Richard Connell Movies

MGM whipped up another musical salad with Luxury Liner, featuring a glittering lineup of contractees including Jane Powell, Lauritz Melchior and Xavier Cugat. George Brent plays the skipper of a "love boat"-type cruise ship, while Ms. Powell plays his daughter. She entertains the passengers at every opportunity with a string of forgettable songs, and finds love herself in the form of Thomas E. Breen(you remember him). The highlight of the film features Jane Powell in male drag, singing "Spring Came to Vienna" to an uncomfortable-looking ingenue (Shirley Johns). Luxury Liner is the sort of lavish trifle that could only have come out of the Hollywood Studio System. ~ Hal Erickson, All Movie Guide

This tender but fluffy romantic comedy centers on the romantic travails of a beautiful European princesss who goes to New York to find the newspaper reporter she fell for when he was visiting her mythical country. She stays at the Big Apple's finest hotel and while there finds herself mistaken for a maid by a sweet-natured bellhop. Charmed by his confusion, she insists that he become her personal escort. She does not realize that the impressionable fellow has fallen in love with her and so misconstrues her every kindness. When not with her, the bellhop is visiting a beautiful invalid, who is secretly in love with him. Meanwhile the princess eventually finds the reporter. She makes him a proposition, but he, believing them to be too different, rejects the offer. Later, she takes the bellhop and goes to the reporter's favorite bar in hopes of seeing him. Unfortunately, the joint gets raided and she ends up in jail until the reporter shows up to bail her out. Soon afterward, she learns that her father has died and that she is now queen. Things get sticky then, as both the bellboy and the new queen find themselves faced with choosing between wealth and power or true love. ~ Sandra Brennan, All Movie Guide

This aquatic musical is set at a mountain resort in the beautiful Sierra Nevadas where a heroic Army Air Corpsman has come for a vacation. There he falls in love with the lovely swimming instructor, who is unfortunately newly married to a rather stodgy businessman. The mayhem begins when her new husband is called to Washington on urgent business. Songs include: "Please Don't Say No, Say Maybe," "I Should Care," "Lonely Night," "Vive L'Amour," "Schubert's Serenade" and "The Thrill Of A Romance." ~ Sandra Brennan, All Movie Guide

A Booth Tarkington novel was the source for the so-so Judy Garland musical Presenting Lily Mars. Garland plays the title character, a small-town girl with big-city ambitions. She heads to Broadway hoping for stardom, but after a series of disappointments the best she can manage is an understudy job. That's right, folks: the star walks out on opening night, Lily goes on in her place, and the audience boos and throws rotten tomatoes (just kidding: Lily's a sensation, of course). Van Heflin costars as a young producer who falls in love with Lily, but who avoids bestowing upon her instant stardom for fear of being accused of favoritism. Naturally, Judy Garland gets to sing a lot, and whenever she does the picture soars; other musical acts include the orchestras of Bob Crosby and Tommy Dorsey. ~ Hal Erickson, All Movie Guide

Nice Girl? answers its own question by casting the relentlessy nice Deanna Durbin in the title role. In her first truly adult role, Durbin plays Jane Dana, the blossoming daughter of high school principal Oliver Dana (Robert Benchley). Jane is being ardently courted by longtime boyfriend Don Webb (Robert Stack) and by the more worldly Richard Calvert (Franchot Tone). A series of misunderstandings leads to the demure Jane earning an unsavory (and wholly unjustified) "reputation", but it all turns out okay by fadeout time. It is not only unfair to reveal the ending, but also quite difficult, since the current video version of Nice Girl includes the film's "alternate" ending, which is rather different than the denoument in the officially released version. Ms. Durbin's songs on this occasion range from such standards as "Old Folks at Home" to four newly-minted tunes. ~ Hal Erickson, All Movie Guide

Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide

Bing Crosby plays the melodic medico of the title. To help cover for his ailing policeman pal (Andy Devine), Crosby takes the policeman's latest assignment and becomes the bodyguard for a loopy but wealthy matron (Bea Lillie). Bing falls in love with the lady's niece (Mary Carlisle), expressing his ardor in song. When the older woman becomes the target of thieves, it's Bing to the rescue. Based on the O. Henry yarn "The Badge of Policeman O'Roon", Dr. Rhythm is a satisfactory Bing Crosby vehicle, with the legendary Bea Lillie permitted a few choice moments in a rare screen appearance. ~ Hal Erickson, All Movie Guide

In this comedy a persistent, pesky fountaineer takes to following two government agents in hopes of becoming one of them. Finally the agents reach their breaking point and begrudgingly appoint him as an F-Man. The youth takes it all very seriously and hilarity ensues until he proves his courage and mettle in the face of ruthless gangsters. ~ Sandra Brennan, All Movie Guide

Working on the theory that the only thing funnier than Laurel and Hardy is two sets of Laurel and Hardys, Our Relations milks its central mistaken-identity situation for all it's worth. Stan Laurel and Oliver Hardy are two solid citizens, happily married and highly respected in their community. One morning, Hardy receives a letter from his mother, containing an old photo of himself and Laurel with their twin brothers, Alf Laurel and Bert Hardy. Mamma also reveals that Alf and Bert turned out to be "bad lads" and ran off to sea, and that reportedly they'd been hanged for taking part in a mutiny. "Isn't that calamitous!" remarks Hardy, who conspires with Laurel to hide the facts about their no-good brothers from their wives. Meanwhile, in another part of town, the S.S. Periwinkle pulls into port. Among the crew members are the selfsame Alf and Bert, who have decided to entrust their pal Fin (James Finlayson) with their month's salary. Fin has promised to invest the dough so that the boys will become millionaires "before you can say Jack Robinson". Alf and Bert are then summoned to the cabin of their captain (Sidney Toler), who orders them to pick up a valuable package for him, then meet him later at Denker's Beer Garden. While waiting for the captain at Denker's, Alf and Bert are captivated by a pair of waterfront floozies, Alice (Iris Adrian) and Lily (Lona Andre). Talked into buying the girls a huge meal for which they haven't the necessary funds, Alf and Bert decide to go back to Fin and reclaim their money, leaving the contents of the captain's package-a valuable pearl ring-with tough waiter Joe Groagan (Alan Hale) as security. Later, Laurel and Hardy take their wives Betty (Betty Healy) and Daphne (Daphne Pollard) to lunch-and, inevitably, they end up at Denker's Beer Garden, where the equally inevitable mix-ups begin to occur. Things snowball from bad to worse before both sets of twins, an angry captain, a disgruntled Fin, the wives, the floozies, a genial drunk (Arthur Housman) and a brace of smooth gangsters (Ralf Harolde and Noel Madison) all converge at the upscale Pirate Club. Several slapstick complications later, Laurel and Hardy are captured by the gangsters, who threaten to dump the boys in the river with their feet encased in cement if they don't cough up the pearl ring. Alf and Bert come to the rescue, and all is well, at least until the film's boffo punchline. Based on W.W. Jacobs' short story The Money Box, Our Relations is perhaps the most plot-heavy of Laurel and Hardy's features for Hal Roach Studios. It is also one of their funniest, as well as their most lavishly produced. The film was officially listed as "A Stan Laurel Production"-as if Laurel hadn't been the prime creative force behind all of the team's previous films. ~ Hal Erickson, All Movie Guide

In this romance, a young woman aspires to have a huge church wedding with all the trimmings, but first she must find the perfect mate. One night the young woman has a nightmare in which she walks naked down a street. Her roommate the amateur fortune teller informs her that it means she will meet a handsome stranger. The girl disbelieves this, as she is already satisfied with her steady. No sooner does the young woman scoff than a good-looking man enters the music store where they work. He is most charming, and she feels inexplicably drawn to him. She accepts his invitation and attends his party where she gets drunk and ends up sleeping in his bed. Fortunately, he is an honorable fellow and sleeps in another room. The next day, he proposes. ~ Sandra Brennan, All Movie Guide

Adapted from Richard Connell's short story A Friend of Napoleon, Seven Faces was a tour de force for the multitalented Paul Muni (in his second screen appearance). Although only 33 at the time, Muni is most convincing as elderly Papa Chibuou, caretaker of a Parisian wax museum. When the museum goes bust, its most popular wax effigies go on the auction block. Unable to meet the price demanded for his favorite statue, that of Napoleon Bonaparte, Chibou steals the statue and is convicted of theft. Defense attorney Georges Dufeyl (Russell Gleason), who happens to be in love with Helene (Marguerite Churchill), the daughter of the trial judge (Lester Lonergan, who also co-directed the film), sympathetically takes Chibou's case on a pro bono basis. The film's best scene finds Chibou dreaming that he is offering Dufeyl and Helene romantic advice in the guises of six of the museum's wax figures, including Napoleon, Don Juan, Svengali and Franz Schubert. Although shown to excellent advantage, Paul Muni wasn't happy with the film medium and stayed off screen for over a year after the completion of Seven Faces. If Muni was unhappy, imagine the discomfort of Broadway headliner Tom Patricola, whose supporting role in the film went completely uncredited. ~ Hal Erickson, All Movie Guide

Charles Ray's career had been declining for some time when he made this comedy-drama. Unfortunately, this attempt to return to the characterization that brought him fame -- that of an unsophisticated country boy -- didn't win him back the fans he had lost. Actress Pansi Delaney (Pauline Starke) is tired of the big city and its flashy, phony men, so she's glad to return to the farm back home and visit her mother. She meets a country boy, Tom Corbin, and his naive, wholesome ways win her over. Tom, however, feels out of place amongst Pansi's city friends -- he doesn't realize that the qualities that make him appear awkward are just what she likes. When he visits Chicago and sees one of the slick city types trying to make time with Pansi, Tom decides to make himself over. But instead of being cool and sophisticated, he comes off as a jerk and Pansi is disgusted. One of her friends tips Tom off, so he returns to his country boy demeanor, and wins back his girl. ~ Janiss Garza, All Movie Guide