Brenda Cowling Movies

The British sitcom You Rang, M'Lord was a wicked lampoon of the popular drama series Upstairs, Downstairs. The pilot episode, telecast December 29, 1988, endeavored to explain the curious relationship between the upper-crust Meldrum family and their rather disreputable servants. It seemed that during WWI, a pair of larcenous "Tommies," Alf (Paul Shane) and James (Jeffrey Holland), attempted to steal the valuables from a "dead" officer. As it turned out, the corpse was very much alive -- and better still, he was the Hon. Teddy Meldrum (Michael Knowles), brother of fabulously wealthy Lord George Meldrum (Donald Hewlett). Laboring under the misapprehension that James was trying to save his life, Teddy rewarded the man with a job for life as a servant in the Meldrum household. Several years later, who should resurface but James' old chum Alf. Promising to keep secret the truth about the "rescue" in exchange for certain favors, Alf was installed as the Meldrum's butler at the behest of the disgruntled James. Later on, Alf's daughter Ivy (Su Pollard) was hired as a maid, though she kept mum about her family ties with Alf. Lasting 50 episodes, You Rang, M'Lord was seen from January 14, 1990 to April 24, 1993. ~ Hal Erickson, All Movie Guide

This (13th) time around, "007" receives the usual call to come and visit "Mother" when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby's. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare. ~ Eleanor Mannikka, All Movie Guide

Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, All Movie Guide

An innocent country farmer experiences a number of improbable misadventures that culminate in a battle against the titular beast in this broadly comic fantasy. The first solo outing of director Terry Gilliam, who served as animator and co-director on Monty Python and the Holy Grail, returns to the medieval setting that had previously served him so well, and brings along fellow Pythonite Michael Palin for the ride as reluctant hero Dennis Cooper. Cooper's journey to defeat the fearsome Jabberwock is filled with a similar combination of traditional fairy-tale narrative and irreverent humor, which at times aims to be even raunchier than classic Python fare. But while the film is too awkward and repetitive to succeed, it does boast impressively grungy medieval sets and costumes, and flashes of the visual brilliance that would characterize Gilliam's more mature works. ~ Judd Blaise, All Movie Guide

This historical drama is an account of the early life of Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and culminating with his first election to Parliament. ~ Linda Rasmussen, All Movie Guide