Craig Wasson Movies

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide

Former TV Superman Dean Cain stars in this sci-fi horror film reminiscent of James Cameron's 1986 classic Aliens. Boa sets its action in the not-too-distant future, where volatile criminals are shipped off to a place called Facility Number One, a super-high-security prison located -- just to be safe -- in the distant, icy confines of Anarctica. What the prisoners and their wardens don't know, however, is that there's a presence more dangerous than all of them combined: A giant, prehistoric, flesh-eating snake, hibernating in the ground just underneath the facility. When the creature gets a whiff of what's going on above ground, the oversized boa decides it's time for a little light snacking, and the good and bad guys have to join together to escape the carnage. ~ Michael Hastings, All Movie Guide

First-timer Daniel Irom wrote and directed Bum Rap, which represents something of a variation on Fielder Cook's superior Seize the Day (1986). The picture concentrates on taxi driver and striving actor Paul Colson (Craig Wasson of Four Friends and Go Tell the Spartans), whose life goes through the floor. He's informed by the girl he's been pining for (Frances Fisher) that she wants to remain platonic friends (only) and by a physician that he has an exceptionally rare illness which will give him about seventy-two more hours to live. He subsequently lives out that age-old epicurean adage by patching things up with his folks, reconnecting with poker buddies, and spending a great deal of time with a well-meaning hooker.
(Blanche Baker). The late Al Lewis (AKA Grandpa Munster) has a bit part as a lunatic neighbor. ~ Nathan Southern, All Movie Guide

Science must confront a power greater than our own in this unusual sci-fi-thriller. As seismic activities around the world begin going haywire, causing untold damages in major cities and claiming thousands of lives, the President of the United States orders Kasia Czaban, one of his top scientific advisers, and Mason Rand, a leading weapons expert, to investigate the phenomenon and see if it can be stopped. Kasia and Mason's investigation leads them to the Himalayas, where they discover a strange object of otherworldly origin that can generate its own power and water, spawn and support its own life forms, and either extend or extinguish human lives at will. What is this strange item? What is its role in the history of our universe? And can Mason and Kasia unlock its secrets without falling prey to its dangers? Epoch stars David Keith, Stephanie Niznik, Ryan O'Neal, and Shannon Lee. ~ Mark Deming, All Movie Guide

Also known as Moritorium and Georgia's Friends, Four Friends follows the titular quartet from high school to young adulthood. The film is set during the tumultuous 1960s, an era when everyone's values were turned inside out, shaken around, and reassembled. The central character is first-generation American Craig Wasson, who confounds his Yugoslavian father (Miklos Simon) by pursuing his own let-it-all-hang-out lifestyle. Wasson's best friends are athlete Jim Metzler and chubby Michael Huddleston; all pursue the affections of bewitching Jodi Thelan. Though they are obviously deeply in love with one another, Wasson and Thelan continue to foolishly avoid a long-term commitment as the sixties unfold around them. Four Friends calls for a fresher approach than the one offered by director Arthur Penn, whose handling of the material is much too pat and old-fashioned. ~ Hal Erickson, All Movie Guide

This 1981 John Irvin picture constitutes an adaptation of Peter Straub's colossal, bestselling novel. The central plot -- shared by both book and film -- revolves around the four elderly members of the Chowder Society (Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr. and John Houseman), who gather in each other's drawing rooms each winter to sip cognac and spin elaborate ghost stories. The four men also share a dark secret far more unsettling than fiction -- a secret which has literally come back to haunt them, as well as their own adult offspring. Each man is visited by a hideous specter bearing the likeness of a young woman (Alice Krige) they accidentally killed 50 years ago when spurning her mischievous sexual advances. ~ Cavett Binion, All Movie Guide

At first glance, the made-for-TV Harvest of Fire would seem to be a gender-switch variation on the theatrical feature Witness (1985), but it is much more than that. Assigned to investigate the possibility of a hate crime when three barns are burned in an Amish community in Iowa, FBI agent Sally Russwell (Lolita Davidovich) is given a far-from-warm welcome by the locals when she arrives at the scene of the crime. Shunned as one of "the English" -- that is, an outsider -- Sally is able to gain the confidence only of entrepreneurial Amish widow Annie Beiler (Patty Duke), who is as curious and inquisitive about the outside world as Sally is of Annie's world. The shaky but solid bond formed between the two women enables Sally to proceed with her investigation -- and, in the process, to expose several unpleasant secrets concerning the tightly-knit community. An Emmy Award winner for Best Sound Mixing, Harvest of Fire was first telecast as a CBS "Hallmark Hall of Fame" special on April 21, 1996. ~ Hal Erickson, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

Filmed for cable TV, Midnight Fear focuses on a down-and-out sheriff (David Carradine) who is investigating a murder and the two suspicious fugitives (Craig Wasson, Page Fletcher) who are linked to the killing. ~ John Bush, All Movie Guide

Mildred (Linda Gillin) is a young woman caught in the vise of a gender conflict, made worse by the fact that she has bought into all the female stereotypes against her own nature. Mildred fantasizes about "true love" and is sure that she has found it in the person of Max (Craig Wasson), a super-macho cowboy who whoops it up with the boys at O'Rears. All the bravado cannot disguise an underlying emptiness, but neither can it improve Max's character. He and his overbearing buddies do not have a clue - about anything - and Mildred suffers because of their crass behavior. The more she tries to reach out to Max, the more he mistreats her until one day Mildred ends up injured and in the hospital because of one of Max's crude stunts. He comes to visit her, and at that point, Mildred must either look at the truth or bury herself in a neurotic denial. ~ Eleanor Mannikka, All Movie Guide

When Dr. Peter Fales's (Klaus Kinski) patients start getting annhilated by an unknown serial killer, he and his daughter Alison (Donna Wilkes) both come under suspicion. Part slasher film and part psychological thriller, Schizoid co-stars Marianna Hill as Julie, a syndicated "Dear Abby"-style columnist who also happens to be in one of Dr. Fales's therapy groups. After she receives several ominous letters she not only wonders if Dr. Fales might be behind the killings, she also starts to suspect her estranged husband. ~ Eleanor Mannikka, All Movie Guide

In this skewed, unreal view of a woman's choice in men, almost nothing is believable. Amy (Lucie Arnaz) is a savvy, well-educated lawyer in Santa Fe who divorces her husband, an exec in the banking business, to become involved with Will (Craig Wasson) a street musician with the same iron-clad brain as her ex when it comes to women. The musician is regularly picked up by the police for his loitering, though he seems never to fully realize why they are doing this to him. Amy drops him at last, and when she finds out she is pregnant, she goes to the hospital to have an abortion -- and is introduced to a Boris Karloff-type doctor. Before anything further happens, Will comes along and forcibly carries her off to a remote, run-down building in a ghost town where he ties her to a bed intending to keep her there until she has the baby. Hard to believe, but things only get worse from here. ~ Eleanor Mannikka, All Movie Guide

The short-lived TV series Skag was introduced with a 3-hour premiere on January 6, 1980. Karl Malden stars as Pete "Skag" Skagska, Pittsburgh steel mill foreman and family man. In the pilot, Skag attempts to deal with several family crises: his father's debilitating stroke, his strained relationships between himself and his two grown sons, and his daughter's sexual misadventures. Suddenly a new crisis looms: Skag himself suffers a stroke, and it looks as though he'll be inactive for a long and indeterminate period. Piper Laurie co-stars as Skag's supportive (but not always patient) wife Jo. While the subsequent Skag series never really took off, this pilot film earned six Emmy nominations. ~ Hal Erickson, All Movie Guide