Inez Courtney Movies

The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. Budapest gift-shop clerk Alfred Kralik (James Stewart) and newly hired shopgirl Klara Novak (Margaret Sullavan) hate each other almost at first sight. Kralik would prefer the company of the woman with whom he is corresponding by mail but has never met. Novak likewise carries a torch for her male pen pal, whom she also has never laid eyes on. It doesn't take a PhD degree to figure out that Kralik and Novak have been writing letters to each other. The film's many subplots are carried by Frank Morgan as the kindhearted shopkeeper and by Joseph Schildkraut as a backstabbing employee whose comeuppance is sure to result in spontaneous applause from the audience. Directed with comic delicacy by Ernst Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me. ~ Hal Erickson, All Movie Guide

One of several "naughty" screwball comedies based on the works of Thorne Smith (of Topper fame), Hal Roach's Turnabout stars Carole Landis and John Hubbard as unhappily married couple Sally and Tim Willows. Bored with her humdrum existence, Sally spends most of her time figuring out ways of spending her husband's money, while hard-working Tim plots and plans to "step out" on the Missus in the company of his business associates Manning (Adolphe Menjou) and Clare (William Gargan). All of this changes when an effigy representing an Oriental deity comes to life and exchanges Sally and Tim's personalities. As a result, Sally awakens with a deep voice and dons Tim's business suit, while Tim speaks in a falsetto and favors Sally's frilly frocks. The complications ensuing from this role-reversal are much better seen than described, while the film's hilarious denouement was tipped by United Artists' ad campaign, which heralded that "The man's had a baby instead of the lady." Though not nearly as risque as it seemed to be back in 1940, Turnabout is full of wonderful vignettes, including a priceless bit involving veteran screen "pansy" Franklin Pangborn. ~ Hal Erickson, All Movie Guide

G-Man Bill Collins (Preston Foster) swings into action when a crooked sweepstakes racket begins insinuating itself upon the honest citizenry of the US. The crooks have flooded the market with counterfeit lottery tickets, reducing many an unwary speculator to poverty. When he's not tracking down the miscreants, Collins finds time to romance Linda Parker (Irene Harvey), who is innocently involved in the bogus ticket operation. The whole thing winds up in an exciting car chase, which later showed up via stock footage in several Universal serials. Missing Evidence was scripted by Dorrell and Stuart McGowan, later the prime movers of TV's Death Valley Days. ~ Hal Erickson, All Movie Guide

A master blend of high comedy and tense emotional drama, A Letter of Introduction reteams Adolphe Menjou, Andrea Leeds, and Edgar Bergen & Charlie McCarthy, who'd previously costarred in the negligible Goldwyn Follies. Menjou plays John Mannering, a Barrymoresque actor who years earlier had divorced his wife and severed his relationship with his daughter Kay (Andrea Leeds). Now a grown woman, Kay aspires to an acting career, fully determined to make it on her own without her father's help. She goes so far as to change her last name to Martin, and to keep her actual relationship to Mannering a secret from the public. This set-up leads to a dizzying series of complications, including the breakup of Mannering's romance with a tootsie named Lydia Hoyt (Anne Sheridan), who falsely assumes that Kay is Mannering's mistress, and Kay's own romantic travails with vaudeville hoofer Barry Paige (George Murphy). Meanwhile, Kay's ventriloquist friend Bergen and his dummy McCarthy rise to superstardom on radio. It is, in fact, Bergen and Charlie who are instrumental in reuniting the estranged Mannering and Kay, paving the way for the film's tear-stained conclusion. Unavailable for many years, A Letter of Introduction re-emerged on the Public Domain circuit in 1975. ~ Hal Erickson, All Movie Guide

The financial exploitation of Canada's Dionne Quintuplets rolled ever forward with 20th Century-Fox's Five of a Kind, the third Dionne feature-length vehicle. Under the watchful eye of kindly obstetrican Dr. Dafoe (Jean Hersholt), the lovable quints, now 4 1/2 years old, play with their pets and toys, and even sing and dance. Meanwhile, reporter Christine Nelson (Claire Trevor) and radio commentator Duke Lester (Cesar Romero) battle over the exclusive rights to the Dionne girls' life story. The story ends with an experimental television broadcast, a rarity for a 1938 film. Knowing what we know now about the Dionne Quintuplets' far from happy home lives and difficult transitions to adulthood, it is hard to watch Five of a Kind objectively today. ~ Hal Erickson, All Movie Guide

Scheduled to marry a man she doesn't love (and for good reason), spoiled heiress Barbara Blanchard (Claire Trevor) runs away from her wedding and hits the road. While hitchhiking, Trevor is given a ride by Bob Reynolds (Michael Whalen), a personable young auto salesman who's been hired to deliver what was then called a "caravan car" but would now be labelled an RV. As luck and the screenwriters would have it, a fugitive jewel thief hides his stolen gems in Bob's vehicle. Our hero is arrested, causing Barbara to cease her incessant put-downs of the poor guy. In trying to spring Bob from jail, Barbara realizes that she's fallen in love with him (why didn't she just ask the audience, who knew it all along?) It's positively awe-inspiring how many runaway-heiress films were spawned by the freak success of It Happened One Night. ~ Hal Erickson, All Movie Guide

Previously filmed in 1921 with Wallace Reid, Booth Tarkington's stage comedy Clarence proved a worthwhile screen vehicle for Roscoe Karns. The title character is a resourceful young man who knows a whole little about a whole lot of things, and who concentrates by playing his saxophone. Clarence ingratiates himself with the wealthy and eccentric Wheeler family, though daughter Cora can't stand the boy. Ultimately, of course, she realizes that the feckless but likeable Clarence would be a far better catch than her fortune-hunting fiance Tobins (Theodore Von Eltz). As the flustered patriarch of the zany Wheeler clan, Eugene Pallette offers a virtual reprise of his role in My Man Godfrey. ~ Hal Erickson, All Movie Guide

Less than a week after the press preview of his second starring feature Man in Blue, Robert Wilcox was seen on-screen in his first starrer, Armored Car. Wilcox plays detective Larry Willis, who goes undercover as an armored-car guard. Larry deliberate messes up his job so that he'll be fired, thereby convincing a gang of hijackers that he's desperate enough to join them. Our hero works his way into the confidence of "intellectual" head crook Walinsky (Irving Pichel), much to the displeasure of the boss' distrustful henchman Petack (Cesar Romero). Things get hairy when the hoods threaten the life of heroine Ella (Judith Barrett), forcing Larry to blow his cover. ~ Hal Erickson, All Movie Guide

Framed in a flashback related by doctor Thomas Mitchell, The Hurricane is in essence the story of a struggle between individual freedom and colonial oppression. Jon Hall plays Terangi, a tempestuous native of the French-controlled island of Manakoora. After marrying childhood sweetheart Marama (Dorothy Lamour, saronged as usual), Terangi takes a job on a ship. While docked in Tahiti, Teragni is goaded into a fight by a white man-an offense punishable by a stiff prison term. French governor DeLaage (Raymond Massey) has nothing personal against the native, but he is dedicated to upholding the strict letter of the law. Even the appeals made on behalf of Terangi by doctor Mitchell, priest C. Aubrey Smith, ship's captain Jerome Cowan and the governor's own wife (Mary Astor) fail to weaken DeLaage's resolve to do his duty. Thus begins a chain of events that entangles the freedom-loving Terangi in the impenetable web of white "justice". Time and again Terangi escapes from prison, only to be recaptured and sentenced to longer and longer terms. Finally managing to make his way back to Manakoora -- and killing a prison guard in the process -- Terangi continues to be doggedly pursued by DeLaage. Just as Terangi is about to sail off to parts unknown in an outrigger canoe with Marama and their child, the hurricane begins. At the risk of his own life, and his freedom, Terangi rescue DeLaage's wife and several other storm refugees. Largely the handiwork of art director James Basevi, the hurricane of The Hurricane was not directed by the film's official helmsman John Ford, but by an uncredited Stuart Heisler -- a fact readily acknowledged by Ford. Adapted by Dudley Nichols and Oliver H. P. Garrett from a novel by Charles Nordhoff and James Norman Hall, The Hurricane was poorly remade in 1979 with Jason Robards and Mia Farrow in the Raymond Massey and Mary Astor roles. ~ Hal Erickson, All Movie Guide

Playwright Greg Stone (Reginald Denny) spends most of his spare time at the theater where his latest effort is in rehearsals. Stone's new play is a murder mystery, but the various backstage habitues are every bit as suspicious and sinister as the characters onstage. Sure enough, life imitates art when both of the producers are murdered in a manner strikingly similar to a pair of killings in Stone's play. Naturally, this places our hero under suspicion, forcing him to turn amateur sleuth to track down the real culprit. Evelyn Brent, who like Reginald Denny was a major star in silent pictures, is featured as the victims' feisty secretary, in love with Greg Stone but averse to admitting it. ~ Hal Erickson, All Movie Guide

In this musical comedy, a woman runs a boardinghouse for washed up thespians. She puts them on their best behavior when her daughter comes for a surprise visit. It seems her daughter had no idea what her mother did for a living. When an aspiring writer asks for the daughter's hand, conflict ensues. Musical numbers include: "Love Is the Thing," "I Was Taken by Storm," "Let's Be Frivolous," and "Martinique." ~ Sandra Brennan, All Movie Guide

In this musical, a talented young boy escapes from his orphanage and joins a traveling show where he is adopted by a has-been opera star who teaches helps him develop his marvellous singing voice. When his mentor finds himself terminally ill, he takes the lad to New York to see a real opera. There the boy meets his real father. Songs include: "Let's Sing Again", "Lullaby", "Farmer in the Dell", "La Donna e Mobile", from Giuseppe Verdi's opera "Rigoletto", ~ Sandra Brennan, All Movie Guide

The title doesn't refer to mosquitoes but to the amount of money that could be earned in the radio business of the 1930s. Samuel S. Hinds plays a Major Bowes-type entrepreneur who sponsors a weekly radio amateur contest. Hinds' daughter Wendy Barrie has show-biz aspirations, but dad won't hear of it. She enters his contest under an assumed name, winning not only the prize but the heart of a the program's emcee (John Howard). Millions in the Air is one of the few feature films costarring Broadway comedian Willie Howard, whose Jewish characterization and "blue" humor made him difficult to cast in most Hollywood productions. ~ Hal Erickson, All Movie Guide