Peter Coyote Movies

The 2000 presidential election -- marked by an extremely narrow margin of victory, troubles with ballots going missing, and mechanical problems with poorly designed paper ballots in the state of Florida -- led many pundits to debate how effective the mechanics of voting had become in America. However, many who have set out to "solve" these problems have in fact only made them worse; many commonly used electronic voting systems are significantly less accurate than their mechanical counterparts, a number of them offer no hard-copy backup of the votes cast, and one of the largest manufacturers of electronic voting machines, Diebold, is headed by Walden O'Dell, a man who told attendees at a Republican fund raiser in 2003 that he was "committed to helping Ohio deliver its electoral votes to the president (George W. Bush) next year," leading many to question his objectivity and if certain problems with his machines occurred entirely by accident. A growing number of political activists are looking to the 2008 presidential race as a test of whether fair elections are still possible in the United States, and the battle to see that all votes are accurately counted and election laws are properly observed is explored in the documentary Stealing America: Vote by Vote. Filmmaker Dorothy Fadiman weighs the evidence that political influence may have been used to leverage presidential election results in certain states, that a significant number of voters may have been illegally prevented from casting a ballot, and that the latest generation of electronic voting machines could be easily susceptible to tampering. ~ Mark Deming, All Movie Guide

Experience the story of America's love affair with guns through from the perspectives of the citizens who also happen to be proud gun owners. The United States is a big country with a diverse population. Here, people own guns for a variety of reasons: some folks like to hunt, while others are just ordinary, law-abiding citizens who get a kick out of shooting at targets with these remarkable machines. But it can't be denied that some gun owners are extremely dangerous individuals, their threat against society made all the more serious by the weapons at their side. In this documentary from National Geographic, filmmakers explore the lives of five people with guns to reveal why these lethal weapons have become a crucial component of American society. ~ Jason Buchanan, All Movie Guide

While Los Angeles has been the capital of major studio filmmaking in America since the early ears of the 20th Century, in the northern part of California, San Francisco has become home to a different breed of filmmaker -- artists who treasure their independence and carefully guard their creative vision, even while working in the highest echelons of the commercial movie business. Francis Ford Coppola and George Lucas are just two of the best-known directors to emerge from the San Francisco film community, and Fog City Mavericks is a documentary which pays homage to a number of important filmmakers from the City by the Bay. In addition to Coppola and Lucas, Fog City Mavericks profiles directors Clint Eastwood, Carroll Ballard, Philip Kaufman and Chris Columbus, pioneering independent auteur John Korty, experimental filmmaker Bruce Conner, producer Saul Zaentz, editor and sound designer Walter Murch, cinematographer and director Caleb Deschanel, digital animation moguls Brad Bird, Pete Docter, John Lasseter and Andrew Stanton, and actor Robin Williams, and many more. While examining these individuals, the film also embraces the whole of the San Francisco film scene, and explains why these artists remain so loyal to their hometown. Fittingly, Fog City Mavericks received its world premiere at the 2007 San Francisco International Film Festival. ~ Mark Deming, All Movie Guide

A mail-order bride from Thailand arrives in America with bright hopes for the future, only to find that her new home is a virtual prison in director Thymaya Payne's emotionally turbulent short film. ~ Jason Buchanan, All Movie Guide

In 1968 members of San Francisco's Mime Troupe and Digger Movement decided to separate from society and form their own community, known as the Black Bear Ranch, to reconnect with nature and experience a different way of life. At the turn of the new century the resilient counterculture settlement was still active at the base of majestic Mount Shasta, and filmmaker Jonathan Berman traveled to the eighty-acre tract to explore just how the Black Bear Ranch continues to thrive despite the concerns of their suspicious neighbors and the ever-present eyes of the F.B.I. Life is lived at a different pace at the Black Bear Ranch, and now, as nostalgic members of the commune openly discuss just how life in the community has changed over the years, outsiders can finally see precisely how the bold social experiment has continued to defy all predictions regarding its longevity. ~ Jason Buchanan, All Movie Guide

Three stories of human treachery are given an unexpected link in this dry comedy drama from Icelandic filmmaker Baltasar Kormákur. Holt (Forest Whitaker) is an insurance investigator who is sent to Minnesota to look into a bus accident; the bus seems to have had significantly more passengers after it crashed than it had when it left the station, and Holt, posing as a police detective, needs to know who is telling the truth and who is attempting to cash in on the tragedy. Later, Holt is back on the job, when a badly burned body is found in a wrecked car, and the ID on the corpse indicates the victim was a small-time con artist with a police record. The victim's sister, Isold (Julia Stiles), claims that her brother's accident happened after his gas tank was drained and he was struggling to make his way home on a stormy night, but Holt isn't buying it; and Isold's husband, Fred (Jeremy Renner), and son, Thor (Alfred Harmsworth), don't seem especially trustworthy. Finally, a man and a woman struggle to make their way to shore after their car sails off a cliff into a body of water. While they seem grateful to make it back to dry land, it seems the woman has reason to be unhappy with her mate when she viciously attacks him. Who are these people, and what is their story? A Little Trip to Heaven received its North American premier at the 2005 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Jean-Michel Carre's documentary The Kursk: A Submarine In Troubled Waters examines the events surrounding the sinking of the Russian nuclear submarine that gives the film its title. The filmmakers examine physical evidence that seems inconsistent with the official explanation of how the tragedy occurred, and pose provocative questions about the possibility of the United States being somehow responsible. ~ Perry Seibert, All Movie Guide

The first season of USA Network's sci-fi thriller The 4400 begins (pardon the cliché) with a bang, as a huge, glowing object falls from the sky and lands near Highland Beach, Washington. The comet-like object then disgorges some 4400 human beings, all of whom had vanished from the earth over the past 58 years! After a brief quarantine, the "4400" leave for various parts of the world--and then several returns, exhibiting such paranormal abilities as telekinesis, mind control, supersensitve hearing, and even, in the case of Shawn Farrell (Patrick Flueger), the power to revive the dead. Another of the 4400, Lily Moore, is pregnant with the child of Richard Tyler (Mahershalahashbaz Ali) Acutely aware that the returnees' otherworldly powers can be used for evil as well as good, Dennis Ryland (Peter Coyote), head of the National Threat Assessment Command division of Homeland Security, dispatches agents Tom Baldwin (Joel Gretsch) and Diana Skouris (Jacqueline McKenzie) to locate the rest of the 4400 to make certain that nothing terrible happens. Unfortunately, the damage has already been done, as witness the serial killer who has the power to make others do his dirty work. Also, whatever has caused the 4400 to develop these skills also has a profound effect on the two NTAC agents--to say nothing of Tom's son Kyle (Chad Faust), whose erratic behavior turns is a harbinger of things to come. Meanwhile, another of the 4400, the mysterious Jordan Collier (Bill Campbell), offers protection and shelter to his fellow retunees at Arcadia Estates--an outward act of altrusim that may be a cover up for a sinister hidden agenda. The five-episode first season ends after several of the 4400 are assassinated once their identities are made public--and after the startling secret behind the 4400 is revealed (we won't give too much away here: suffice to say that, though the 4400 were definitely abduction victims, their abductors were NOT aliens from another planet!) ~ Hal Erickson, All Movie Guide

Although the feature length UFO documentary Out of the Blue first aired on the Sci-Fi Channel, the film takes a sober, clinical and surprisingly down-to-earth approach to its subject matter. Assuming that the audience already accepts the existence of UFOs, the producers -- and narrator Peter Coyote -- calmly offer spoken testimony of "close encounters" from several high-profile witnesses, among them ex-presidents Jimmy Carter and Gerald Ford, retired American astronauts Gordon Cooper and Edgar Mitchell, and former Soviet cosmonaut Pavel Popovich. Also disseminated are previously classified government documents, and palpable evidence of UFO "interference" with American aircraft. One of the more intelligent and logical films of its kind, Out of the Blue will probably not convert any skeptics, but it won't make the True Believers feel foolish either. ~ Hal Erickson, All Movie Guide