John Box Movies

The fourth screen adaptation of Anna Sewell's classic novel is, in some ways, the most faithful and accomplished. Screenwriter and director Caroline Thompson recounts the life of Black Beauty, an aging, handsome stallion living in Victorian England. The film is narrated by Alan Cumming as the voice of Black Beauty, who spends a happy childhood on a rambling country estate before being ravaged by illness and surviving a horrible stable fire. However, the worst is yet to come as Black Beauty's new owners subject him to life as a horse for rent and, later, as a taxi puller in working-class London, before he can retire in peace. The original novel was written to draw attention to the cruel treatment of animals in 1877 England, and the issue's continued relevance today adds poignancy and gravity to this affecting tale. The film is episodic, as was the book, and the topic is handled with sensitivity and care. ~ Don Kaye, Rovi

The Keep is an ambitious visual feast from director Michael Mann, whose previous effort was the moody, stylish Thief, and who would soon produce the quintessential pastel-colored '80s TV series Miami Vice. Adapted from the novel by F. Paul Wilson and set in German-occupied Romania of 1943, the film introduces the invaders to the dark presence lurking within the walls of an ancient fortress in the Carpathian Alps -- a presence which doesn't take well to unwanted guests. When soldiers under the command of Captain Woermann (Jurgen Prochnow) begin to die horribly, he receives the unwanted assistance of Nazi Major Kampffer (Gabriel Byrne), who immediately assumes command and forcibly enlists the aid of the local expert on ancient languages, the Jewish Doctor Theodore Cuza (Ian McKellen), in the translation of the cryptic writings left near a murdered soldier's body. When Cuza comes face-to-face with the Keep's ancient resident -- an ethereal creature which gains strength by draining the life-force from its enemies -- he forms a pact with the creature in the hope that it will escape and destroy Hitler's armies. When a mysterious stranger (Scott Glenn) arrives at the nearby village and befriends Cuza's daughter Eva (Alberta Watson), he reveals the true nature of the beast within the Keep, as well as his intent to destroy it before Cuza can release it -- a task which, if failed, will spell doom for all mankind. The film's fever-dream-logic casts a hypnotic spell -- ably assisted by Tangerine Dream's pulsating, ethereal music (including electronic variations on a theme by Thomas Tallis) -- with a story that seems to play by the Keep's own eerie supernatural rules. ~ Cavett Binion, Rovi

In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen through the ranks to become a legendary veteran of the sport. When the corporate backers of Rollerball begin to fear that Jonathan's popularity has instilled him with a potentially dangerous amount of power, a thunderous struggle between man's free will and the oppression of the masses threatens to shatter the fragile strings that the puppet masters use to manipulate mankind. His determination to remain with the sport flying in the face of the very reason Rollerball was conceived, the corporate rulers hatch a plot to abandon the rules in hopes that Jonathan will be killed and their grip of power will remain an unyielding chokehold on an increasingly bloodthirsty populace. ~ Jason Buchanan, Rovi

In the lively comedy/adventure Travels with My Aunt, adapted from Graham Green's book, Henry (Alec McCowan), a timid, bookish accountant whose life seems to have died stillborn, discovers how to live with gusto thanks to the rough ministrations of his thoroughly eccentric aunt Augusta (Maggie Smith). Aunt Augusta bursts into Henry's life during the funeral for his mother, Augusta's sister. She whisks him to her apartment for a general cheering up, and he is thoroughly bemused by her bohemian ways and her much-younger black Caribbean boyfriend. In the next few hours, she manages to pry him from his dusty life and involve him in a series of incredible adventures involving old love affairs, espionage, kidnappings, and more money than he has ever dreamt of. Before the story ends, Henry has properly gotten into the spirit of his madcap aunt's adventuring. ~ Clarke Fountain, Rovi

In this Cold War espionage-thriller, adapted from the novel of John Le Carre, two veteran British intelligence operatives, Leclerc (Ralph Richardson) and Haldane (Paul Rogers), recruit a young Polish defector (Christopher Jones) to check on some missiles in East Germany. Avery (Anthony Hopkins) is the British agent assigned to help him to cross the East German border. Once behind the Iron Curtain, the recruit meets a sympathetic German girl (Pia Degermark) who tries to help him to evade the East German secret police and to complete his assignment. ~ Yuri German, Rovi

In this sexy comedy an affianced woman decides to sow one last wild oat before becoming a devoted wife. She therefore dresses up in a slinky black number and goes to her company Christmas party. The shapely lass impresses both her boss and a sales manager for the cosmetic company. The manager then sends her a new dress and she goes to his hotel room to have a little lunch. When he makes a pass, she flees and returns to the party and spikes the punch. When her fiance shows up, they all kick him out. Soon the drunken party-goers begin cozying up to one another. The girl realizes she has gone too far and sets off the company sprinkler system to sober them up. Things are suitably dampened and the partiers begin getting rather glum until they hear that one of the employee's wives has given birth. Later, the troublemaker makes nice with her fiance and they leave. ~ Sandra Brennan, Rovi

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, Rovi

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, Rovi

William Holden stars as an American artist who becomes involved with the sordid underworld of prostitution in Hong Kong in The World of Suzie Wong, based on Paul Osborn's Broadway adaptation of the novel by Richard Mason. Holden is American architect Robert Lomax, who travels to Hong Kong to paint. He meets Suzie Wong (Nancy Kwan), an attractive woman who passes herself off as a high-society heiress. It is with great surprise that Robert spots her in a Hong Kong dive entertaining a bunch of sailors. It turns out that Suzie is a prostitute and Robert has observed her plying her trade. Suzie proposes that Robert put her up as a kept woman, but Robert will hear nothing of it, preferring to use her as a model for his paintings instead. Suzie then becomes involved with playboy Ben Marlowe (Michael Wilding), while Robert meets Kay O'Neill (Sylvia Syms), a British banker's daughter, who helps Robert to sell his paintings. But Ben breaks off his relationship with Suzie and Kay, uncomfortable with Suzie the prostitute posing for Ben, leaves him. Abandoned by their lovers and thrown together, the two become involved, with tragic consequences. ~ Paul Brenner, Rovi

Alan Burgess' novel The Small Woman was the source for the British/American co-production Inn of the Sixth Happiness. Set in the China of the 1930s, the film stars Ingrid Bergman as real-life missionary Gladys Aylward. Against the advice of practically everyone, Gladys heads into the war-ravaged interior to spread the Christian gospel. She finds a powerful ally in the form of an elderly Mandarin (Robert Donat) who, despite his early efforts to rid himself of the troublesome Gladys, eventually converts to Christianity. Gladys' burgeoning romance with Chinese army officer Lin Nan (Curt Jurgens) is interrupted when she is obliged to guide a group of Chinese children to safety over some of the most treacherous of Northern China's mountain regions. Inn of the Sixth Happiness retains its entertainment value some four decades after its production, even allowing for the preponderance of Occidental actors in Oriental roles. The film also served to breathe new life into the old children's nonsense song "This Old Man" (aka "Knick, Knack, Paddywhack"). ~ Hal Erickson, Rovi

In this drama, the commanding officer of a British Royal Air Force flight training school must deal with an ornery, irresponsible cadet. The lad reminds the officer of himself when he was young. It also reminds him that his own youthful arrogance and foolishness caused the death of the new recruit's father. The young man only settles down when the C.O. saves him during maneuvers. The boy is injured during the flight which gives him serious pause for thought. ~ Sandra Brennan, Rovi

In this desert adventure, a bandit chieftain roams the northwest deserts of India. Wherever he goes, he leaves a trail of ruin and raped women. A British major is assigned to capture the bandit and his gang. He succeeds, but soon the bandit, with the assistance of a sadistic nomad, escapes. The raiders then head for a British garrison where more bloodshed ensues as they begin slaughtering the hapless soldiers. The nomad captures the colonel and begins torturing him. The bandit, who has grown to respect his British adversary, sacrifices his own life to stop him. ~ Sandra Brennan, Rovi