Ronald B. Colby Movies

Stripped of their wealth and forced to fend for themselves when the multi-million-dollar cosmetics company inherited from their father suffers due to controversy, two sisters who have never known the simple life must finally find out how the other half lives in a high-fashion comedy about hard times starring Hilary and Haylie Duff. Ava (Haylie) and Tanza (Hilary) are teen heiresses whose charmed lives consist of little more than showing up at all the hottest celebrity parties and putting in the occasional cameo at their company's board meetings while letting the responsible adults in charge handle all of the complicated details. All of that changes, however, when an unforeseen scandal robs the privileged "celebutantes" of their car, their cash, and even their lavish home; but what's a poor little rich girl to do when everything she's ever known is suddenly made null and void? In the case of Ava and Tanza, the only answer is to use their substantial setback as a means of realizing their true potential, and put the wisdom imparted to them by their father to use in clearing the family name and proving that there's much more to life than the almighty dollar. ~ Jason Buchanan, Rovi

A girl poised on the brink of adolescence finds herself shouldering a whole new set of responsibilities in this made-for-TV drama based on the autobiographical book by Esmeralda Santiago. In 1961, Mami Santiago (Wanda De Jesus) decides to leave her life in a Puerto Rican farming community behind and move herself and her six children to New York City in search of a better life -- and better medical care for her ailing son. Mami's oldest daughter, Esmerelda (Ana Maria Lagasca) -- Negi for short -- not only has trouble adapting to her new environment, but doesn't quite fit in at her new school, where she's lumped in with other Spanish speaking students with whom she shares no common culture. Negi's burden is intensified by the fact her mother and siblings are counting on her to learn English and serve as the family's interpreter. One of Negi's teachers senses her creative gifts and arranges for her to audition for the Performing Arts School in Manhattan, but as Negi struggles to learn a monologue in a new language she has yet to master, she isn't sure if she has what it takes to make the grade. Esmeralda Santiago penned the screenplay for Almost A Woman from her own memoir; the film was first broadcast as part of the award-winning PBS anthology series Masterpiece Theater. ~ Mark Deming, Rovi

B-movie director Rafal Zielinski adds another sordid tale to his CV with this C. Thomas Howell vehicle. In the film, Howell plays a cop who gets involved with a murder witness, only to find out that she's part of an international ring of sex-for-hire beauties. ~ Michael Hastings, Rovi

An aspiring writer faces up to the responsibilities of marriage and family in this romantic comedy from writer, director, and producer John Hughes. Despite the misgivings he pours out to best friend Davis McDonald (Alec Baldwin), Jake Briggs (Kevin Bacon) marries high-school sweetheart Kristy (Elizabeth McGovern). After an abortive attempt at graduate school in New Mexico, the couple settles in suburban Chicago. Jake fakes his way into a job as an advertising copywriter, while Kristy settles into her own corporate job. The couple faces the typical ups and downs of any new marriage, especially after Davis visits with a bimbo on his arm, regaling his pal Jake with tales of the good life. A few years later, Kristy decides to stop taking her birth-control pills -- and tells Jake about it three months later. Plagued by doubts, unfulfilled ambitions, and images of a fantasy girl (Isabel Lorca) he once spotted in a club, Jake resists the idea of fatherhood. Then he finds out he has low sperm count and, his manhood thus challenged, lines up for fertility clinic-assisted stud duty. The birth doesn't go as smoothly as Jake expected, however, setting the stage for climactic realizations. Edie McClurg, who played the nosy school secretary in Hughes' Ferris Bueller's Day Off, makes a cameo appearance as an officious neighbor. In addition, a who's who of other Hughes alums and Hollywood stars lend their faces and voices to a series of closing-credits shots in which each suggests a name for the titular baby. ~ Brian J. Dillard, Rovi

Teen rivalry in a small Southern town sets the stage for this dramatic interpretation of the novel by S.E. Hinton. Directed by Francis Ford Coppola, The Outsiders tells the story of the ongoing conflict between the Greasers and the Socs in rural Oklahoma. C. Thomas Howell stars as Ponyboy, the youngest of three orphaned boys who pal around with the local hoods known as the Greasers. When Ponyboy and his friend (Ralph Macchio) get into a deadly confrontation one night, the two go on the run from the cops, and they grow up quickly and soon realize the insignificance of their petty posturing. Matt Dillon stars as the tough-as-nails leader of their group and Patrick Swayze appears as Ponyboy's oldest brother. A host of other 1980s Brat Pack celebs fill out the cast. Dillon later appeared in another Coppola adaption of a Hinton book, Rumble Fish. ~ Bernadette McCallion, Rovi

Despite an effort by the Warner Bros. publicity mills to turn The Rain People into an instant cult film upon its first release (the ad campaign stressed the intimacy and humanity of the story), this early Francis Ford Coppola effort would have to wait several years to find its audience. Shirley Knight stars as Natalie, a housewife who, unable to cope with being "trapped" by impending pregnancy, deserts her husband and takes to the road. Eager to start life over, Natalie attaches herself to hitchhiker Kilgannon (James Caan). She is fully aware that Kilgannon, a former football pro, has incurred so much brain damage that he's practically a child but insists upon sticking with him. Along the way, she has a variety of offbeat experiences with such eccentrics as a snake-farmer (Tom Aldredge) and a widowed traffic-cop (Robert Duvall). An unexpectedly violent turn of events, triggered by the traffic cop's troubled daughter (Marya Zimmet), leaves Natalie virtually back where she started. Director Coppola was still laboring under the influence of the French New Wave in The Rain People; there are so many flashbacks and flashforwards that soon even the actors don't know where they stand. Yes, it's an example of youthful cinematic excess, but there's a streak of genius in The Rain People that is impossible to miss. Coppola based his screenplay on his own short story "Echoes." ~ Hal Erickson, Rovi