Mario Chiari Movies

Carol Ault and Elliott Gould co-star with Jean Rochefort and Pierre Cosso in this softcore erotic drama. Marina (Ault) is a young woman from a wealthy family who graduates from affairs with her maid and a young count to favoring the brutish attention of domineering men. Although she is portrayed as an amoral heroine with liberal attitudes, Marina inexplicably does not seek an end to her degrading humiliation and abuse. ~ Dan Pavlides, All Movie Guide

Leading man Gabriel Byrne adds a "Harlequin Romance" dash to the two-part, six-hour TV movie Christopher Columbus. Seeking out a swifter route to the lucrative Indies, Genoa-born Columbus begs King John of Portugal (Max Von Sydow) to finance a westbound expedition. Failing this, he turns to Spain's Queen Isabella (Faye Dunaway), who is entranced by Columbus' near-religious fervor. After the famous 1492 expedition, Columbus is bankrolled for future forays into the New World, which win him both adulation and vilification. Originally telecast May 19 and 20, 1985, Christopher Columbus was filmed on location in Spain, Malta and the Dominican Republic, making full use of a $15 million budget. It isn't an earth-shattering cinematic experience, but is lots more worthwhile (and less ponderous) than the brace of Columbus biopics inflicted upon movie audiences in 1992. Those concerned with political correctness should be satisfied with the film's second half, which explores the more sinister elements of chauvinistic colonization. ~ Hal Erickson, All Movie Guide

Noted political filmmaker Costa-Gavras turned his attention to personal issues in this drama. Michel (Yves Montand) has had to deal with the death of his wife, while Lydia (Romy Schneider) is mourning the loss of her daughter. Both Michel and Lydia are lonely, and they are attempting to start a relationship together, but neither has been able to purge themselves of their sorrows, which makes it difficult for them to live in the moment. Clair de Femme was based on a novel by Romain Gary. ~ Mark Deming, All Movie Guide

Luchino Visconti (Count don Luchino Visconti di Modrone) was a film director, true, but he was also a nobleman and a grand patron of traditional European culture: opera, art, music, crafts and literature. These interests enliven many of his films, but few have been so inspired as the four-hour epic, Ludwig, about the castle-building "mad king" of Bavaria. This long film, made very near the end of Visconti's life, suffers greatly when shortened, as every moment is essential to the story. There are at least four different versions of the film (from just under three hours to over four hours in length); the uncut four-hour version is the most coherent, even though many might find it rather long. The disintegration of aristocratic individuals is a continuing theme of Visconti's, though Ludwig's is the most thorough decay he filmed. The last ruling king of Bavaria (1845-1886) is noted for many things besides his eccentricities: he sold Bavaria to Germany, ending the rule of the Bavarian monarchy; he built amazing castles all over his country (with the proceeds from the sale); and he was Richard Wagner's main sponsor. He was also a notorious recluse, conducting a lifelong platonic love affair with Empress Elizabeth of Austria, and finally succumbing to his adoration of handsome men in a series of outrageous affairs and orgies. His excesses eventually led to his being declared mentally incompetent and being held prisoner in his own castle. The film depicts this incredible life from his coronation at age 19 to his (unproved) assassination well over 20 years later. ~ Clarke Fountain, All Movie Guide

Vittorio De Sica directs the lyrical war drama Il Giardino dei Finzi-Contini (The Garden of the Finzi-Continis), based on a book by Giorgio Bassani. In Ferrara, Italy, at the beginning of WWII, anti-Semitism is spreading. Mussolini has passed several laws that forbid Jews from going to public schools, joining the army, or marrying non-Jews. While many middle-class Jewish families flee the country, the Finzi-Continis believe it's safe inside their sprawling estate. As a wealthy, aristocratic Jewish family, they think their luxurious garden walls will protect them from fascism. Micol Finzi Contini (Dominique Sanda) and her brother (Helmut Berger) invite their Jewish friends to join them in the estate for parties, tennis, and games while the war ravages on. Middle-class Jew Giorgio (Lino Capolicchio) attends the parties with his friend Malnate (Fabio Testi). Giorgio and Micol are childhood sweethearts, but she begins to reject him in favor of Malnate. She also refuses to accept that there's a war going on. Eventually they can pretend no longer, and the war closes in on them. The Garden of the Finzi-Continis won the Oscar for Best Foreign Language Film in 1971. ~ Andrea LeVasseur, All Movie Guide

Two German spies and a woman physician (Suzy Kendall) are taken by submarine to Scotland where they enter the country at nightfall. Their mission is to assassinate the British Field Marshall Lord Kitchener. The woman's male companions are captured, but she escapes with the knowledge of what boat the Marshall is on. Boarding the submarine, the Germans make plans to bomb the boat with a series of strategically placed land mines. She travels from Russia to Germany to Britain and Spain as she double-crosses double agents in a cat-and-mouse game of espionage. A gruesome scene shows a German gas attack that peels off the flesh of the Allied soldiers as they writhe in agony. James Booth, Capucine, and Kenneth More also star in this World War I drama. ~ Dan Pavlides, All Movie Guide

The Franco-Italian L'Ombrellone stars Enrico Maria Salerno as a vacationing Roman engineer. He'd prefer a little peace and quiet, but his frisky wife (Sandra Milo) insists upon dragging him to party after party. At one of these Felliniesque get-togethers, Salerno notices that his wife is enjoying the attentions of a charming playboy (Jean Sorel). It's all quite innocent, but the usual complications and misunderstandings ensue. Also known as El Parasol, L'Ombrellone was released in the U.S. as Weekend Wives and Weekend Italian Style. ~ Hal Erickson, All Movie Guide

The alluring presence of doe-eyed horror icon Barbara Steele enlivens director Riccardo Freda's passable sequel to his own Horrible Dr. Hichcock. Steele returns as Cynthia, the troubled widow of a sadistic murderer and necrophiliac, who had once conspired with her lover to murder her husband before she could become the next of his tortured playthings. Unfortunately for her, you can't keep an evil man down, as proven by the sudden appearance of the doctor's vengeful ghost. All is not quite as it seems, however, as we learn that the menacing apparition is somehow linked to Steele's mysterious housekeeper. A workmanlike effort from the otherwise capable Freda (I Vampiri), this film plays like a less stylish retread of Diabolique. ~ Cavett Binion, All Movie Guide

Directed by Edward Dmytryk, The Reluctant Saint is based on the life of Saint Joseph of Cupertino. When young Giuseppe Diesa (Maximilian Schell) is sent to work at a monastery circa 17th century Italy -- his parents believed he was mentally challenged -- he surprises a local bishop by his incredible relationship with the monastery's animals. Believing this merits a traditional religious education, he is taken in and taught to pray, with miraculous results. His spiritual energy apparently allows him to levitate, which impressed many, and terrified others. ~ Tracie Cooper, All Movie Guide

This drama, loosely based on the legend of the "Hunchback," is set in Rome, 1944. The story begins as the Hunchback, a leader of the Resistance rapes a Nazi collaborator's daughter. Later he falls in love with her. As he is trying to steal arms from a Nazi arsenal, the Germans shoot the Hunchback. He ends up hiding in her house where he kills her father. He is soon captured and tortured by the Fascists. Meanwhile, the hapless girl miscarries her child and becomes a prostitute. Later the Hunchback and his 150 Resistance fighters take over a Roman suburb and attempt to liberate the town whores from a life of prostitution. His attempts fail. ~ Sandra Brennan, All Movie Guide

Based on the Alexander Pushkin story The Captain's Daughter, Tempest is set in Russia during the reign of Catherine the Great. A Russian ensign named Peter Griniev (Geoffrey Horne), banished by Catherine (Viveca Lindfors) to a distant outpost, saves the life of Pugachov (Van Heflin), leader of a peasant uprising. Allowed to escape, Griniev tries to warn of the Pugachov's plans, but the Russian generals refuse to listen. When Griniev attempts to remove Pugachov's daughter (Silvano Mangano) from harm's way, he is accused of desertion. This time it is Pugachov's turn to rescue Griniev by convincing Catherine that the boy is innocent of treason. Tempest compensates for its overall dullness with a few brilliantly staged battle sequences. ~ Hal Erickson, All Movie Guide

Shy young Marcelo Mastroianni ambles across a bridge one evening, where he meets a strange but alluring girl (Maria Schell) who is awaiting her lover. This chance acquaintance is the first strand in a complex web entrapping Mastroianni in a dreamlike world of flashbacks, flashforwards and false visions. The girl, suspecting that her lover is staying at a nearby hotel, asks Mastroianni to deliver a note to the errant swain. He agrees--then destroys the note, setting the plot in motion. Updated from a 19th century story by Dostoyevsky, White Nights (Le Notti Bianche) was later refilmed by Robert Bresson as Four Nights of a Dreamer. ~ Hal Erickson, All Movie Guide