the Black Hole of Tartarus. Written by Pip and Jane Baker and first broadcast on November 22, 1986, Doctor Who: The Trial of a Time Lord, Episode 12 was actually the concluding installment of the four-part story arc "Terror of the Vervoids." ~ Hal Erickson, All Movie Guide

The season-long Doctor Who adventure "The Trial of a Time Lord" continued on November 1, 1986 with episode one of the story's third chapter, "Terror of the Vervoids" (a subtitle that did not appear onscreen). Still defending himself against charges of breaking the Laws of Time, the Doctor (Colin Baker) presents videotaped evidence of his innocence. It should not surprise fans of the series that the evidence consists of events that have yet to transpire, and that the Doctor has suddenly acquired a new companion: Earth girl Melanie "Mel" Bush (Bonnie Langford). Doctor Who: The Trial of a Time Lord, Episode 9 was written by Pip and Jane Baker. ~ Hal Erickson, All Movie Guide

In this teen comedy, the employees at a posh hotel go to war with the resort's snooty guests. ~ Jason Ankeny, All Movie Guide

This grim, violent Australian production is an artless mishmash incorporating elements of The Road Warrior, 1984 , and The Most Dangerous Game. The story is set in a dystopian future society where all "deviants" (i.e. anyone whose ideas don't jive with those of the government) are interred in nightmarish re-education camps where they are tortured, beaten, raped and put to death -- mostly on the whim of the psychotic commandant (Michael Craig). Periodically, a handful of particularly defiant inmates will be released unarmed to be hunted down (for the entertainment of the elite) in a free-for-all "Turkey Shoot" (the film's original Australian title). Among the latest batch of potential targets are strong-willed Steve Railsback and Olivia Hussey, who are confronted in the wilderness by the commandant and his goofy mutant cronies -- all of whom carry rocket-launchers, exploding arrows, and flamethrowers. This entire exercise is basically a prolonged excuse for a plethora of cheap, splattery makeup effects, made far more unpleasant by the blatant sadism of the proceedings. Unsuspecting viewers exposed to this film may wish to follow with My Brilliant Career to restore their faith in Australian cinema. ~ Cavett Binion, All Movie Guide

In Queensland, Australia in the 1920s, a rugged Irishman bucks the encroaching modern age to the detriment of himself and his family in The Irishman. Michael Craig plays Paddy Doolan, an individualistic force-of-nature who runs a team of imposing and impressive Clydesdale draught horses. With the internal combustion engine making inroads into the Australian outback, Doolan insists on ignoring the on-coming mechanical monstrosity and continues to put all his faith into his horse team. His recalcitrance tears apart his family -- consisting of his acquiescent wife Jenny (Robyn Nevin); his rebellious older son Will (Lou Brown); and supportive younger son Michael (Simon Burke). Refusing to give in to changing times, he not only ends up destroying his business and his family but himself as well. ~ Paul Brenner, All Movie Guide

In this actioner, a priest-turned terrorist abducts a U.N. dignitary and nearly causes an unmendable rift between the U.S. and Greece. ~ Sandra Brennan, All Movie Guide

Vault of Horror is the first sequel to 1972's horror hit Tales from the Crypt. It is also known as Tales from the Crypt, Part II. It continues it's predecessor's popular formula of using established stars in five witty short horror episodes. The first, "Midnight Mass," shows that having a vampire for a relative can be upsetting, to say the least. In "The Neat Job" a nagging neat-freak is neatly nullified. In "This Trick'll Kill You," a colonial overlord learns that it's not safe to steal magic tricks from natives. "Bargain in Death" exposes the greed of two insurance swindlers, and "Drawn and Quartered" takes "The Picture of Dorian Grey" one better. Among the stars appearing in these episodes are Terry-Thomas, Glynnis Johns, Curt Jurgens, Denholm Elliott and Tom Baker. ~ Clarke Fountain, All Movie Guide

In this British tragi-comedy taking place among emotionally bankrupt upper-class Scottish countrymen, Peter O'Toole plays Sir Charles Henry Arbuthnot Pinkerton Ferguson, a mentally disturbed Scotsman, living on his uncared-for farm, who also harbors an incestuous yearning for his sister Hilary (Susannah York), who is staying with Sir Charles after a fight with her husband Douglas (Michael Craig). However, while at a local sheep auction, Hilary encounters Douglas and she realizes she still loves him. Hilary and Douglas agree to meet that night at a country dance. But Sir Charles finds out about their intended rendezvous and at the dance that night, continually interrupts Hilary and Douglas's reunion. Sir Charles further hampers a reconciliation by allowing Hilary to think that Douglas is the father of a maid's illegitimate child. Hilary, in reaction, goes wild and becomes the complete party girl, propositioning the band leader but going off with Jock (Brian Blessed), the real father of the maid's child. When Sir Charles finds Hilary asleep in his car the next morning, and Hilary tells him of her antics of the night before, Sir Charles lapses into a deep depression as he realizes that his sister is lost to him. ~ Paul Brenner, All Movie Guide

Historical accuracy is cast aside in the film version of Peter Shaffer's play. Fueled by promises of gold, Pizarro (Robert Shaw) and his explorers make a third trip across the treacherous Andes Mountains to Peru. There they meet King Atahuallpa (Christopher Plummer), considered to be a god by his faithful followers. The two leaders overcome their initial mistrust and suspicion, garnering admiration for each other. When the King is sentenced to die, Pizarro tries unsuccessfully to prevent the monarch's death at the hands of gold-hungry explorers. ~ Dan Pavlides, All Movie Guide

Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, All Movie Guide