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Everett Freeman Movies

American short-story writer, screenwriter and producer Everett Freeman got started in the entertainment industry writing and producing radio shows. In the late 1930s, he began writing screenplays for comedies and light dramas. From there he became a producer and in the '50s was behind the Bachelor Father television series. ~ Sandra Brennan, Rovi
1970  
PG  
False Witness is the British title of the American thriller Zigzag, which in turn was partially inspired by the 1950 film D.O.A. George Kennedy plays an insurance investigator who learns that he is dying from a brain tumor. Hoping to provide for his family, Kennedy confesses to a murder he didn't commit, thereby collecting the reward money. During his murder trial, Kennedy collapses and is rushed to the hospital. Subjected to laser surgery, he emerges from the hospital completely cured--and now he must unravel the airtight case he's contrived against himself in court. ~ Hal Erickson, Rovi

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Starring:
George KennedyAnne Jackson, (more)
 
1970  
PG  
In this syrupy comedy, a father attempts to reconnect with his troubled, estranged son, a philosophy professor. The chance at reconciliation comes when the son learns that his father, whom he hasn't seen in years is fighting a strange nameless movie disease in a French hospital. The young man's wife is not pleased. While aboard the jet, the son reflects upon his upbringing and the fights that would erupt between his mother, a fundamentalist Christian, and his father, an atheist. He remembers how his father turned to a free-spirited artist for comfort. Just before she left him, the artist gave the father a lovely poem. Later after his son became a teacher, the father decides to enter to piece in a poetry contest and wins $10,0000, which he plans to donate to his son's department. Unfortunately someone discovers that the artist's "original" poem is anything but and the father is publicly humiliated while his son is passed for promotion. Seeing how unhappy his son has become, the father decides to go to a church and pray for his son to get promoted. It works, but unfortunately a man had to die for the son to get it leaving the father to be wracked with guilt. Fortunately with the son's arrival comes the father's salvation. ~ Sandra Brennan, Rovi

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Starring:
Jackie GleasonMaureen O'Hara, (more)
 
1969  
G  
Cashing in on the popularity of their comedy series Laugh-In, comedians Dan Rowan and Dick Martin team up ala Abbott and Costello in this spoof of old horror movies and mysteries. Rowan plays a pornographic film producer and Martin plays his star, who is having trouble sleeping at night and seriously suspects that he has become a werewolf. To verify this, the two travel to a "haunted" Gothic Long Island mansion and end up embroiled with Julie Newmar while searching, amidst a series of murders, for a missing diamond. Rowan and Martin's television show was hip and funny. Alas, this film is neither and bombed at the box-office. ~ Sandra Brennan, Rovi

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Starring:
Dan RowanDick Martin, (more)
 
1968  
 
This light romantic comedy is set during the November 9th power outage of 1965 that darkened New York and much of the East Coast. Margaret (Doris Day) is a theater actress who storms out on her architect husband, Peter (Patrick O'Neal), when a pretty female reporter spends too much time interviewing him for Margaret's liking. Later, Waldo Zane (Robert Morse), an embezzling business executive, has car trouble while fleeing his company. Margaret's house is nearby, so he sneaks in, and, after taking a drink of her elixir, he falls asleep beside her by mistake. Naturally, her husband soon appears, and comedy ensues in cases of mistaken identity and scheduling mix-ups. Columnist Earl Wilson makes a cameo appearance as does director Hy Averback. Steve Allen plays the radio announcer, Jim Backus a car dealer, and Pat Paulsen deadpans his usual facade in his role as a train conductor. Though this romantic comedy came out a couple years after the infamous New York City-wide blackout, it is based on French playwright Claude Magnier's production Monsieur Masure, which was written in the '50s. The actual power failure resulted in a population explosion exactly nine months later, and over double the average number of kids started school in 1971 as a direct result of the darkness. ~ Dan Pavlides, Rovi

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Starring:
Doris DayRobert Morse, (more)
 
1966  
 
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The Glass Bottom Boat is hardly a high point in the careers of star Doris Day and director Frank Tashlin, though it is a better-than-usual example of that pure-'60s genre, the "spy spoof." Day plays Jennifer Nelson, a PR worker at NASA in Florida. She also doubles as a "mermaid" for her father, Axel (Arthur Godfrey), the skipper of a glass-bottom tourist boat. While garbed in her skimpy mermaid costume, she has a run-in with handsome space technician Bruce Templeton (Rod Taylor). Through a series of misunderstandings, Bruce is led to believe that Jennifer is an enemy spy, determined to steal scientific secrets. Several other characters enter into the plot, including bumbling secret agent Julius Pritter (Dom DeLuise) and prissy security chief Homer Cripps (Paul Lynde). Also on hand are TV favorites Dick Martin as Jennifer's erstwhile beau and Eric Fleming as a man of mystery. A few cute celebrity cameos round out this ribtickler, while Doris Day, as always, gets a few opportunities to sing. ~ Hal Erickson, Rovi

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Starring:
Doris DayRod Taylor, (more)
 
1963  
 
Playwright Norman Krasna adapted his hit Broadway sex farce for the screen under the direction of Peter Tewksbury. Adam Tyler (Cliff Robertson) is an airline pilot who rents a pricey Manhattan apartment and has the weekend off. His prim sister Eileen (Jane Fonda), shows up to visit, complaining that her fiancée Russ (Robert Culp), is pressuring her to have premarital sex, threatening to break up their engagement if she doesn't comply. Adam tells his sister that she is right to resist, that men want to marry women who are virgins, then he leaves with plans to meet his lover, Mona Harris (Jo Morrow), in another city. Left alone, Eileen finds women's lingerie in her brother's closet and realizes that he has a double standard. She leaves, upset. While on a bus, she meets a man named Mike (Rod Taylor). They spend the day sightseeing, fall in love, and return to the apartment after a rainstorm drenches their clothes. Russ and Adam later arrive at the apartment at different intervals. Russ mistakenly believes that Eileen has cheated on him, so he storms out, leaving Eileen with her new love and Adam with plans to marry Jo. Jim Backus has a minor role as a flight dispatcher. Musician Peter Nero, who scored the film, appears in a cameo. ~ Michael Betzold, Rovi

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Starring:
Rod TaylorJane Fonda, (more)
 
1958  
 
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Marjorie Morgenstern (Natalie Wood) is an 18-year-old, middle-class, Jewish girl from New York who wants nothing more than to be an actress, despite the hopes and wishes of her parents (Everett Sloane and Claire Trevor) that she graduate from college, marry, and settle down to have a family. At the urging of her more worldly friend Marsha Zelenko (Carolyn Jones), she takes a job at an upstate camp, and, one night when sneaking onto the grounds of a neighboring resort, meets and falls wildly in love with the entertainment director, Noel Airman (Gene Kelly). A Lothario with a gift of song as well as dance, Airman romances Marjorie and tries to teach her something of theater, suggesting that she change her name to Marjorie Morningstar, which she does. He intends to enjoy her company for the summer, until her aging uncle Samson (Ed Wynn), who is also working at the resort, tells him of the family's concerns for the girl. Noel and Marjorie end up linked romantically, despite their best efforts to stay away from each other. Marjorie gives up a potential romance with a slightly older, successful doctor (Martin Balsam) and resists the honest entreaties of Airman's assistant, Wally Wronken (Martin Milner), and tries to get Airman to straighten up and fly right; she can't get her own acting career off the ground, but she owns Airman's heart. Instead of biding his time at writing a musical that he's been working at for four years, and spending his summers working in the Catskills, Noel tries to work in the advertising world -- he also finds himself just as troubled by the stable family life and religious life that Marjorie comes from as he is attracted to her personally. He is also bitterly disturbed by the fact that his one-time assistant Wally Wronken is now a successful Broadway playwright, the darling of critics and audiences, with backers eager to sign checks to produce his work. Unable to pursue a life in business, or remain faithful to Marjorie, he reaches a crisis point from which only she can rescue him -- together they try to build a life and he tries to finish his long-gestating masterpiece, which proves a disaster when it gets to Broadway. Noel abandons Marjorie, and when she goes to find him, Wally warns her off, explaining that Noel has to return to a place where he can feel successful, like the Catskills resort where they met, where he can be the big fish in the tiny pond. Her marriage over and her girlish ideals behind her, she sees Noel back in his element, wowing young acting students with his skills, and finally turns to the one man who has loved her for precisely who she is all along, Wally. ~ Bruce Eder, Rovi

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Starring:
Gene KellyNatalie Wood, (more)
 
1957  
 
Kelly is a big, lovable, immensely talented German Shepherd. "Me" is Len Carmody (Van Johnson), a third-rate vaudevillian. Carmody's fortunes take an upswing when he teams with the personable Kelly for professional reasons. When talking pictures come in, Carmody is signed to appear in short subjects, only to discover that it's the dog the producers want, rather than him. As if this wasn't enough for Carmody to worry about, Kelly's original owner pops up out of nowhere, demanding that the dog be returned to him. As something of a balm, Carmody enjoys the romantic attentions of two lovely ladies: Mina Van Runkel (Piper Laurie), daughter of movie-studio owner Walter Van Runkel (Onslow Stevens), and cinema vamp Lucy Castle (Martha Hyer). ~ Hal Erickson, Rovi

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Starring:
Van JohnsonPiper Laurie, (more)
 
1957  
 
The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, Rovi

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Starring:
June AllysonDavid Niven, (more)
 
1953  
 
An offbeat blend of World War II drama and "Arabian Nights" escapism, Destination Gobi is all the more odd in that it is allegedly based on fact. Richard Widmark heads a group of US Navy men, sent to Mongolia for weather observation. Widmark must lead his men across the treacherous Gobi desert to the freedom of the seacoast. Rescued from the Japanese by a Mongolian chief (Murvyn Vye), the men are compelled to repay their rescuer by securing enough saddles for his sixty horses. A flummoxed Pentagon okays the requisition, and the chieftain leads Widmark's band to Okinawa. Destination Gobi makes good use of the Arizona desert, which "stands in" for Gobi. ~ Hal Erickson, Rovi

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Starring:
Richard WidmarkDon Taylor, (more)
 
1952  
 
Who else but Esther Williams could star in a romantic drama (with musical numbers) bearing a title like this? In Million Dollar Mermaid, Williams plays Annette Kellerman, a real-life Australian swimming star who took up the sport as a child to strengthen her legs, which were severely weakened by a birth defect. The treatment proves effective, and as she grows to adulthood, Annette shows that she has the talent to be a champion swimmer, though she prefers to follow her dream of becoming a ballet dancer. When Annette's father Frederick (Walter Pidgeon) accepts a position in London teaching music, Annette opts to go with him, and along the way she meets James Sullivan (Victor Mature) and Doc Cronnol (Jesse White), the joint-owners of a boxing kangaroo they intend to exhibit in London. James is already aware of Annette's abilities as a competitive swimmer, and he offers to be her manager and help her earn a living from her aquatic skills. At first Annette isn't interested, but when Frederick's job falls through and she can't find work as a dancer, Annette reluctantly agrees to work with James. He arranges a publicity stunt in which Annette swims 30 miles down the Thames River, which attracts the avid attention of the British press and wins her some work as a dancer. Convinced that the big money is in America, James persuades Annette to travel with him to the U.S., where she creates a scandal in Boston by staging another long swim in a one-piece bathing suit, considered shockingly-revealing at the turn of the Century. The stunt nearly lands Annette in jail, but she escapes the long arm of the law and becomes the star of a water ballet revue. Annette had fallen in love with James, but after an argument, he resigns as her manager and Annette takes up with Alfred Harper (David Brian), the male lead in her show. Annette and Alfred agree to marry while working on a movie together, but James returns on the last day of shooting, determined to win back the heart of the woman he loves. Legendary choreographer Busby Berkeley staged the film's elaborate water-ballet sequences. ~ Mark Deming, Rovi

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Starring:
Esther WilliamsVictor Mature, (more)
 
1951  
 
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Burt Lancaster stars as Jim Thorpe, the Native American sports whiz whom many consider the greatest athlete of the 20th century. We first see Thorpe as a child on the reservation, highly resistant to the notion of going to school. He proves to be an excellent student, eventually attending the all-Indian college in Carlisle, Pennsylvania. Still, Thorpe doesn't feel like mixing much with the other students until coach Charles Bickford encourages the lad to go out for the track team. Thorpe finds that he can be more "articulate" as an athlete than as a scholar, and soon excels at all school sports. He also marries his college sweetheart, non-Indian Phyllis Thaxter. After graduation, Thorpe tries to get a coaching job, but is frozen out by the white establishment. Determined to make a name for himself, he enters the 1912 Olympics at Stockholm, where he earns more gold medals than anyone else and is praised as the world's greatest athlete by the King of Sweden. Unfortunately, the fact that Thorpe briefly played semi-professional baseball while attending Carlisle costs him his amateur status--and every one of his medals. Things go from bad to worse for Thorpe after this; his son dies, his marriage disintegrates, and he crawls into a bottle. Thorpe has hit rock bottom when he is reunited with his old coach Bickford, who offers Jim a ticket to the 1932 Olympics in Los Angeles. It is the first small step on the road to regeneration for Jim Thorpe (alas, real life was not so kind; Thorpe died in near-poverty, and it was not until years after his death that his Olympic medals were restored). Jim Thorpe, All American was directed by Michael Curtiz, who previously had secured small acting roles for the real Thorpe in such films as Knute Rockne: All American (1940). ~ Hal Erickson, Rovi

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Starring:
Burt LancasterCharles Bickford, (more)
 
1951  
 
Can it be that June Allyson is Too Young to Kiss in this bit of MGM fluff? Well, not really. Pianist Cynthia Potter (Allyson) is well into her 20s, but she's posing as a 14-year-old musical prodigy. It's part of her desperate effort to become a client of highly selective concert-promoter Eric Wainwright (Van Johnson), who is only hiring "young" performers. Wainwright falls for Cynthia's subterfuge, building a huge promotional campaign predicated upon his new protégé's "youth." He even adopts a fatherly attitude towards Cynthia, who would prefer that their relationship be a bit more intimate. Though it may seem to be a rehash of the 1943 comedy The Major and the Minor, Too Young to Kiss remains fresh and funny throughout, thanks to the script-writing know-how of Frances Goodrich and Albert Hackett. Ironically, Allyson was thirty-four when this film was shot. ~ Hal Erickson, Rovi

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Starring:
June AllysonVan Johnson, (more)
 
1950  
 
Best known to posterity as the third wife of Cary Grant, Betsy Drake enjoyed a substantial film career during the postwar era. In Pretty Baby, Drake plays Patsy Douglas, an enterprising young lady who always assures herself a seat on the subway by carrying a doll wrapped in baby bunting. Through a series of complications that could only happen in a movie, it is eventually assumed that the "baby" is genuine. Patsy's bosses, advertising executives Sam Morley (Dennis Morgan) and Barry Holmes (Zachary Scott), hope to use Patsy's bundle of joy to land an important client, grouchy baby-food tycoon Cyrus Baxter (Edmund Gwenn). Most of the film is a not-so-subtle swipe at radio and TV advertising, considered a rich source of humor back in 1950. Cast in a tiny role as a receptionist is future "June Cleaver" Barbara Billingsley. ~ Hal Erickson, Rovi

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Starring:
Dennis MorganBetsy Drake, (more)
 
1949  
 
Lucille Ball is Miss Grant, an efficient but naïve secretary hired by William Holden. Ostensibly a legit real estate salesman, Holden is actually the brains of a bookie ring. It takes forever for Ball to tumble to what's going on, but when she does she settles matters in the same fashion as her later I Love Lucy character would--by adopting a disguise and a line of snappy patter. The chastened Holden marries Ball and agrees to devote his life to running an honest real-estate firm on behalf of the deserving homeless. Among the contributors to the success of Miss Grant Takes Richmond are producer S. Sylvan Simon, director Lloyd Bacon and scenarist Frank Tashlin, all of whom would later team up again for the zany Lucille Ball vehicle The Fuller Brush Girl. ~ Hal Erickson, Rovi

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Starring:
Lucille BallWilliam Holden, (more)
 
1949  
 
A Kiss in the Dark opens with a shot of Jane Wyman in a two-piece bathing suit. Alas, the dictates of cinematic construction demand that some sort of plot must follow this promising beginning. Wyman plays model Polly Haines, one of several mildly eccentric tenants in an apartment building owned by neurotic concert pianist Eric Phillips (David Niven). Requiring absolute peace and quiet, Eric intends to evict his tenants and thereby have the building all to himself. Soon, however, he is won over by the apartment dwellers, who in their own various ways are as high-strung as the musician. He also falls in love with Polly, just as expected. The supporting cast of Kiss in the Dark is peopled by such expert farceurs as Victor Moore, Broderick Crawford, Wayne Morris, Joseph Buloff, and Curt Bois. Making her final screen appearance is Maria Ouspenskaya as the building's resident "earth mother." ~ Hal Erickson, Rovi

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Starring:
David NivenJane Wyman, (more)
 
1949  
 
Though she may have won an Oscar in 1948, Jane Wyman still had a Warner Bros. contract to fulfill, even if it meant appearing in frivolities like The Lady Takes a Sailor. It all begins when Jennifer (Wyman), the head of an oceanographic research institute, claims to have made a fascinating underwater discovery. It is suspected that she's made this claim so that her funding will be continued, so the money-men send Bill Craig (Dennis Morgan) to investigate. Disguised as a sailor, Bill accompanies Jennifer on her next expedition, just to see if her story was true. Jennifer falls in love with Bill, neglecting her work in the process. When Bill is revealed to be a fake, things look bleak--but not for long. Eve Arden has all the best lines as Jane Wyman's sarcastic best friend (the sort of role Wyman used to play in her blonde-ingenue days). ~ Hal Erickson, Rovi

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Starring:
Jane WymanDennis Morgan, (more)
 
1948  
 
In this musical drama set at the turn-of-the-century, a saloon singer marries a wealthy attorney and then begins fooling around with a series of lovers, including a boxier, his manager, and a powerful owner of a railroad who takes her to New York where she becomes a Broadway star. Unfortunately, her happiness is short-lived when her sordid past catches up with her, and she is shot. Songs included the title song "Sweetie Pie," "I'd Be Lost Without You," "Ace in the Hole," and "Sweetheart of the Blues." ~ Sandra Brennan, Rovi

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Starring:
Dorothy LamourGeorge Montgomery, (more)
 
1947  
 
James Thurber wasn't too happy with the Sam Goldwyn film adaptation of his 1939 short story The Secret Life of Walter Mitty, but the Technicolor musical comedy proved to be a cash cow at the box office. Danny Kaye stars as Walter, a milquetoast proofreader for a magazine publishing firm. Walter is constitutionally incapable of standing up for himself, which is why his mother (Fay Bainter) has been able to arrange a frightful marriage between her son and the beautiful but overbearing Gertrude Griswold (Ann Rutherford). As he muses over the lurid covers of the magazines put out by his firm, Walter retreats into his fantasy world, where he is heroic, poised, self-assured, and the master of his fate. Glancing at the cover of a western periodical, Walter fancies himself the two-gun "Perth Amboy Kid"; a war magazine prompts Walter to envision himself as a fearless RAF pilot; and so on. Throughout all his imaginary adventures, a gorgeous mystery woman weaves in an out of the proceedings. Imagine Walter's surprise when his dream girl shows up in the flesh in the person of Rosalind van Horn (Virginia Mayo). The girl is being pursued by a gang of jewel thieves headed by Dr. Hugo Hollingshead (Boris Karloff), a clever psychiatrist who manages to convince Walter that he's simply imagining things again, and that Rosalind never existed. At long last, Walter vows to live his life in the "now" rather than in the recesses of his mind: he rescues Rosalind from the gang's clutches, tells his mother and Gertrude where to get off, and fast-talks his way into a better position with the publishing firm. Substituting the usual Danny Kaye zaniness for James Thurber's whimsy, Secret Life of Walter Mitty works best during the production numbers, especially Kaye's signature tune "Anatole of Paris." ~ Hal Erickson, Rovi

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Starring:
Danny KayeVirginia Mayo, (more)
 
1947  
 
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It Happened On Fifth Avenue was easily the most ambitious movie made by the then-newly-organized Allied Artists for at least a decade after its release -- actually, as a "Roy Del Ruth Production," it was made through rather than by Allied Artists, which may explain why it stands so far apart from the Bowery Boys movies and other productions normally associated with Allied during this period. And amazingly, it works, mostly thanks to a genial cast and a reasonably light touch by director/producer Roy Del Ruth, and in spite of a script that needed at least one more editorial pass. Victor Moore is the star and dominant personality -- if there is one in what is, basically, an ensemble cast -- as Aloyisius T. McKeever, a genial hobo whose annual routine for finding winter quarters is to wait for multi-millionaire Michael O'Connor (Charlie Ruggles) to lock up his Fifth Avenue mansion and head to Virginia, and move in during the man's absence. He chances to meet Jim Bullock, a homeless WWII veteran (displaced, ironically, by one of O'Connor's development projects), and gives him shelter in the mansion. They become a trio when O'Connor's free-spirited daughter Trudy (Gale Storm) shows up, fleeing her finishing school, and the two men -- thinking she's an impoverished runaway from an abusive father -- take her in. She goes along with the masquerade and gradually falls in love with Jim, who also chances to meet two former army buddies (Alan Hale, Jr., Edward Ryan) who -- you guessed it -- are also desperately trying to find homes, in their cases for their wives and growing families. Now there are nine people living in the shelter of O'Connor's Fifth Avenue mansion, and in between setting up housekeeping, Jim and his two buddies manage to come up with an idea about how to build homes for veterans and their families. Trudy, her identity still a secret to the other, gets her father to meet the "squatters" incognito, in hope that he'll take to Jim, but a series of misunderstandings and his own impatience and lack-of-faith leads him to reject everything decent he sees about Trudy's friends. In desperation, to keep them from being evicted and arrested, she calls in reinforcements in the person of her mother (Ann Harding), long estranged from her father. O'Connor is still not convinced of Jim's worth, and definitely doesn't see him as a potential husband for Trudy -- and, in a comic mix-up, he ends up going head-to-head with Jim for the property where he plans to build those houses for veterans, causing them to lock horns once more. Matters do eventually fall into place, as they usually do in Christmas movies of this sort, which more closely resembles The Bells of St. Mary's or One More Spring -- to name another movie about displaced New Yorkers -- than It's A Wonderful Life (with which it is usually compared). It Happened On Fifth Avenue is usually defined as a Christmas movie, in part because of its plot time-line, but more than that, it's a movie that, like George Seaton's Miracle On 34th Street -- made the same year -- sings of the generosity of the human spirit, and the feeling of renewal that was in the air in the immediate post-World War II era, a funny, gentle, warm look at people making their way in a time when, for the first time since the Great Depression and the outbreak of the Second World War, cautious optimism seemed an appropriate approach to life. And not for nothing was this reportedly lead actor Don Defore's personal favorite of all of his movies. ~ Bruce Eder, Rovi

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Starring:
Don DeForeAnn Harding, (more)
 
1946  
 
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The presence of William Powell as legendary showman Flo Ziegfeld at the beginning of Ziegfeld Follies might lead an impressionable viewer from thinking that this 1946 film is a Technicolor sequel to the 1936 Oscar-winning The Great Ziegfeld. Not so: this is more in the line of an all-star revue, much like such early talkies as Hollywood Revue of 1929 and Paramount on Parade. We meet a grayed, immaculately garbed Ziegfeld in Paradise (his daily diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive. Evidently Ziegfeld's shade has something of a celestial conduit to Metro-Goldwyn-Mayer studios, since his "dream" show is populated almost exclusively by MGM stars. Vincente Minnelli is given sole directorial credit at the beginning of the film, though many of the individual "acts" were helmed by other hands. The Bunin puppets offer a tableau depicting anxious theatregoers piling into a Broadway theatre, as well as caricatures of Ziegfeld's greatest stars. The opening number, "Meet the Ladies", spotlights a whip-wielding (!) Lucille Ball, a bevy of chorus girls dressed as panthers, and, briefly, Margaret O'Brien. Kathryn Grayson and "The Ziegfeld Girls" perform "There's Beauty Everywhere." Victor Moore and Edward Arnold show up in an impressionistically staged adaptation of the comedy chestnut "Pay the Two Dollars". Fred Astaire and Lucille Bremer (a teaming which evidently held high hopes for MGM) dance to the tune of "This Heart is Mine." "Number Please" features Keenan Wynn in an appallingly unfunny rendition of an old comedy sketch (performed far better as "Alexander 2222" in Abbott and Costello's Who Done It?) Lena Horne, strategically placed in the film at a juncture that could be edited out in certain racist communities, sings "Love". Red Skelton stars in the film's comedy highlight, "When Television Comes"-which is actually Skelton's classic "Guzzler's Gin" routine (this sequence was filmed late in 1944, just before Red's entry into the armed services). Astaire and Bremer return for a lively rendition of "Limehouse Blues". Judy Garland, lampooning every Hollywood glamour queen known to man, stops the show with "The Interview". Even better is the the historical one-time-only teaming of Fred Astaire and Gene Kelly in "The Babbitt and the Bromide". The excellence of these sequence compensate for the mediocrity of "The Sweepstakes Ticket", wherein Fanny Brice screams her way through a dull comedy sketch with Hume Cronyn (originally removed from the US prints of Ziegfeld Follies, this sequence was restored for television). Excised from the final release print (pared down to 110 minutes, from a monumental 273 minutes!) was Judy Garland's rendition of "Liza", a duet featuring Garland and Mickey Rooney, and a "Baby Snooks" sketch featuring Fanny Brice, Hanley Stafford and B. S. Pully. A troubled and attenuated production, Ziegfeld Follies proved worth the effort when the film rang up a $2 million profit. ~ Hal Erickson, Rovi

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Starring:
Fred AstaireLucille Ball, (more)
 
1944  
 
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In his second film for producer Sam Goldwyn, Bob Hope is felicitously teamed with luscious Goldwyn contractee Virginia Mayo. Hope plays Sylvester the Great, a two-bit entertainer "touring" the West Indies in the 18th century. Mayo is Princess Margaret, who is kidnapped by a rough, tough buccaneer known only as The Hook (Victor McLaglen). Through a series of unbelievable circumstances, Sylvester rescues Margaret, and the two of them pose as travelling troubadors in a treacherous Pirate colony, where people are stabbed and dumped in the ocean for nonpayment of rent and other such offenses. Disguising himself as The Hook, Sylvester is befriended by corrupt colonial governor La Roche (Walter Slesak), but only until the real Hook shows up. Things look bleak for Sylvester and Margaret, but salvation is on the way-as well as a surprising romantic denoument, when a "bit player from Paramount" (guess who?) shows up to steal the Princess away from Sylvester ("Boy, this is the last picture I make for Goldwyn!") No fewer than six writers teamed up for this Technicolor extravaganza, which though not as consistently hilarious as other Hope farces still holds up beautifully. The best performance is offered by Walter Brennan as an addled pirate named Featherhead, a character right out of a Tex Avery cartoon! ~ Hal Erickson, Rovi

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Starring:
Bob HopeVirginia Mayo, (more)
 
1943  
 
Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, Rovi

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Starring:
Eddie CantorDinah Shore, (more)
 
1942  
 
This parody of gangster flicks centers on an incarcerated gangster who decides to reform after he is released from Sing Sing. He and his cell mate have earned a small fortune in investments and are planning to buy a dog track. Unfortunately, another prisoner eavesdrops and attempts to force the fellow to use his savings to buy a luggage store and then dig a tunnel to the bank next door so they can easily rob it. The reformer and his partner refuse. They sing a different tune when they learn that most of their money was lost by their third partner. In desperation, he buys the suitcase outlet. While he tries to deal with his many customers, the other two bumblers attempt to dig, but it's not easy because every time someone comes in, they must stop their noisy operation. More trouble follows when another gangster tries to get in on their operation. ~ Sandra Brennan, Rovi

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Starring:
Edward G. RobinsonJane Wyman, (more)
 
1942  
NR  
The Moss Hart-George S. Kaufman Broadway hit George Washington Slept Here has herein been tailored to the unique talents of Jack Benny. In the original play, city dweller Bill Fuller, fired up with the spirit of "back to the soil," purchases a ramshackle Colonial-era farmhouse in upstate New York, dragging his reluctant wife, Connie, along for the ride. Everett Freeman's screenplay retains the basic set-up with one important difference: in the film, it is Connie Fuller (Ann Sheridan), an inveterate antique collector, who is all hopped up about buying and renovating the old farmhouse, while husband Bill (Jack Benny), with visions of abject poverty dancing in his head, hates the whole idea. This slight character alteration allows Jack Benny to indulge in the frustrated, put-upon slow-burn comedy he does so well, while still leaving Hart and Kaufman's dextrous plot twists and punch lines intact. Most of the humor derives from the thousand-and-one "little" flaws in the drafty old house -- collapsing walls and ceilings, antiquated plumbing, et al. -- all duly categorized by laconic caretaker Mr. Kimber (Percy Kilbride, in a brilliant performance). Also thickening the plot are the efforts by the near-bankrupt Bill and Connie to curry favor with their wealthy uncle Stanley (Charles Coburn), who turns out to be a cheerful old fraud. The resolution of the plotline is inherent in the title, but there's still one last indignity left to be dumped on poor Bill Fuller's head at fade-out time. ~ Hal Erickson, Rovi

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Starring:
Jack BennyAnn Sheridan, (more)