N.A. Bronsten Movies

Valley of Eagles is set in northern Scandinavia, on the border between Sweden and Lapland. John McCallum stars as Swedish scientist Nils Ahlen, whose research data has been swiped by his assistant Nystrom (Anthony Dawson). Making things worse is the fact that Nystrom was aided in his perfidy by Ahlen's treacherous wife Helga (Mary Laura Wood). As he murderously pursues the thieves into the snowy wastes, Ahlen's trail is dogged by a police inspector (Jack Warner), who is sympathetic with the scientist but believes that the fugitives should be brought back alive. Nadia Gray co-stars as a pretty Laplander who offers aid and comfort to the embittered scientist. ~ Hal Erickson, All Movie Guide

Roland Pertwee and his son Michael Pertwee penned the stage play The Paragon, and then Michael adapted the play for film. Curiously, the central characters in the story are father and son: a baronet, and his deceased war-hero offspring. The grief-stricken baronet builds a memorial to his son's honor--whereupon sonny boy turns up very much alive, and very much of a jerk. The drama (or rather, melodrama), arises from the father's efforts to preserve the honor of the family name. This is another of director Lance Comfort's compact, compelling film noir-ish programmers of the 1940s. ~ Hal Erickson, All Movie Guide

On the outs in Hollywood due to the blacklist, director Edward Dmytryk briefly operated in England in the late 1940s. Though filmed in its entirety in London, Dmytryk's Give Us This Day is set in New York during the depression. Fellow blacklistee Sam Wanamaker is starred as the head of an Italian immigrant family struggling to survive the economic crisis. Perhaps had it been made in Hollywood as intended, Give Us This Day would not have been allowed to run on for 120 minutes, nor would the actors have been permitted to indulge in terminal sanctimony. Based on Pietro di Donato's novel Christ in Concrete, Give Us This Day was released in the US under the intriguing title Salt to the Devil. ~ Hal Erickson, All Movie Guide

Clem Morgan (Trevor Howard), an embittered ex-RAF pilot, mistakenly believes the life of crime is for him in this exceptionally dark British film noir, directed by Alberto Cavalcanti. He joins a gang of black marketeers led by the aptly named Narcey (short for Narcissus) (Griffith Jones), an egotistical and sadistic thug. The two develop an almost immediate mutual dislike, leading Narcey to frame Morgan for killing a policeman. While serving the resulting 15-year sentence, Morgan is visited by Narcey's sometime girlfriend Sally (Sally Gray), who tells him that the thug has taken up with the prisoner's fiancée, and that a witness to the frame might come forward. This triggers an even more bitter Morgan to escape and return to London to try to clear and avenge himself. Many postwar American films noirs dealt with alienated but law-abiding veterans, some of them framed for crimes they did not commit, e.g. Alan Ladd's Johnny Morrison in The Blue Dahlia. This British effort goes a noteworthy step further by placing the protagonist in the criminal underworld. Its downbeat ending is consistent with its unrelenting cynicism. ~ Steve Press, All Movie Guide