Pierre Bost Movies

French stage actor Louis Ducreux makes his film debut as a 76-year-old traditionalist painter, Monsieur Ladmiral, in this bittersweet portrait of a brooding artist. A widower, Ladmiral lives on an estate in the countryside near Paris with only his housekeeper, Mercedes (Monique Chaumette), and his paintings to keep him company. The action of the film takes place on a bright autumn Sunday in the early 1900s when Ladmiral's son, Gonzague (Michel Aumont), and Gonzague's wife, Marie-Therèse (Geneviève Mnich), come out from Paris with their three children to visit the old man. While making small talk with Gonzague, Ladmiral hints ever so subtly that his son has become too bourgeois, too conformist, too accepting of the status quo. Apparently, Ladmiral doesn't want his son to face what he is facing: self-recrimination for failing to take risks, failing to go beyond the bounds of tradition. Outdoors, the couple's two boys are only too eager to risk and dare. At one moment, they try to set fire to an insect and, failing, have the audacity to ask for a magnifying glass to do the job. Their father, Gonzague, disapproves, of course, but Ladmiral pronounces his blessing on the project, and he authorizes them to use his glass. No doubt, the old man hopes they survive childhood with their gumption and gall intact -- like Irène. Irène is Ladmiral's other child -- a vivacious, free-spirited beauty who speaks her mind and follows her whims. She is everything that Gonzague is not. Later, she drives her Papa to a dancehall. There, he tells her about his ruminations -- that maybe he should have experimented with impressionism. After examining his current project, he considers whether to make a decision, one that may change nothing -- or perhaps everything. ~ Mike Cummings, All Movie Guide

French film critic Bertrand Tavernier made his directorial debut in The Clockmaker. The title character, played by Tavernier's "alter ego" Philipe Noiret, is benumbed by the nihilistic activities of his son Sylvain Rougerie. Arrested on charges ranging from arson to murder, Rougerie offers the standard-issue explanation: the establishment is full of pigs who deserve to be "offed". Noiret must ask himself if his son's behavior is the result of stifling under the bourgeois lifestyle that Noiret has always championed. The Clockmaker is based on the Georges Simenon story L'Horlonger de Saint-Paul, which was also the French title of this film. ~ Hal Erickson, All Movie Guide

In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide

In this drama, two total strangers suspect each other of murdering their own wives. The trouble begins when an unhappily married architect becomes obsessed with a murder trial in which a husband allegedly murdered his wife. The architect begins collecting newspaper clippings. Although the charges against the accused are dropped, the architect is convinced that the man is guilty. He even visits the husband. After talking to him, the architect is more sure than he was before. The architect gets into trouble after his own wife's body is discovered in a ravine. The other husband, believing the architect did it, begins blackmailing him. Later the cops find the architect's collection of clippings. The husband, now convinced that the architect is out to destroy him, murders the architect. ~ Sandra Brennan, All Movie Guide

That fair city on the West Coast of America has almost nothing to do with this one-dimensional, undistinguished tale of a sexually evocative fifteen-year-old girl (Daniele Gaubert) and the man she wants to seduce. The man is a young lothario in her neighborhood, and she is shown doing her best to attract and keep his attention. She also spends illicit time peeking at a man in a shower and generally misbehaving for a teen her age. The father of the womanizing lothario once took off to race in the regattas in San Francisco and never returned, providing only a title but no added substance to the film. ~ Eleanor Mannikka, All Movie Guide

In this French drama a horse dealer is quite surprised when one of his mares foals a green colt. The verdant critter brings his family fame and fortune. When the mare dies, her picture is hung in a prominent place in the house. It is not long after her death, that the dealer dies, leaving his land to his two sons. Things are well until a jealous neighbor turns them in to the Prussians. When the boy's mother gives herself to a Prussian officer to save her son, she does not realize that her son and his friends are under the bed. The lad swears to have revenge on the traitorous neighbor, and indeed he does. Fifteen years later, the boy seduces his neighbor's daughter. Unfortunately his brother, not knowing of his mother's disgrace, nominates the wicked neighbor for mayor. The vengeful brother is even more enraged when he discovers that the neighbor's family has known about the betrayal all along. To add insult to injury, his daughter has fallen in love with the neighbor's son! Unable to bear it any longer, the brother forces the neighbor's son under his bed and makes him listen to the love-making between the brother and the boy's mother (who willingly sacrifices her honor for him.) ~ Sandra Brennan, All Movie Guide

En Cas de Malheur, literally "in case of accident," is better known by its American title, Love is My Profession. By any name, this Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defense attorney Andre (Jean Gabin). Though Andre is able to shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous-and deadly-side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines. ~ Hal Erickson, All Movie Guide

The French/Italian Four Bags Full stars Jean Gabin as an aging artist, ever on the prowl for excitement. The time is World War II, and the place is occupied France. Timorous cab driver Gabin finagles Bourvil into transporting four suitcases full of precious pork through Paris, under the noses of the Nazi officials. While the film is not technically a comedy, there are several nervously amusing moments as the mismatched Gabin and Bourvil wend their way across the City of Light. Adapted from a novel by Marcel Ayme, Four Bags Full was originally released as La Traversee de Paris. ~ Hal Erickson, All Movie Guide

This film is comprised of three vignettes focusing upon women and war. The first episode, set in WW II, chronicles the sad journey of an American woman who goes to Italy to bring her husband's body home. In Italy she makes a heart-wrenching discovery: he had been living with an Italian family and had impregnated their daughter and sees the child. The second story chronicles the abandonment of Joan of Arc, by her king and her soldiers. The third episode is a humorous adaptation of "Lysistrata," the Greek play where Athenian wives refused to sleep with their husbands until they stopped making war. ~ Sandra Brennan, All Movie Guide

Stendhal's brilliant but difficult novel Le Rouge et le Noir all but defies transfer to film, but adaptor/director Claude Autant-Lara comes within shouting distance of full success. Stripped to essentials, the plot concerns Julien Sorel (Gerard Philipe), a carpenter's son who becomes a tutor. While his duties do not include the seduction of his employer's wife (Danielle Darrieux), Sorel offers this service free of charge. After this episode, Sorel becomes a priest...and the story isn't over yet. Though the director is too doggedly literal in his adaptation at times, and despite the fact that Gerard Philipe was about ten years too old for the part of Jean Sorel, Le Rouge et le Noir manages to hold the audience in its thrall for 2 hours and 50 minutes (most American prints, retitled The Red and the Black, run only 140 minutes). ~ Hal Erickson, All Movie Guide

One of the first films to see the horrors of war through the eyes of children, Forbidden Games was a critical smash, winning prizes from the New York Film Critics, the British Academy, and the Venice Film Festival. Adapted by Francois Boyer, director Rene Clement, and two others from Boyer's novel, the story focuses on Paulette (Brigitte Fossey), a five-year-old refugee from Paris taken in by a peasant family after her parents are killed during a bombardment of a civilian convoy. Michel Dolle (Georges Pujouly), the family's 11-year-old son, becomes her best friend, and they create a cemetery in which Paulette's dog is interred, along with other animals and insects, some of whom the children kill themselves. The Dolle family is too busy feuding with the Gouards, their neighbors, to notice the absence of the children. Eventually, authorities locate Paulette and insist that she be placed in an orphanage for legal adoption. Unsentimental and yet heartbreaking, Forbidden Games demonstrates the strategies of children who witness war to deal with the constant presence of death. It's also a bitter condemnation of the selfishness of adults who could offer their charges more love and protection. ~ Tom Wiener, All Movie Guide

This French comedy was released variously in the U.S. as Look After Amelie and Oh, Amelia. The eponymous heroine, played by Danielle Darrieux, is the potential bride of playboy Marcel (Jean Dessally). He wants to marry her to land an inheritance. Marcel's plans are blown to bits when Amelie falls in love with a dashing prince (Aslan). These and all other plot convolutions are based on a 19th-century stage farce: indeed, Amelie, Marcel et. al. are presented as actors appearing in a production of that play. As the plot rolls merrily along, director Autant-Lara contrives to have members of the audiences climb on stage and participate in the action, resulting in a finale that wasn't in the script. Coming right after Autant-Lara's grim romantic melodrama Le Diable au Corps, Occupe-Toi D'Amelie was apparently the director's own method of letting his hair down. The film represented the return to the screen of Danielle Darrieux, who'd only recently exonerated herself from a charge of collaborating with the Nazis during the Occupation. ~ Hal Erickson, All Movie Guide