Alec Craig Movies

This light-hearted musical romance follows the exploits of Nikki Martin (Lily Pons), a beautiful French opera star who stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader (Gene Raymond), who, after hearing her sing, eventually comes to reciprocate her feelings. That Girl From Paris received an Academy Award Nomination for Best Sound, and includes musical highlights such as, "Seal It With a Kiss," "The Blue Danube," "Una Voce Poco Fa," and "The Call to Arms." Directed by Leigh Jason, this movie also features actors Mischa Auer, Frank Jenks, Lucille Ball and Jack Oakie. ~ Tracie Cooper, All Movie Guide

Maxwell Anderson's blank-verse play Mary of Scotland was adapted for the screen by Dudley Nichols and directed with a surprising paucity of verve by John Ford. Katharine Hepburn, in one of the "icy" roles that would later earn her the onus of "box office poison", stars as Mary Stuart, who serves as the Queen of Scotland until she is jealously put out of the way by her British cousin, Queen Elizabeth I (Florence Eldredge). Sold out by the Scots nobles, Mary is sentenced to the chopping block for treason. Elizabeth is willing to pardon Mary if only the latter will renounce all claims to the British throne, but Mary refuses, marching to her death with head held high (the Mary/Elizabeth confrontation scene was purely the product of Maxwell Anderson's imagination; in real life, the two women never met). RKO contractee Ginger Rogers dearly coveted the role of Queen Elizabeth, but the studio refused to allow her to play so secondary a role. To prove to the RKO executives that she would be ideal for the part, Ginger secretly arranged for a screen test, in which she was convincingly made up as Elizabeth (even to the point of cutting her hair into a high-foreheaded widow's peak). Contemporary reports indicate that Ginger's audition was brilliant; still, RKO would not consider casting her in the part, so the role of Elizabeth went to Florence Eldridge, the wife of Fredric March, who was cast in Mary of Scotland as Mary's fearless protector the Earl of Bothwell. On the whole, Mary of Scotland is a snoozefest, save for the scenes featuring Douglas Walton as Mary's cowardly husband Darnley. ~ Hal Erickson, All Movie Guide

This back-stage crime comedy, a remake of Lights Out (1923), takes a healthy satirical stab at the powerful studio system of the times. The trouble begins when an ex-convict and a screenwriter together write a screenplay based on the bank robbery that got the criminal in trouble with the law. After the film's release, the police, following the clues set forth on screen, capture the ex-con's former partners who escaped before. When other mobsters see the film and hear the story, they fear that such films will become the rage and they could go to jail, so they launch an all-out assault on a Hollywood studio creating all sorts of behind-the-scenes mayhem. Ironically, soon after Crashing Hollywood was released, a hit man for the Bugsy Siegel-Meyer Lansky Mob in New York spotted an extra who turned out to be former mobster "Big Harry" Greenberg, who snitched on his bosses and then disappeared. The hit man informed his superiors and soon afterward, Greenberg was slain. ~ Sandra Brennan, All Movie Guide

Wise Girl is a medium-level screwball comedy with faintly serious undertones. Miriam Hopkins plays an heiress whose millions can't help her gain custody of her two nieces from their stubborn widowed father (Ray Milland), an impoverished Greenwich Village artist. Hoping to win the widower over without revealing her identity, the heiress disguises herself as a penniless "Bohemian" and infiltrates the Village's artists' colony. When he finds out he's been duped, the man stubbornly insists upon remaining in jail rather than hand over custody of his daughters to the headstrong heiress (yes, that's perennial Laurel & Hardy foil James Finlayson as the friendly jailer). It all turns out for the best when hero and heroine realize they're in love with each other. ~ Hal Erickson, All Movie Guide

A couple of American soldiers of fortune are hired by the wife of a Chinese general to deliver a priceless diamond to a shopkeeper in Shanghai in this low-budget whodunit from the RKO "B"-unit. Just as the gem reaches its destination all hell breaks lose. When the dust settles, the diamond is gone and Tom Baldwin (Vinton Haworth) and sidekick Joe Dugan (Gordon Jones) are left with a group of highly suspicious witnesses. The entire assembly, including pretty but mysterious Jane Dunn (Constance Worth), then boards a liner headed for San Francisco. After several shipboard murders and the revelation that Jane is a custom agent, the culprit is caught red-handed. A lady detective ought to have made a refreshing change but, sadly, China Passage delivers few surprises and the armchair detective is never truly tested. Usually a supporting player of little merit, Vinton Haworthproves a rather weak-chinned hero and is certainly no match for the ash-blonde Worth, an Australian actress turned Queen of Hollywood B-movies. The rest of the supporting cast perform their assignment in the expected manner, Dick Elliott being the standout as an eternally tipsy traveler. China Passage was directed by Edward Killy, who later helmed the studio's series of Tim Holt B-Westerns. ~ Hans J. Wollstein, All Movie Guide

In this comedy, the shady editor of a newspaper does all he can to keep his best reporter from marrying a journalist from a rival paper. In spite of the editor, the wedding day finally comes. The happy couple is at the alter when suddenly the woman gets news of a big scoop. Without a backward glance she leaves her groom to get the story first. ~ Sandra Brennan, All Movie Guide

James Stewart and Ginger Rogers were "an item" when Vivacious Lady was filmed, and their obvious real-life affection for one another pours over onto the screen. Stewart plays Peter Morgan, a young botany professor who while on a visit to New York impulsively marries free-spirited nightclub singer Francey (Rogers). A few obstacles lie in the path of connubial bliss, however, including Peter's bitchy ex-fiancee Helen (Frances Mercer) and his stern college-dean father Peter Morgan Sr. (Charles Coburn). Hoping to break the news of his marriage gently to Helen and his father, Pete contrives to keep the union a secret, with the expected embarrassing results. Before the final fade-out, both Morgan Senior and Morgan Junior are on the outs with their respective wives, and it takes an uproariously tearful reunion on a passenger train to straighten things out. In his first outing as a producer, director George Stevens shows off his two-reel-comedy training with a number of hilarious comedy setpieces (the best is a slapsticky cat-fight between the two rivals for Pete's affections), though things tend to slow down towards the end. Stevens also finds room for several of his favorite character actors, including Grady Sutton, Franklin Pangborn and Willie Best, to do their time-honored specialties. Best of all is Beulah Bondi as James Stewart's mother (one of several such assignments), delivering a most unusual and touchingly funny performance. In short, Vivacious Lady was a guaranteed box-office smash even before the cameras began to turn. ~ Hal Erickson, All Movie Guide

In this comedy, a woman is left destitute after her father dies. To make ends meet, she begins working as a secretary to a wealthy fellow. Soon the two fall in love and begin planning their wedding, much to the delight of the woman's creditors. When her fiancé learns that she is deeply in debt, he begins questioning her true motives for marrying him. He ends up putting off the union. The plucky lass then becomes determined to prove that she does indeed love him for himself. Mayhem ensues, but romance prevails. ~ Sandra Brennan, All Movie Guide

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

Despite its comparatively upbeat ending, Let Us Live is one of the darkest and gloomiest films of the late 1930s. As working stiff Brick Tennant, Henry Fonda is once more cast as a misunderstood victim of society. Held up during a robbery-murder, Brick is himself convicted of the crime on the basis of circumstantial evidence and faulty eyewitness testimony. The authorities remain unsympathetic to the hero's plight throughout, automatically assuming that just because he's poor he's likely to be a killer. Only his sweetheart Mary Roberts (Maureen O'Sullivan) believes in Brick's innocence, and it is she who sets the wheels in motion for the ultimate capture of the genuine culprit, a scant few minutes before Brick's "long walk" to the electric chair. Based on Joseph F. Dineen's Murder in Massachusetts, the real-life story of a near-fatal miscarriage of justice in 1934, Let Us Live refuses to compromise its pessimistic tone with a phony "all smiles" fadeout. ~ Hal Erickson, All Movie Guide

In this espionage drama, a young woman enrolls in the US Army Intelligence Corps so she can avenge her brother's death. She is assisted by a rookie reporter who helps her investigate a spy ring. They think they know the leader, but things are not as they seem. The film's climax involves an exciting chase atop the Washington Monument. ~ Sandra Brennan, All Movie Guide

Having proven their box-office value in such films as A Letter of Introduction, Goldwyn Follies and You Can't Cheat an Honest Man, ventriloquist Edgar Bergen and his wise-lipped dummy Charlie McCarthy were awarded with a starring vehicle of their own. While entertaining at the home of magazine publisher Court Aldrich (Samuel S. Hinds), Bergen and his "friends" Charlie McCarthy and Mortimer Snerd get mixed up in their host's murder. It seems that Aldrich was working hand in glove with gangster Tony Garcia (Harold Huber), who has kept himself busy knocking off the publisher's enemies. Could Garcia be the murderer this time as well, or was it someone else at the party? Inspector Dailey (Edgar Kennedy) wants to find out-but he doesn't want the unsolicited assistance of Charlie McCarthy, who insists upon playing Sherlock Holmes, replete with deerstalker and magnifying glass. Though essentially a "stunt" film, Charlie McCarthy, Detective pleases the crowd with an abundance of hilarious dialogue and a reasonably good mystery subplot. ~ Hal Erickson, All Movie Guide