Ernest Anderson Movies

One man's efforts to get ahead on the streets lead him into a life of danger in this hard-hitting urban drama from Roc-A-Fella Films, the production company run by top hip-hop artist Jay-Z. Beans (Beanie Sigel) is a member of a Philadelphia street gang who has had enough of his life of poverty. Determined to get ahead by any means available to him, Beans steps to the wrong side of the law and begins selling drugs. Forming a crew with his friends and fellow gangsters called the ABM ("All 'Bout the Money"), Beans and his partners soon become the new rulers of Philly's underground economy. But with success comes competition, and Untouchable J (Jay-Z) and Dame (Damon Dash), the leaders of an establish drug-dealing crew, decide the ABM are taking more than their share of the business, and begin retaliating with violence -- with both the ABM crew and Beans' wife as targets. State Property also stars Memphis Bleek, Omillio Sparks, and Sundy Carter. ~ Mark Deming, All Movie Guide

Accompanied by the Banks family, Will (Will Smith) makes a return visit to his old South Philly neighborhood. Upon arrival, he is ribbed by his friends for his reputation as a "chicken". There is only one thing that will end this persecution: Will must challenge his childhood nemesis Omar (Jacques Apollo Bolton), whom he describes as the guy who's "spinning me around in the opening credits", to a final showdown. Dick Clark makes a guest appearance in this cliffhanger finale of The Fresh Prince of Bel-Air's fourth season. ~ Hal Erickson, All Movie Guide

With a cast starring such comic veterans as Harvey Korman, Anne Meara, Jack Weston and Tim Conway (who also wrote the script), and executive produced by Mike Nichols, it is normally a safe bet that hiliarity will ensue. Unfortunately, this sure thing does not pay off and is disappointingly dumb as it tells the tale of four luckless gamblers who in desperation borrow a large sum for a local loanshark so they can bet on a particular horse. Unfortunately, they bet on the wrong nag and suddenly the foursome must scramble around for quick cash before the loanshark's thugs show up for some bruising payback. ~ Sandra Brennan, All Movie Guide

The bottom-drawer science fiction cheapie was originally released as The Return. In a dusty New Mexico town, two children and an old man witness the arrival (via poor special effects) of an alien spacecraft. The phenomenon has such a profound effect on the lives of the witnesses that they anxiously await the return of the extraterrestrials--whom, it is suggested, have visited here several times before. When the big-name cast (Jan-Michael Vincent, Cybill Shepherd, Martin Landau, Raymond Burr and Neville Brand) failed to sucker customers into seeing The Return, the film was repackaged as The Alien's Return. If we are indeed visited by aliens someday, one hopes they aren't as dull as the creatures in this sorry little film. ~ Hal Erickson, All Movie Guide

Fred (Redd Foxx) wins the Watts Businessman-of-the-Year award, but his bad back may prevent him from walking to the podium. Before long, Fred has a pain in other portions of his anatomy, thanks to the plethora of "home remedies" offered by his friends and family. The limit comes when son Lamont (Demond Wilson) suggests that Fred undergo acupuncture. ~ Hal Erickson, All Movie Guide

When Jimmy Price (Jim Brown) wins an upset victory for sheriff, he becomes the first black man ever to hold the job (or any elective office) in anyone's memory in his rural southern county. He also sets off an ominous rumblings as the entire county seems split apart by his presence -- Mayor Parks (Fredric March) offers him the support of his office, but many whites aren't prepared to accept a black man as sheriff, while most of the whites that can accept him aren't saying so too loudly; a lot of older black residents, remembering decades of Jim Crow laws that only lately disappeared, are more confused than encouraged by Price's victory, while younger, more radical black citizens like George Harvey (Bernie Casey) have little use for Price's straight-arrow personality; they expect him to show them favoritism, and when he doesn't, they suspect him of being an nothing but a white man in black skin. Even Price's own wife (Janet MacLachlan) wonders if the cost of his being sheriff is too high. He finds himself alone, walking a tightrope between all of the forces pulling at him, and then the whole situation threatens to explode when he arrests the good-for-nothing son (Bob Random) of a wealthy man from the next county, who has killed a child while driving drunk. Soon the local klavern of the Ku Klux Klan is planning a meeting, and a lynch mob seems to be gathering across the county line to break the prisoner loose and take care of the sheriff. Price finally gets some unexpected help from his embittered predecessor, John Little (George Kennedy) -- Little would like nothing more than to sulk over losing his longtime job, but with his wife's coaxing he realizes that he can't let Price fail without the risk of destroying everything he worked for years to build. ~ Bruce Eder, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

One of the most subtle and sophisticated of the musical comedies that came out of MGM's Arthur Freed Unit in the '40s and '50s, The Band Wagon stars Fred Astaire as Tony Hunter, a movie star whose career is in a downturn. Looking for a boost, Tony decides to try starring in a Broadway musical. His friends Lester and Lily Marton (Oscar Levant and Nanette Fabray) have written a show they feel would be just right for Tony, and the three team up with Jeffrey Cordova (Jack Buchanan), a self-styled "genius" director, who gets the idea to turn the play into a revised version of Faust. Cordova's more pretentious ideas don't always sit well with the Martons, and Tony isn't too happy with his leggy co-star, Gaby Gerard (Cyd Charisse), whom he's convinced is too tall (then again, she thinks he's too old). But when the show proves a disaster in out-of-town tryouts, everyone realizes they have to put aside their differences if they want a show that will be on Broadway for longer than four hours. The Band Wagon featured a rare American appearance for British musical star Jack Buchanan, who does a fine soft-shoe with Fred Astaire on "I Guess I'll Have to Change My Plan." Astaire also shines in the numbers "Shine on Your Shoes" and "The Girl Hunt," a witty Mickey Spillane parody. ~ Mark Deming, All Movie Guide

The Well is a modest but generally effective plea for racial tolerance. Based loosely on a real incident, the film tells of the disappearance of a little African-American girl in a small, segregated community. Caucasian Claude Packard (Harry Morgan, the nephew of the town's richest man (Barry Kelley), is the last person seen with the little girl. Sensing a coverup when Morgan is not immediately charged, the black community is on the verge of a riot. But when it's discovered that the little girl has fallen down a well, all racial differences are forgotten as black and white neighbors work shoulder to shoulder to rescue the child. The Well tries very hard to be equitable by 1951 standards, and is heartfelt enough to overcome its occasional lapses into stereotype and condescension. ~ Hal Erickson, All Movie Guide

John Van Druten's Broadway hit The Voice of the Turtle was purchased by Warner Bros. as a vehicle for...well, in all likelihood, stars Eleanor Parker and Ronald Reagan were both second choices. Reagan is a returning GI who falls in love with Parker, an ingenuous young actress. Circumstances require the hero and heroine to share the same apartment, though the implications don't get much farther than the knowing wisecracks of supporting player Eve Arden. The original play's stars were Elliott Nugent and the matchless Margaret Sullavan, and both Reagan and Parker seem overwhelmed by the responsibility of filling those shoes. Nothing in The Voice of the Turtle (reissue title: One for the Book) is quite as funny as the film's outtakes, which were widely distributed during the Reagan presidency on the basis of a scene in which an increasingly testy Reagan is unable to zip up his trousers. ~ Hal Erickson, All Movie Guide

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

Deanna Durbin offered her fans a change of pace in this mystery story seasoned with elements of comedy and music. Nikki Collins (Durbin) is a small-town girl visiting New York City to meet with Mr. Haskell (Edward Everett Horton), her family's attorney. As her train pulls into the station, she looks out her window into a nearby office building. She's shocked by what she sees -- a man is being strangled to death, and while she can't see the face of the killer, she gets a good look at the victim. Terrified, Nikki immediately goes to the police, but they think that her story is simply the product of an overactive imagination and send her on her way. Nikki, however, is certain that she witnessed a murder, and she approaches mystery writer Wayne Morgan (David Bruce) to help her piece together the facts of what happened. Thanks to a newsreel, Nikki is able to recognize the victim as Mr. Waring, a wealthy man who made his fortune in shipping; she attempts to contact Waring's family, but they're convinced that Nikki is a nightclub singer with whom the tycoon was having an affair. Hoping to contact the chanteuse in question, Nikki visits the club where she works, only to discover that she's also been murdered. Nikki soon finds herself being trailed by both Jonathan (Ralph Bellamy) and Arnold (Dan Duryea), two members of Waring's family whom she believes may have been involved in the crime, and could be trying to silence her once and for all. Like most of Durbin's vehicles, Lady on a Train's plot stops every now and then to give her the opportunity to sing a song; Western fans may want to keep an eye peeled for future cowboy star Lash LaRue, who has a small role as a waiter. ~ Mark Deming, All Movie Guide