Decla Dunning Movies

This noir mystery thriller was produced by Mary Pickford and her husband Buddy Rogers, and directed by Douglas Sirk. Claudette Colbert stars as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kindly older woman, Mrs. Tomlinson (Queenie Smith) helps Alison call her husband Richard (Don Ameche), who informs her that she disappeared after threatening his life. While traveling back to New York, Alison meets Bruce Elcott (Robert Cummings), who is immediately smitten with her. Upon her return, Richard urges Alison to consult a psychiatrist, Charles Vernay (George Coulouris), but the man's bizarre, abusive manner nearly drives Alison mad. Alison's condition, Vernay, and even the helpful Mrs. Tomlinson are all part of an elaborate scheme on the part of Richard and his mistress, Daphne (Hazel Brooks) to get drive Alison to suicide and collect her fortune. A concerned Bruce visits Vernay, who is really a photographer, and begins piecing the scheme together. ~ Karl Williams, All Movie Guide

The Stranger is often considered Orson Welles' most "traditional" Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed--but not unduly so--by Meineke's presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe--and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life--he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer. ~ Hal Erickson, All Movie Guide

Despite a few Hollywood compromises, The Hairy Ape remains one of the more artistically successful filmizations of Eugene O'Neill. William Bendix is nothing less than brilliant as ship's stoker Hank Smith, a brutish but sensitive lug who is convinced that his strength is derived from the hair that covers his body. While Hank's ship is docked in Lisbon, the boiler room is visited by the wealthy-but-bitchy Mildred Douglas (Susan Hayward), the mercenary sweetheart of second engineer Lazar (John Loder). Disgusted by Hank's hirsuteness, she calls him a "hairy ape." At first enraged, Hank becomes fascinated by the beautiful Mildred, and before long is openly lusting after her. For her own selfish purposes, Mildred leads him on, laying the groundwork for the disastrous events that follow. In the original O'Neill play, a maddened Hank enters the cage of a circus gorilla, believing himself to be "one" with the huge beast, only to be crushed to death. For reasons that defy explanation, this ending is eliminated from the film, which concludes a discordant note of banality. If for no other reason, The Hairy Ape is memorable for one of the few post-Citizen Kane appearances of actress Dorothy Comingore, here cast as Susan Hayward's rival for John Loder's affections. ~ Hal Erickson, All Movie Guide