Blanche Craig Movies

1936  
 
In this frothy romantic adventure, Marlene Dietrich plays Madeleine de Beaupre, a devious jewel thief. After sneaking a valuable string of pearls away from jeweler Aristide Duval (Ernest Cossart), Madeleine attempts to flee Paris, leaving a trail that will instead implicate psychiatrist Dr. Pauquet (Alan Mowbray). While headed for the Spanish border, she nearly runs into Tom Bradley (Gary Cooper), an American auto engineer vacationing in Europe. Madeleine spots Tom again as she waits to go through Spanish Customs; worried that the stolen pearls will be found in her handbag, she slips them into Tom's pocket. After they both make their way through inspection unscathed, Madeleine flirts with Tom in an attempt to get the valuables back; he's too shy to respond in kind, so she gets his attention by trying to "repair" the engine of her car with a hammer. Madeleine lures Tom to the San Sebastian estate of her partner in crime, Carlos Margoli (John Halliday). It doesn't take long for Tom to figure out what Madeleine and Carlos are up to; however, he also knows that he's fallen in love with her, and he is willing to play along if it allows him to be near her. Carlos was originally to have been played by John Gilbert; Halliday was a last-minute replacement after the one-time silent screen star died a week before shooting was to begin. ~ Mark Deming, All Movie Guide

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Starring:
Marlene DietrichGary Cooper, (more)
1935  
 
"I'll See You in My Dreams" could well have been the theme music of Peter Ibbetson, the second film version of George du Maurier's 1891 novel. Peter Ibbetson (Gary Cooper) is an architect who, while working on a restoration job for the British Duke of Towers (John Halliday), discovers that The Duchess of Towers (Ann Harding) is actually Mary, his childhood sweetheart. The jealous duke pulls a gun on Ibbetson, but Peter kills him. He is sent to prison for life, certain that he'll never meet his Mary again. But both lovers are reunited in one another's dreams, which connect them spiritually. The years pass, but the aging Peter and Mary remain ever youthful in their dreams. Upon their deaths, they are reunited in the afterlife. Somehow this fragile fantasy works, thanks to the steady guiding hand of director Henry Hathaway. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperAnn Harding, (more)
1930  
 
Filmed in 1929 and released early in 1930, Dynamite was Cecil B. DeMille's first all-talking feature. As one observer has noted, this 128-minute opus has enough plots for seven pictures. The basic storyline here involves spoiled heiress Cynthia Crothers (Kay Johnson) who will lose her fortune if she isn't married right away. Her love Roger Towne (Conrad Nagel) isn't interested in marriage, so Crothers decides to wed convicted murderer Hagon Derk (Charles Bickford). Her plan: Derk will die, then she'll be a millionaire, free to chase after Towne without benefit of clergy. Unfortunately for Crothers, Derk is pardoned at the last minute when the real killer (Leslie Fenton) confesses. Crothers tries to drive Derk out of her life by humiliating him at a fancy party, only to discover that the conditions of her inheritance require that she live with her husband for a set period of time. She swallows her pride and heads for Derk's home town, a grimy mining village. Touched by Crother's inept efforts to keep house and cook dinner, Derk eventually falls in love with her--though he makes it clear that he wants no part of her money. Crothers, in turn, falls genuinely in love with her brutish but basically decent husband. It must needs be that fortune-hunting Towne arrives in the mining village, leading to a powerful climax wherein Derk, Crothers and Towne are trapped in a mine cave-in. Though the dialogue is occasionally quite silly (after the killer commits suicide in a crowded restaurant, one of the patrons is heard to complain "It's ruined my dinner!") and the performances overripe at times, Dynamite actually holds up better than you'd expect. DeMilles' utilization of sound is both innovative and imaginative, especially during the noisy climactic sequences. The film was a success, paving the way for DeMilles' camp classic Madame Satan (1930). ~ Hal Erickson, All Movie Guide

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Starring:
Conrad NagelKay Johnson, (more)
1929  
 
Phony spiritualists were given a good going-over in the early talkie melodrama Darkened Rooms. Evelyn Brent stars as Ellen, a fraudulent medium working in cahoots with genuine clairvoyant Emory Jago (Neil Hamilton). The plotline is secondary; the film's main purpose was to emulate the methods of such professional "de-bunkers" as Mrs. Harry Houdini by exposing the various tricks of the spiritualist's trade. These scenes also permitted the Paramount audio technicians to try out a variety of unusual sound effects. Sometimes erroneously listed as Evelyn Brent's first talking picture, Darkened Rooms was merely her first starring talkie. ~ Hal Erickson, All Movie Guide

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Starring:
Evelyn BrentNeil Hamilton, (more)
1928  
 
Beyond London's Lights was filmed entirely at the Culver City, California facilities of FBO studios. Rescued from a masher by handsome Gordon Elliot, dressmaker's model Adrienne Dore has no idea that her savior is a man of wealth and position. Upon finding this out, Dore also learns that Elliot is engaged to snobbish heiress Florence Wix. A few twists of fate brings Elliot, Dore and Wix together under curious circumstances. What begins as a simple romantic-triangle story veers into melodrama in the final reels when hero and heroine are menaced by a gang of toughs. Leading man Gordon Elliot later enjoyed a lengthy career in westerns as "Wild Bill" Elliot. ~ Hal Erickson, All Movie Guide

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Starring:
Adrienne DoreLee Shumway, (more)
1925  
 
Veteran matinee-idol James Kirkwood starred in this low-budget melodrama from poverty row organization Gotham Productions as Officer Jim Ryan, whose girlfriend, Alice (Edna Murphy), proves a dead-ringer for noted criminal Dorothy Stone. When Jim refuses to arrest Alice for a crime actually committed by Dorothy (also Edna Murphy), Jim faces suspension from the police force. In order to find evidence to clear herself, Alice impersonates Dorothy but the ploy fails and she is kidnapped by gang. She is saved in the nick of time by Jim, who proves once and for all that Dorothy and not Alice is the head of the crime ring. Brunette Edna Murphy was one of the many also-ran "flappers" appearing in the wake of Colleen Moore and Clara Bow. She was at one point married to director Mervyn LeRoy. ~ Hans J. Wollstein, All Movie Guide

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Starring:
James KirkwoodEdna Murphy, (more)
1923  
 
Produced as a comeback vehicle for the romantic team of Francis X. Bushman and Beverly Bayne, this was a rather modest whodunit in which an unfaithful wife (Bayne) is accused of murdering her lover (Roland Bottomley). A neighbor to the murdered man (Ernest Hilliard) blackmails the woman's husband (Bushman) but then confesses to the murder himself during a struggle. Bushman and Bayne's popularity had evaporated in 1918 when Bushman divorced his wife of many years to marry his screen partner. Modern Marriage, alas, was a dismal failure, and Bushman did not film again until his true comeback appearance as the villain Messala in Ben-Hur (1925). ~ Hans J. Wollstein, All Movie Guide

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1923  
 
This drama glorified the lowly postman, which probably warmed the heart of Will H. Hays, the head of the Motion Picture Producers and Distributors Association -- he was a former postmaster general. Dan O'Brien (Brandon Tynan) loyally stays at his mailman job, even when his pal Michael O'Hara (Charles McDonald) offers him a chance to go into business. O'Hara's son Tom (Chester Morris) secretly marries the O'Brien's adopted daughter Peggy (Faire Binney). When O'Brien retires, his pension isn't enough to live on, so his son Terrence (William Collier Jr.) gets a job at the post office to help out. O'Brien allows Brady (Tom Blake) to spend the night at his house, and he gratefully leaves some money. But Brady is a mail robber and the cash is marked, so O'Brien is arrested. Brady and one of his associates attempt to rob a mail train, but Terrence, who is clerking, stops them. Brady escapes, however, and attempts yet another robbery. Once again, he is foiled by Terrence. Finally he confesses and clears O'Brien's name. O'Brien is officially thanked by the postmaster general, and when the marriage between Peggy and Tom is revealed, it brings the two families together again. ~ Janiss Garza, All Movie Guide

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Starring:
Mary Carr
1922  
 
After the success of 1920's Humoresque, it only made sense to put together all the same elements -- a story by Fanny Hurst, directed by Frank Borzage, and starring Dore Davidson and Vera Gordon as an old Jewish couple. But this time around, instead of concentrating on the mother, the father, played by Davidson -- Julius Binswanger -- is the focus. Through his years of struggle, selling dry goods from a cart, Binswanger has provided for his chidden, Pearl (Vivienne Osborne) and Izzy (William "Buster" Collier Jr.). But the kids see only a dead end living in the small town they call home. When mamma Becky (Gordon) agrees that they should move to the city, Binswanger complies. But city life is much more expensive, and it costs more for the Binswangers to stay in their hotel than poppa makes in a day. When he runs out of money, he contemplates suicide so that his family can live off the insurance money. But when Pearl marries a rich young man who invests in Binswanger's business, the family is saved. After this close call, they decide they were happier in their country home and return. ~ Janiss Garza, All Movie Guide

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Starring:
Vera GordonDore Davidson, (more)
1921  
 
This light-hearted romance, released by Realart, stars Constance Binney. When her father is killed during a fox hunt, Lady Noreen of Kildoran (Binney) finds herself saddled with debts and an ancient, run-down castle. The only way she can think of raising money is to rent the place out to Terrence O'Brien (Tom Carrigan), an American who is visiting Ireland . She pretends to be a maid, and tells O'Brien that her mistress is in France. O'Brien shows his American resourcefulness by playing handyman and fixing up the castle. A romance blooms between O'Brien and Noreen, hampered on her end by Ephraim Roach (Malcolm Bradley), who wants his son Desmond (Arthur Housman) to marry her, and on O'Brien's end by Leila Osborne (Ellen Cassidy), who has designs on him. When Leila and her brother Robert (Jed Prouty) come to visit, Noreen makes things as uncomfortable for them as possible. O'Brien, meanwhile, figures out that the Roaches only want Noreen's castle, and he makes short work of them. With all obstacles out of the way, the two happily unite. ~ Janiss Garza, All Movie Guide

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Starring:
Constance BinneyThomas Carrigan, (more)
1918  
 
Arlette (Alice Brady), the granddaughter of a Brittany innkeeper, falls in love with Richard Vale (Henry Clive), an aspiring artist who has come to the village. Also visiting is Prince Boissard (R. Payton Gibbs), an old roué who lusts after Arlette. The Prince is a patron of the arts, and he offers to help Vale out if Arlette will come to Paris and become his mistress. She agrees, but only if he works his magic on Vale first. He does as promised and calls on Arlette to keep her end of the bargain. But the night she is supposed to give herself to the Prince, his mistreated servant Sarthe (Edmund Pardo) decides to protect the girl and murders him. Arlette is then free to marry Vale. This picture was adapted from a play, The Red Mouse, by Henry J.W. Dam. ~ Janiss Garza, All Movie Guide

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1918  
 
Fox signed Evelyn Nesbit purely for sensational value. Even at this late date, she was still notorious as the cause for what was considered in 1906 to be "the crime of the century" -- the murder of her ex-lover, architect Stanford White, by her husband Harry Thaw. So most of the films she made for the studio were sheer exploitation. This one, however, was surprisingly good. Nesbit plays Varda Deering, a dancer who is involved with August Von Grossman (Alphonz Ethier), a suspicious character under scrutiny by the U.S. Secret Service. When she meets Lieutenant John Long (Henry Clive), he falls for her, and she for him. But he won't stand for her dealings with Von Grossman so eventually he leaves her. What he doesn't realize is that the Secret Service has contacted her and asked her to spy on Von Grossman for them. She has agreed, and becomes involved in his espionage, all for the benefit of the U.S. government. It turns out that the chauffeur is also working for the Secret Service, and he lends a hand to Varda. With the help of her aides, she breaks into Von Grossman's safe, gets the needed information and takes off in a car. The spies pursue, but are conveniently killed when their car runs afoul of an express train. With the escapade over, Varda can finally explain all to her now-understanding Lieutenant. Nesbit's young son, Russell Thaw, had a bit part as the chauffeur's kid -- a touch that must have delighted Fox's press agents. ~ Janiss Garza, All Movie Guide

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1917  
 
Jennie Cushing (Elsie Ferguson), a girl of the slums, decides to get even with the world after undeservedly spending several years in reform school. Casting convention to the winds, she becomes the live-in lover of aristocratic artist Donelson Meigs (Elliot Dexter). He wants to make their relationship legal, but she doesn't want to ruin his life and walks out on him. Though the film is predicated on the "progressive" notion of an open romantic relationship (aka "Free Love"), things are tied up nicely and neatly at the end when Jennie goes the traditional matrimonial route after all. The Rise of Jennie Cushing was based on a novel by Mary S. Wetts. ~ Hal Erickson, All Movie Guide

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1915  
 
Dawn of a Tomorrow was another winner from the felicitous writer-star team of Frances Marion and Mary Pickford. "America's Sweetheart" plays a girl of the London slums whose sweetheart David Powell is in danger of succumbing to a life of crime. Our Mary puts Powell on the right track, then assures her financial future by rescuing millionaire Forrest Robinson from drowning. Dawn of a Tomorrow was adapted from a play by Frances Hodgson Burnett, of Little Princess and Little Lord Fauntleroy fame. As a result of this and other Pickford hits, the 21-year-old actress soon found herself the highest-paid woman in America. ~ Hal Erickson, All Movie Guide

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