Ashley Cowan Movies

This colorful remake of the 1935 version again concerns the crew and treatment of the HMS Bounty by a cold hearted sadistic captain. Captain Bligh (Trevor Howard) boards the ship in Portsmouth, England, to embark on a mission to bring tropical breadfruit trees to Jamaica. Fletcher Christian (Marlon Brando) is the aristocratic second mate who welcomes the new captain aboard. Christian's view of the captain sours with the cruel treatment of the crew and the dangerous decision to round Cape Horn. The Bounty sails into the teeth of a ferocious winter storm which is another in a long line of indignities suffered on the journey. John Mills (Richard Harris) is punished for stealing cheese. A sailor is ordered to stay aloft in the crow's nest, nearly resulting in death. The crew finds temporary paradise in Tahiti before Bligh's behavior becomes intolerable for the once faithful Christian. The crew revolts and sends the captain on his way in a small rowboat. Settling on Pitcairn Island, the crew soon realizes they may never see England again. Mills burns the ship to insure the trip is never made. Christian attempts to save the only means of transportation of their new island home. Lewis Milestone directed the film which was plagued by constant cost overruns to the tune of 18 million dollars. Brando's legendary ego clashed with results as turbulent as the fictitious trip around stormy Cape Horn. The movie retained slightly over half the cost of the production price tag in its initial release. ~ Dan Pavlides, All Movie Guide

This is the very last entry in the long-running Bowery Boys saga. This time the gang gets involved with English diamond smugglers after they are hired to safely escort a valuable poodle on a Transatlantic voyage. ~ Sandra Brennan, All Movie Guide

Though several concessions to the censors and the box-office were made in adapting Irwin Shaw's bestseller The Young Lions to the screen, the end result is generally effective and satisfying. Set during World War 2, the film concentrates on three individuals, one German, two American. Marlon Brando plays an idealistic German whose early fascination with Nazism leads to doubt and disillusionment. American entertainer Dean Martin, on the verge of the Big Time, does his best to dodge the draft but ends up in uniform all the same. And American Jew Montgomery Clift, so sensitive that he's practically breakable, must come to grips with anti-Semitism, not only from the Germans but also from his fellow soldiers. Romance enters the picture in the form of Hope Lange as Clift's gentile girlfrind, Barbara Rush as the socialite who shames Martin into joining up, and May Britt as Brando's vis-a-vis. Screenwriter Edward Anhalt was obliged to shoehorn in a boot-camp sequence indicating that the Brass disapproved of the bigoted behavior of Clift's topkick Lee van Cleef (as if racism was a mere aberration during the 1940s), and to "slightly" alter the ending of the book, in which the embittered but still patriotic Brando character, shouting "Welcome to Germany!," machine-guns the Martin and Clift characters (in the film, it is Brando who bites the dust, symbolically dying for Hitler's sins). Maximillian Schell offers a starmaking turn as Brando's cynical comrade, while an uncredited John Banner, "Sergeant Schultz" on Hogan's Heroes, shows up as a pompous burgomeister who feigns ignorance of the hellish concentration camp in his community. ~ Hal Erickson, All Movie Guide

Van Johnson portrays a blind American writer living in London. Blessed with an acute hearing sense, Johnson overhears a kidnapping plot but neither his friends nor the authorities believe him, chalking up his story as the product of a writer's imagination. Disgruntled, Johnson vows to scuttle the kidnapping himself -- with the assistant of his fiancée Vera Miles. Despite his handicap, Johnson puts the pieces together using sounds as evidence and guidance. Ultimately Johnson finds his life in danger when he corners the criminal in a dark alley. 23 Paces to Baker Street was one of several ''50s 20th Century-Fox films shot on location in London to take advantage of Fox's "frozen funds" -- money earned by the studio in England which by law could only be spent in that country. ~ Hal Erickson, All Movie Guide

Having previously portrayed England's Queen Elizabeth I in 1939's The Private Lives of Elizabeth and Essex, Bette Davis reprises the role in the Technicolor-and-Cinescope costumer The Virgin Queen. Harry Brown and Mindret Lord's screenplay proposes that Elizabeth's relationship with adventurer Sir Walter Raleigh (Richard Todd) was somewhat more than cordial. Raleigh is depicted as a charming opportunist, who deliberate leads the Queen on in order to further his chances of heading an expedition to the New World. Complications ensue when Sir Walter falls in love with lady-in-waiting Beth Throgmorton (Joan Collins). Not to be believed for a single moment, The Virgin Queen works well on a swashbuckler level, with Davis outacting everyone in sight-even such veteran scene-stealers as Herbert Marshall, Dan O'Herlihy, and Jay "Caligula" Robinson. ~ Hal Erickson, All Movie Guide

The highly variable Audie Murphy delivers his best screen performance as "himself" in Universal's To Hell and Back. Based on the star's autobiography, this is the story of how Murphy became America's most-decorated soldier during WW II. After dwelling a bit on Murphy's hard-scrabble Texas upbringing, the story moves ahead to 1942, when, at 18, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and ultimately Germany and Austria. One by one, the members of Murphy's Company B are killed in the war, until only three men from the original company are left (the others appear at the finale as ghostly images, a standard visual cliché of 1950s war films). The bulk of the film is given over to Murphy's conspicuous acts of combat bravery, and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual. ~ Hal Erickson, All Movie Guide

The infamous Benedict Arnold affair is the basis of the lively MGM costumer The Scarlet Coat. Arnold is played with suitably subtle menace by Robert Douglas, while his principal co-conspirator, Major John Andre, is essayed by Michael Wilding. The largely speculative storyline concerns the efforts of one Major John Boulton (Cornel Wilde), a colonial counterspy, to foil Arnold's plans. Thanks to some deft scriptwriting, the much-abused Major Andre emerges as the most sympathetic character in the film, if only because he is willing to face the consequences for his actions. Less sympathetic is George Sanders in another of his patented "cad" roles, while Anne Francis is the spunky (if unnecessary) heroine. ~ Hal Erickson, All Movie Guide

The 1912 sinking of the luxury liner Titanic is used as a backdrop for a several fictional subplots, chief of which involves snooty socialite Clifton Webb and his wife Barbara Stanwyck. Stanwyck has booked passage on the ill-fated passenger ship with her daughter (Audrey Dalton) and son (Harper Carter), leaving Webb far behind. Webb manages to board the ship at the last minute, and discovers that Stanwyck plans to divorce him; she further informs him that he is not the father of their son. When the Titanic sideswipes an iceberg and begins its slow descent in the Atlantic, the women and children are put on the lifeboats while the men stay behind to face death (except for cowardly cardsharp Allyn Joslyn, who disguises himself as a woman). The formerly class-conscious Webb acts with conspicuous bravery, seeing to it that several steerage passengers are ushered to safety. He is reunited with his son, who has given up his lifeboat seat to an elderly woman. All misunderstandings swept aside, Webb and his son face their final moments on earth together. In the film's best moment, a miniature recreation of the Titanic is seen sinking beneath the waves as the survivors watch from their lifeboats in numb horror. ~ Hal Erickson, All Movie Guide

A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

"A woman loses her mind and is confined to a mental institution." That's the usual TV-listing encapsulation of The Snake Pit -- and like most such encapsulations, it only scratches the film's surface. Olivia de Havilland stars as an outwardly normal young woman, married to loyal, kindly Mark Stevens. As de Havilland's behavior becomes more and more erratic, however, Stevens comes to the sad conclusion that she needs professional help. She is sent to an overcrowded state hospital for treatment -- a curious set-up, in that, while de Havilland is treated with compassion by soft-spoken psychiatrist Leo Genn, she is sorely abused by resentful matrons and profoundly disturbed patients. Throughout the film, she is threatened with being clapped into "the snake pit" -- an open room where the most severe cases are permitted to roam about and jabber incoherently -- if she doesn't realign her thinking. In retrospect, it seems that de Havilland's biggest "crime" is that she wants to do her own thinking, and that she isn't satisfied with merely being a loving wife. While this subtext may not have been intentional, it's worth noting that de Havilland escapes permanent confinement only when she agrees to march to everyone else's beat. Amazingly, Olivia de Havilland didn't win an Academy Award for her harrowing performance in The Snake Pit (the only Oscar won by the film was for sound recording). While some of the psychological verbiage in this adaptation of Mary Jane Ward's autobiographical novel seems antiquated and overly simplistic today, The Snake Pit was rightly hosannahed as a breakthrough film in 1948. ~ Hal Erickson, All Movie Guide

Carlotta Duval (Vera Ralston) is willing to help her boyfriend George McAllister (John Carroll) get his hands on his ailing brother Barry's (Robert Paige) fortune. She is willing to marry Barry, knowing full well that he has only been given a few months to live. And when she deviates from the scheme by falling in love with Barry, she is willing to nurse her husband back to health, despite what George has to say about it. But is George willing to prevent slimy blackmailer Ernie Hicks (Broderick Crawford) from destroying Carlotta and Barry's newfound happiness? In terms of both budget and histrionic level, The Flame is one of the most lavish of Republic Pictures' late-1940s productions. ~ Hal Erickson, All Movie Guide

Filmed (in 16 mm) at Big Bear Lake, CA, and directed by stuntmen Richard Talmadge and Harvey Parry, this minor comedy-drama featured hayseed second banana Britt Wood and newcomer John Day (aka John Daheim) as a couple of travelers stranded at a mountain resort. After rescuing a group of girls from a runaway carriage, Steve (Day) and Speedy (Wood) are hired as drivers by Tom Barton (Edward Kane), the owner of the Grey Mountain Lodge. The place, however, is soon overrun by a gang of payroll robbers, the leader of whom, Gerald (Eddie Parker), is Tom's nephew. The police are called when a necklace is reported stolen during a party and Officer Kelsey (Fred Kelsey) suspects Tom to be the culprit. The real thief, of course, is Gerald, who attempts to flee in the gang's airplane. Happily, Steve and Speedy are in hot pursuit in the lodge's food delivery truck and the gang is rounded up. Detour to Danger was the third and final of three low-budget films produced by Jack Seaman and Richard Talmadge and released on states' rights. ~ Hans J. Wollstein, All Movie Guide