Mel Dellar Movies

In Kuffs, Christian Slater plays George Kuffs, an irresponsible 21-year-old who walks out on his pregnant girlfriend Maya (Milla Jovovich) and runs, broke, to see his big brother Brad (Bruce Boxleitner) in San Francisco. Bruce is the owner of a Special Patrol, a franchised civilian auxiliary police force. During George's visit, Bruce is killed, and George, who witnessed the killing, takes over the patrol to seek revenge. But first George has to earn respect from the patrol, and at first all of them want him out. But with the help of a police liaison (Tony Goldwyn), he uncovers an illicit scheme involving $50 million, a case Bruce was just about to break when he was killed. George decides to stick around and complete the work his brother started. ~ Paul Brenner, Rovi

The third entry in the ultra-macho Rambo action movie series finds muscle-bound warrior John Rambo (co-writer and star Sylvester Stallone) refusing a request from his former Vietnam superior, Green Beret Colonel Trautman (Richard Crenna). Trautman is to lead a mission to aid the mujahedeen rebels fighting the Soviet invasion of Afghanistan, but the Buddhist Rambo turns his friend down. When the mission goes awry and Trautman is subsequently captured and tortured within a prison fortress, Rambo launches a rescue effort of his own, armed with his trademark bow and exploding arrows. Along the way, he allies himself with the freedom fighters and runs afoul of the villainous Russian commander Zaysen (Marc de Jonge). At the time of its release, Rambo III -- released in the same month in 1988 that Russian troops began withdrawing from Afghanistan -- was the most expensive film ever made, at 63 million dollars. ~ Karl Williams, Rovi

The dark-horse box-office hit First Blood spawned this even more successful sequel in which Sylvester Stallone, reprising his role as ex-Green Beret loner John Rambo, is extricated from prison by his former superior Colonel Trautman (Richard Crenna) for a top-secret operation to bring back POWs still held in Vietnam. Teamed up with a female Vietnamese freedom fighter (Julia Nickson), Rambo embarks on a "reconnaissance" mission. A love interest develops in the beautiful young guide -- she dies by enemy fire; he seeks revenge. Of course, there are also corrupt American officials behind the mission, and Rambo saves them for last. Over the course of the film, Rambo kills enough communist bad guys to fill the Rose Bowl, using everything from fishing line to exploding arrowheads to rocket launchers. Stallone mumbles, grunts, and groans his way through this laughable and often insulting film intended to exploit anti-communist fervor at the height of the Reagan years. ~ Jeremy Beday, Rovi

Robert Aldrich returns to the western-spoof genre he'd previously explored in Four for Texas with The Frisco Kid. Gene Wilder plays Polish rabbi Avram Belinsky, who intends to set up a congregation in San Francisco. Eminently unsuited for life in the Old West, poor Avram is victimized by everyone with whom he comes in contact. Salvation arrives in the unlikely form of taciturn bank robber Tommy (Harrison Ford). Incredibly, Tommy takes a liking to the feckless Avram, and together the two men embark on a series of seriocomic adventures. ~ Hal Erickson, Rovi

Having created the character of Gator McKlusky in 1973's White Lightning, Burt Reynolds reprises the role in the appropriately titled Gator. Once again, ex-convict McKluskey is strong-armed into helping the feds nab a dangerous criminal, who turns out to be an old high-school chum (Jerry Reed). He is aided and abetted by TV reporter Aggie Maybank (Lauren Hutton) and comedy-relief FBI agent Irving Greenfield (Jack Weston). Talk-show host Mike Douglas makes his film debut as a Jimmy Carter-style governor. ~ Hal Erickson, Rovi

Based on the popular mystery play by Frederick Knott, Dial M For Murder is more talky and stagebound than most Hitchcock films, but no less enjoyable. British tennis pro Ray Milland suspects that his wealthy wife Grace Kelly is fooling around with handsome American Robert Cummings. Milland blackmails a disgraced former army comrade (Anthony Dawson) into murdering Kelly and making it look like the work of a burglar. But Milland's carefully mapped-out scheme does not take into account the notion that Kelly might fight back and kill her assailant. When the police (represented by John Williams) investigate, Milland improvises quickly, subtly planting the suggestion that his wife has committed first-degree murder. He almost gets away with it; to tell you more would spoil the fun of the film's final thirty minutes. Hitchcock claimed that he chose this single-set play because he was worn out from several earlier, more ambitious projects, and wanted to "recharge his batteries." Compelled by Warner Bros. to film Dial M for Murder in 3-D, Hitchcock perversely refused to throw in the standard in-your-face gimmickry of most stereoscopic films of the era--though watch how he visually emphasizes an important piece of evidence towards the end of the film. ~ Hal Erickson, Rovi

James Cagney delivers a vibrant performance as a down-on-his-luck Broadway musical director in The West Point Story, featuring songs by Sammy Cahn and Jule Styne. Cagney plays out-of-work director Elwin "Bix" Bixby, who reluctantly accepts a job from producer Harry Eberhart (Roland Winters) to stage a show at West Point written by Harry's nephew Tom Fletcher (Gordon MacRae). Harry thinks Tom's show could be a Broadway success if he would only quit West Point. Bix travels to West Point, with his girlfriend, Eve (Virginia Mayo), in tow, to whip the show into shape. But Bix is frustrated by the academy's rules, which interrupt his rehearsal schedule. In frustration, Bix hits a cadet. In order to continue to work on the show, Bix must become a cadet himself, and deal with the attendant hazing that entails. When the one of the show's stars, Jan Wilson (Doris Day), is brought out to work on the production, Tom falls in love with her and goes AWOL to return with her to Hollywood. Bix, in order to save Tom's military career, has to go to Hollywood and bring Tom back to West Point. ~ Paul Brenner, Rovi

After years of dumb-blonde and best-friend roles, Jane Wyman proved her skills as a dramatic actress -- and won an Academy Award in the bargain -- in Johnny Belinda. Adapted from a stage play by Elmer Harris, the story takes place in Nova Scotia, where deaf-mute Belinda (Wyman) leads a lonely existence on the hardscrabble farm of her father Black Macdonald (Charles Bickford) and her aunt Aggie (Agnes Moorehead). Newly arrived doctor Robert Richardson (Lew Ayres) takes a special interest in Belinda, vowing to ease her road in life by teaching her sign language. Despite initial resistance from her father and aunt, Belinda quickly learns how to communicate with others, opening a whole, wonderful new world for her. But things take a sorry turn when local lout Locky (Stephan McNally) corners poor Belinda after a village dance and rapes her. If the ending seems a bit ambiguous, it is because director Jean Negulesco intended it that way, allowing the viewer to draw his or her own conclusion regarding Belinda's future relationship with her mentor Dr. Richardson. Upon accepting her Oscar, Jane Wyman commented on the fact that she accomplished this feat through the simple expedient of "keeping my mouth shut." But there is nothing simple or facile in Wyman's astonishing performance as Belinda, which far outclasses the actresses who repeated the role in the two TV remakes. Also worthy of praise is the lush musical score by Max Steiner, one of his best post-Casablanca efforts. ~ Hal Erickson, Rovi