Edwin Craig Movies
When three sisters venture deep into the backwoods to visit the home recently left to them by their long lost grandfather, they are stalked by a psychotic family of murderous rednecks who have taken up residence in the home and who have no plans of giving it up. Their grandfather was recently killed in the most gruesome manner imaginable, and the three sisters are stunned to learn that they are the sole heirs to his sprawling estate. After rounding up a group of close friends, the girls set out for the hills in order to explore the house and have a little fun. The good times come to an abrupt end, however, when a family of inbred maniacs emerges with a lethal grudge and a lingering thirst for blood. ~ Jason Buchanan, Rovi
- Starring:
- Alex Quinn, Kelsey Crane, (more)
Horror fantasist Clive Barker, director of the original Hellraiser, maintained creative control over this worthy sequel as executive producer, but was unable to occupy the director's chair due to his involvement on other projects. His creative touch is still quite evident here, as the original film's story is expanded in scope and intensity. The story picks up immediately after the events of the original, with the mentally unbalanced Kirsty (Ashley Laurence) confined to a mental hospital after her experiences in the hellish domain of the grotesque Cenobites, which included the gruesome death of her father. Her case attracts the attention of hospital director Dr. Channard (Kenneth Cranham), whose marked interest in her story has more than a little to do with his research into the occult. The chief focus of this extracurricular activity seems centered on his impressive collection of puzzle boxes, many of which are versions of the Lament Configuration -- the device which opens the gateway to the Cenobites' dimension. To further realize his diabolical obsession, Channard conducts grisly human sacrifices to resurrect the body of Kirsty's evil stepmother, Julia (Clare Higgins) -- who has literally been through hell and back. He also recruits mute autistic patient Tiffany (Imogen Boorman), an expert at solving puzzles, to decipher the correct version of the box.
Haunted by visions of her mutilated father suffering in hell, Kirsty joins Tiffany in hopes of rescuing him from the Cenobites' dimension. Tiffany gains them access to the portal, and they make the nightmarish journey down the corridors of hell. Narrowly escaping the diabolical Pinhead (Doug Bradley), they come face to face with Julia, who has already handed Dr. Channard over to the Cenobites to be transformed into a hideous new creation. First-time director Tony Randel acquits himself nicely, and seems to have a real flair for the surreal material; the script by longtime Barker collaborator Peter Atkins elaborates on elements only hinted at in its predecessor. It should follow that the slightly larger budget would allow ample room for this expansion, but the production values actually appear somewhat slimmer. What the film lacks in refined style it makes up for in utter dementia, particularly in its depiction of graphic bloodletting -- numerous scenes were trimmed or deleted altogether in order to obtain an R rating from the MPAA. ~ Cavett Binion, Rovi
Haunted by visions of her mutilated father suffering in hell, Kirsty joins Tiffany in hopes of rescuing him from the Cenobites' dimension. Tiffany gains them access to the portal, and they make the nightmarish journey down the corridors of hell. Narrowly escaping the diabolical Pinhead (Doug Bradley), they come face to face with Julia, who has already handed Dr. Channard over to the Cenobites to be transformed into a hideous new creation. First-time director Tony Randel acquits himself nicely, and seems to have a real flair for the surreal material; the script by longtime Barker collaborator Peter Atkins elaborates on elements only hinted at in its predecessor. It should follow that the slightly larger budget would allow ample room for this expansion, but the production values actually appear somewhat slimmer. What the film lacks in refined style it makes up for in utter dementia, particularly in its depiction of graphic bloodletting -- numerous scenes were trimmed or deleted altogether in order to obtain an R rating from the MPAA. ~ Cavett Binion, Rovi
- Starring:
- Clare Higgins, Ashley Laurence, (more)
- 1993
When three TV journalists take a survival training course because the world seems to be spiralling toward WWIII, they find that surviving the course itself may be the biggest part of their training. An around-the-bend ex-Marine is the antagonist of this predictable melodrama. ~ Tana Hobart, Rovi
- 1989
- PG13
Behind the black cowl, Gotham City superhero Batman is really millionaire philanthropist Bruce Wayne (Michael Keaton), who turned to crimefighting after his parents were brutally murdered before his eyes. The only person to share Wayne's secret is faithful butler Alfred (Michael Gough). The principal villain in Batman is The Joker (Jack Nicholson) who'd been mob torpedo Jack Napier before he was horribly disfigured in a vat of acid. The Joker's plan to destroy Batman and gain control of Gotham City is manifold. First he distributes a line of booby-trapped cosmetics, then he goes on a destruction spree in the Gotham Art Museum while the music of Prince blasts away in the background, and finally he orchestrates an all-out campaign to win the hearts and minds of the Gothamites, hoping to turn them against the Cowled One. Meanwhile, reporter Vicki Vale (Kim Basinger) becomes the love of Batman's life-which of course plays right into the Joker's hands. Photographed by Roger Pratt, designed by Anton Furst, and scored by Tim Burton's favorite composer Danny Elfman, Batman was a monstrous box-office hit, making $100 million in the first ten days of release--$82,800,000 in North America alone. Incidentally, Billy Dee Williams' comparatively small role as DA Harvey Dent was originally designed to set up the sequel, wherein Dent was to convert into master criminal Two-Face; but by the time the producers got around to that character in 1995's Batman Forever, Two-Face was played by Tommy Lee Jones. ~ Hal Erickson, Rovi
- Starring:
- Michael Keaton, Jack Nicholson, (more)
In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi
- Starring:
- Bob Hoskins, Christopher Lloyd, (more)
- 1987
- R
A trio of agents are summoned by Interpol to trail the villain Harry Pimm (Sylvester McCoy) in this low-budget spy feature. Elliot Cromwell (Robert Ginty), Sergeant Terry O'Shea (Victoria Barrett), and Major Shan (Shakti) combine forces to track down the international crime boss ~ Dan Pavlides, Rovi
- Starring:
- Robert Ginty, Victoria Barrett, (more)
- 1959
Billed to follow Tank Commandos in a double feature, this light-weight wartime saga relies heavily on showing enough skin, specifically that of USO entertainer Lorry Evering (Eve Meyer), to keep the drive-in folks awake. The premise is that a USO troupe has been caught behind enemy lines during the Korean War and suffers through their captivity along with the soldiers and the sergeant (Chuck Henderson) who has to keep them all together. The group is forced to march through difficult terrain under trying circumstances, as the sergeant and his men face each new situation as it comes. ~ Eleanor Mannikka, Rovi
- Starring:
- Eve Meyer, Chuck Henderson, (more)
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