Paul England Movies

1954  
 
With the exception of the brilliant The Court Jester, Knock on Wood must rank as the best of Danny Kaye's movie vehicles. Capitalizing on the star's recent successful engagement in London, the film casts Kaye as a neurotic American ventriloquist performing in England and Europe. In a parody of the 1946 thriller Dead of Night, Kaye is unable to control the words coming out of his dummy, resulting in a near-nervous breakdown. On the advice of his manager (David Burns), Kaye seeks out the help of a psychiatrist, who turns out to be beautiful Mai Zetterling. But first, he heads to a local repair shop to pick up one of his dummies. What Kaye doesn't know is that a set of stolen blueprints for a top-secret weapon have been secreted into his dummy's head. Before he knows what's happening, our hero is up to his ears in spies, counterspies, and corpses. Falsely accused of murder, Kaye spends the rest of the film adopting one disguise after another to elude both the authorities and the various enemy agents roaming about. Filled to overflowing with musical and comedy highlights, Knock on Wood includes the famous "under the table" bit wherein Kaye finds himself literally between two warring spy factions, and a climactic ballet sequence reminiscent of (and superior to) the comic-opera finale of Kaye's Wonder Man (1945). And of course, the audience is treated to the tongue-twisting patter songs written for Kaye by his wife Sylvia Fine. ~ Hal Erickson, All Movie Guide

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Starring:
Danny KayeMai Zetterling, (more)
1948  
 
In this version of Bisson's popular melodrama, a philandering wife's affair ends when her lover is accidentally killed. Later her marriage busts up and she ends up on the street. She is then blackmailed until she shoots the extortionist. This leads her to court where she is unknowingly defended by her own son. In the end she dies. ~ Sandra Brennan, All Movie Guide

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1947  
 
A woman trying to solve the mystery of a friend's murder finds that she may be the next victim in this suspense story set in turn-of-the-century London. Belle Adair (Peggy Cummins) is a struggling showgirl willing to use her charms to snare an eligible bachelor. When her roommate is murdered, Belle's suspicions turn to Michael Drego (Victor Mature), the wealthy but mysterious gentlemen whom the late woman had been dating. Belle pulls some strings and gets an invitation to dine at the estate that Michael shares with his mother, Lady Sterling (Ethel Barrymore); she learns that Michael has a new fiancée, Audrey (Patricia Medina). When Audrey later dies under suspicious circumstances, Inspector Clinner (Vincent Price) from Scotland Yard is assigned to investigate, and he finds himself protecting Belle when the murderer begins following her trail. Keep an eye peeled for horror movie great George Zucco, who plays Craxton. ~ Mark Deming, All Movie Guide

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Starring:
Peggy CumminsNorman Ainsley, (more)
1940  
 
The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MontgomeryEdward Arnold, (more)
1940  
 
A semi-sequel to the 1933 Universal horror masterwork The Invisible Man, The Invisible Man Returns stars Vincent Price in the title role. Condemned for a murder he did not commit, Price begs doctor John Sutton to inject him with the invisibility serum invented by Claude Rains in the first film. Sutton does so, even though he warns Price that the serum will very likely drive him insane. Sir Cedric Hardwicke co-stars as the genuine murderer, a colliery owner who framed Price. Though his behavior veers dangerously close to homicidal, Price is able to mete out retribution to Hardwicke without stooping to murder. As he gradually weakens, Price is recaptured and rushed to the hospital, where his life is saved by an emergency blood transfusion. Price's face is revealed to us for the first time as he vows his undying love to leading lady Nan Grey. Taking a less playful approach to the grim goings-on than director James Whale had in The Invisible Man, The Invisible Man Returns is a grim little morality play, containing vestiges of The Count of Monte Cristo and distinguished by an odd preoccupation with the mechanics and minutiae of death (a characteristic trait in the screenplays of Curt Siodmak). The film helped to solidify the cinematic reputation of Vincent Price, though it would be years before he'd specialize in horror on a full-time basis. ~ Hal Erickson, All Movie Guide

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Starring:
Cedric HardwickeVincent Price, (more)
1939  
 
Idealism vs. Practicality is the Disputed Passage in this lavishly mounted soap opera. Based on a novel by Lloyd C. Douglas (The Robe, Magnificent Obsession) the film stars John Howard as young medical student John Wesley Beaven. In the course of his education, Beaven is torn between two philosophies: the cold pragmatism of Dr. Forster (Akim Tamiroff) and the humanistic attitudes of kindly Dr. Cunningham (William Collier Sr.), who of course is author Douglas' alter ego. The crisis within Beaven comes to a head when he must choose between his career and his impending marriage to Audrey Hilton (Dorothy Lamour). A literally explosive climax in war-torn China brings the story to a logical and satisfying solution. Kudos again to director Frank Borzage for bringing warmth and credibility to the most sloppily sentimental of storylines. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy LamourAkim Tamiroff, (more)
1938  
 
In this suspense movie, a secretary marries her rich old boss. He suddenly dies and she finds herself the prime suspect in his murder. She goes to court and is found guilty. En route to court, she is involved in a near-fatal auto-accident. Within her heart is a small piece of glass that a surgeon removes during a ground-breaking operation. The doctor then discovers that the woman has been given a death sentence. Not wanting to lose the patient he worked so hard to save, the doctor sneaks her out of the hospital and keeps her well hidden until the police accost the real killer. ~ Sandra Brennan, All Movie Guide

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Starring:
Elizabeth AllanCyril Ritchard, (more)
1936  
 
British orchestra leader Jack Hylton, whose popularity in his own country eclipsed that of Benny Goodman and Glenn Miller in America, stars in She Shall Have Music. The unusually serious plotline finds Hylton mixed up in corporate intrigue on board a luxury liner. A millionaire hires the bandleader for a nightly broadcast emanating from the ship, but this project is sabotaged by the millionaire's rival. All eventually turns out for the best, while Jack Hylton appears to be having fun sharing the screen with an endless parade of guest performers. The leading lady in She Shall Have Music is June Clyde, an American musical-comedy favorite who spent most of her film career in England. ~ Hal Erickson, All Movie Guide

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Starring:
June ClydeMarjorie Brooks, (more)
1934  
 
Love Time is the story of the unhappy life of composer Franz Schubert, here played by Swedish actor Nils Asther. Too poor even for romance, Schubert feels compelled to give up his sweetheart Valerie (Pat Paterson) never realizing that she's the daughter of the fabulously wealthy Duke von Hatzfeld (Henry B. Walthall). Not wishing to humiliate the proud Schubert by revealing her identity, she leaves her posh surroundings and joins a band of travelling musicians, finally coming back into Schubert's life long enough to nurse him through a serious illness. The film ends triumphantly as Schubert makes his debut in the court of Emperor Franz 1st (Henry Kolker), thanks to the behind-the-scenes manipulations of the faithful Valerie. Touted as an "original," Love Time was obviously inspired by the Sigmund Romberg operetta Blossom Time. ~ Hal Erickson, All Movie Guide

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Starring:
Pat PatersonNils Asther, (more)
1934  
 
Honolulu detective Charlie Chan (Warner Oland) spends an eventful weekend at an English country estate in this fog-bound series entry. Young Neil Howard (Ray Milland) has been accused of murder, but family friend Geoffrey Howard (Alan Mowbray) expresses the hope that Chan will be able to locate the genuine killer. The weapons this time include a set of poison darts, while a series of cryptic notes provide vital clues to Chan and his Scotland Yard counterpart Sgt. Thacker (E.E. Clive), who insists upon calling the humble oriental sleuth "Mr. Chang" throughout the picture. Crucial to the plot's development is a fox hunt, predating a similar sequence in John Huston's The List of Adrian Messenger by nearly 30 years. At 79 minutes, Charlie Chan in London is the longest of Fox's Chan series -- unnecessarily so, since the identity of the "surprise killer" is obvious from reel one. ~ Hal Erickson, All Movie Guide

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Starring:
Warner OlandDrue Leyton, (more)
1933  
 
True love makes French buy the film company that owns the contract to his love, actress Margot Grahame. Grahame isn't the only one happy with this purchase; the company was in financial straits and everyone is please with the results. ~ All Movie Guide

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