Chuck Courtney Movies

A woman is caught in the middle of a cat-and-mouse game between fugitive aliens in this sci-fi thriller. A mysterious man named Townsend (Lance Edwards) attempts to steal a gun from a police car; an altercation results, and Townsend is repeatedly shot by the cops. Medical Examiner Dori Caisson (Hilary Shepard) is performing an autopsy on Townsend's seemingly dead body when his wounds suddenly heal, and Townsend forces Caisson to help him escape. Townsend and Caisson are soon approached by Yates (Robert Forster), who attempts to kill them and sends them on a high-speed chase. The next morning, Townsend tells Caisson that he is actually a law enforcement officer from another world, and that Yates is a criminal from his planet whom he is assigned to apprehend. Townsend's ability to resist bullets and heal himself convince her that he is indeed from another world, but she's not so sure who is the good guy. Peacemaker also features Robert Davi as a cop involved with Caisson, and Bert Remsen as Doc. ~ Mark Deming, All Movie Guide

In this made-for-television drama, a former-CIA agent is called back into to service to stop a megalomaniacal scientist's killer robot from assassinating the President and other major political figures. ~ Sandra Brennan, All Movie Guide

For better or worse, The Gumball Rally was the catalyst for a short-lived cycle of "illegal cross-country race" flicks. As thick-headed cop Roscoe (Norman Burton) does his best to stop the titular rally, a vast and varied contingent of contestants prepare to burn rubber from New York to California. The best-looking of the racers is played by top-billed Michael Sarrazin; Franco, a delightfully narcissistic Italian road jockey played by Raul Julia, also competes. Producer/director Chuck Bail was formerly a stunt coordinator, which helps to explain the incessant car crashes and near-misses in the film. Surprisingly, the doggedly low-budget Gumball Rally was produced by First Artists, a company formed by such major stars as Dustin Hoffman, Barbra Streisand, and Steve McQueen for the purpose of creating "prestige" film fare. ~ Hal Erickson, All Movie Guide

Live a Little, Steal a Lot and You Can't Steal Love were both alternate titles for the fact-based crime caper Murph the Surph. In the early 1960s, a "celebrity beach bum" named Jack Murphy--aka Murph the Surph--helped mastermind the stealing of the Star of India sapphire from the American Museum of Natural History. The film concentrates on the sociopathic pre-theft activities of Murphy (played by Don Stroud) and his partner in crime Allan Kuhn (excellently impersonated by Robert Conrad). The hollowness of Murph and Kuhn's Miami Beach lifestyle is offset with their never-ending search for "kicks"--the last of which earned them both stiff prison terms. Live a Little, Steal a Lot successfully plays its material for laughs throughout, but in the end both erstwhile criminals seem more pathetic than amusing. ~ Hal Erickson, All Movie Guide

In one of John Wayne's more interesting late Westerns, "The Duke" plays Will Anderson, a crusty veteran cattleman preparing a 400-mile drive to get a herd of steers to market. Shortly before the trip is scheduled to begin, Will's crew quits when they get word of a nearby gold strike. With little time and few alternatives, Will recruits eleven boys, ages nine through 13, and teaches them the basics of herding cattle and riding the range. Bruce Dern plays a memorably foul villain and cattle rustler named Long Hair, while Roscoe Lee Browne portrays Jebediah, the cattle drive cook, and Colleen Dewhurst is Kate, a madam. ~ Mark Deming, All Movie Guide

The focus in this episode is on Robert Donner) as police informer TeeJay, a familiar if not always welcome figure at the Rampart division. Officers Reed (Kent McCord) and Malloy (Martin Milner) are somewhat surprised when TeeJay is hauled into jail, suspected of assault and robbery. Though the two cops do what they can to help him, TeeJay's past history as a drug addict works against him. John Kerr, best known for his sensitive potrayals in such films as Tea and Sympathy and South Pacific, is here cast as a neighborhood priest. ~ Hal Erickson, All Movie Guide

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide

Posing as "Ben Russell", Kimble finds refuge in the home of the Koraks, a family of Hungarian emigres. When the police put the family's apartment building under surveillance while searching for an escaped murderer, Josef Korak (Ludwig Donath) begins to worry that his past criminal record as an illegal abortionist will be revealed. To save himself, Korak plans to turn Kimble over the authorities--until the runaway murderer invades the family's flat and dramatically changes the whole scenario. ~ Hal Erickson, All Movie Guide

Roger Willoughby (Rock Hudson) is a super salesman of sporting goods who sells fishing equipment but knows nothing about the sport. Roger's boss Cadwalader (John McGiver) gets an idea from publicity director Abigail (Paula Prentiss) to enter him in a fishing contest, and the inept angler has a series of comic consequences before he wins the contest with some help from a bear. When Roger admits that his winning the event was merely luck, he turns in the prize and loses his job. Roger eventually wins Abigail's heart and gets his job back. Howard Hawks directs this slapstick comedy with his typical flair -- witty dialogue and effective sight gags included. ~ Dan Pavlides, All Movie Guide

A steamship docks in San Francisco, and as one of the passengers, Philip Dressler (Raymond Bailey), is waiting for a cab after clearing customs, a baggage handler suddenly grabs one of his cases and throws it into a taxi, which takes off. In the ensuing getaway, a police officer is killed, but not before he gets off a shot that takes the fleeing cab driver's life. What Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile G. Meyer) can't figure out is why two men are suddenly dead within a matter of seconds, all for a seemingly inexplicable baggage snatch. The truth begins to come out when an examination reveals that a small ornamental statue in Dressler's case is loaded with half a million dollars in pure heroin. Then the bodies start turning up -- beginning with a baggage handler at the docks. Guthrie and Quine uncover a plan by a drug syndicate to use innocent, unsuspecting tourists visiting the Far East as unknowing drug couriers -- and now that the original method of retrieval at the docks has unraveled, thanks to the wheelman being an addict who got himself killed, another method is improvised.

Enter a pair of hitmen from out of town, Dancer (Eli Wallach), a soft-spoken psychopath with a perfect memory and not a trace of conscience, and his philosophical mentor and "handler," Julian (Robert Keith). Taken around San Francisco by their mob-employed driver, Sandy McLain (Richard Jaeckel), a juicehead who's not quite as good a wheelman as he thinks he is, the hitmen start collecting the latest shipment of heroin from three new arrivals: a ship's crew member who knows too much for his own good, a wealthy husband and wife, and a woman and her young daughter. They calmly go about their business, Dancer and his silenced pistol taking care of any "problems" while Julian runs interference and discusses issues of grammar and speech with him, and adds to his collection of "last words" from Dancer's victims -- until the last shipment turns up missing. It seems the little girl (Cheryl Callaway) found the bag of white powder hidden on the doll her mother bought her, and used it to powder the doll's face....Now Dancer and Julian have to disrupt the planned drop to "The Man" (Vaughan Taylor) to explain the short count, and to do that they have to keep the little girl and her mother (Mary Laroche) alive, at least long enough to tell their story. Meanwhile, Guthrie and Quine keep getting closer, following the trail of bodies and putting together a description of the two killers. But can they find them before the kidnapped mother and daughter join the other victims? ~ Bruce Eder, All Movie Guide

A meteor crashes somewhere in the West, killing a miner named Cannon (Jim McCullough). The miner's son Charles (Stephen Parker) survives the ordeal, but grows into a hairy, bestial moron, given to killing sheep, cattle and stray humans. Charles is protected by his long-suffering mother Ruth (Anne Gwynne), who does her best to clean up her son's messes. When mercenary waitress Kathy (Gloria Castillo) learns of Charles' existence, she blackmails Ruth to secure her silence. Kathy also goads Charles into killing a few of her own enemies, leading him on by pretending to be in love with him (a BIG mistake!) Originally (and subsequently) titled Meteor Monster, this tacky little sci-fier was originally released on a double bill with The Brain From Planet Arous. ~ Hal Erickson, All Movie Guide

Adapted from the best-selling novel by Jessamyn West, Friendly Persuasion is set in Southern Indiana in the early days of the Civil War. Gary Cooper plays Jess Birdwell, patriarch of a Quaker family which does not believe in warfare. Birdwell's son Josh (Anthony Perkins) wishes to adhere to his family's pacifism, but is afraid that if he doesn't sign up for military service, he'll prove to be a coward. Josh joins the Home Guard, which disturbs his mother Eliza (Dorothy McGuire). But Jess Birdwell realizes that his son must follow the dictates of his own conscience. Josh proves his courage to himself when he is wounded during a Rebel raid, while the elder Birdwell is able to stay faithful to his religious calling by not killing a Southern soldier when given both a chance and a good reason to do so. Allegedly, writer Jessamyn West nearly scotched her deal with producer/director William Wyler and distributor Allied Artists when Gary Cooper, taking his fans into consideration, insisted upon including a scene in which he forsakes his pacifism and takes arms against the Rebels. If true, then wiser heads prevailed, since no such scene exists in the final release print. Though uncredited due to his status as a blacklistee, Michael Wilson wrote the screenplay for Friendly Persuasion--and even won an Oscar nomination. Also nominated was the film's chart-busting theme song, "Thee I Love" (by Dmitri Tiomkin and Paul Francis Webster). The story was remade as a 2-hour TV pilot film in 1975. ~ Hal Erickson, All Movie Guide