Tom Courtenay Movies

Screenwriter Andrew Davies' adapts Charles Dickens' tale of struggle and hardship in 1820s London. Returning to England after many years abroad, Arthur Clennam (Matthew Macfadyen) sees a sparkle in the eye of diminutive young seamstress Amy Dorrit (Claire Foy). But "Little Dorrit" works for his mother, and in digging for the truth about the mysterious girl he winds up at Marshalsea Debtors Prison. There, he discovers that the specter of debt follows the object of his affections like an oppressive shadow. ~ Jason Buchanan, Rovi

One of Charles Dickens' best-loved (and most complex) stories receives its fourth feature film adaptation in this lively historical comedy-drama. Nicholas Nickleby (Charlie Hunnam) is a 19-year-old who becomes the head of the family when his father dies unexpectedly. Keeping watch over his mother (Stella Gonet) and his sister Kate (Romola Garai) becomes an even greater challenge when Nicholas discovers that his father lost the family fortune due to ill-advised investments. Without a shilling to his name, Nicholas turns to his wealthy but unforgiving Uncle Ralph (Christopher Plummer) for help; Uncle Ralph offers to find work for all three, and Nicholas becomes a teacher at a school for unfortunate boys run by Wackford Squeers (Jim Broadbent) and his wife (Juliet Stevenson). Squeers and his wife are cruel and frequently violent toward their charges, and when Wackford, without cause, beats a weak and timid student, Smike (Jamie Bell), Nicholas decides he can take no more and runs away, with Smike in tow. The two young men fall in with a traveling theater troupe run by the genially eccentric Vincent Crummles (Nathan Lane) and his equally flamboyant spouse (Barry Humphries, aka Dame Edna Everage). In time Nicholas returns to London to check in on his sister and mother. To his horror, he learns that Uncle Ralph has promised Kate's hand to Sir Mulberry Hawk (Edward Fox), a wealthy older man with a less-than-wholesome interest in young women. Both Kate and Nicholas are upset at the prospect of this union, and Nicholas attempts to tear his family away from Uncle Ralph's control, beginning with a job working for the warm-hearted Charles Cheeryble (Timothy Spall) and his brother (Gerard Horan). Nicholas also falls in love with the fair Madeline (Anne Hathaway), but when Uncle Ralph learns of Nicholas' plot to foil Kate's impending marriage, he strikes back by kidnapping Smike and attempting to force Madeline to wed Sir Hawk. Actor, writer, and filmmaker Douglas McGrath adapted Nicholas Nickleby into a screenplay, as well as directing the picture. ~ Mark Deming, Rovi

Set during the swinging disco era in decidedly unswinging Sheffield, England, this oddball comedy is both a coming-of-age story about getting funky and a supernatural mystery. Vince (Michael Legge) is a Travolta-obsessed teenager who lives with his aspiring magician brother; his randy mom, who has a taste for young men; and his laid-back father Harold (Tom Courtenay). Vince longs for the young, vivacious Joanna Robinson (Laura Fraser), as Harold wows his family with his unnervingly accurate mind reading tricks. Later, when he makes headlines for inadvertently stopping the pacemakers of a couple of oldsters, Harold learns that he actually does have a telekinetic brain. That doesn't stop him from getting arrested, however, and soon Vince and Joanna's snotty boss (David Thewlis) is representing him in court. Meanwhile, Vince has been unable to summon the courage to ask out Joanna. While walking home one day, he is taken by a sexy young punkette who turns out to be none other than Joanna. Vince promptly dumps his disco stuff and buys a Sex Pistols album. Pete Hewitt, whose previous efforts include Bill and Ted's Bogus Journey, directed this film. ~ Jonathan Crow, Rovi

This sprightly, nostalgic and ultimately sentimental Irish drama is suitable for family viewing. It centers on an 8-year-old boy who devises an imaginative way to cope with his grief and loneliness after his father dies. Set in Dublin around 1960, the tale centers on Harry Cronin, who decides, in the face of his elder brother's neglect and his father's death that he and his dog are aliens on a special mission from Mercury. Fueled by his love of old Flash Gordon films, he constructs an elaborate scenario in which he must report on all aspects of Earthling life. Along the way, he must somehow muster his alien powers to dispatch with the school bully, whom Harry likens to Emperor Ming. Things don't get much better though and Harry gets impatient for his fellow spacemen to come and rescue him. Then he meets a wealthy young boy, who shows how wonderful family life can be. Harry's mother is naturally worried by her son's increasing emotional withdrawal, but nothing she does seems to help. Fortunately for her, weird aging biker, Uncle Tony shows up. An undisputed outsider himself, it is he who is finally able to reach Harry and help him deal with life. ~ Sandra Brennan, Rovi

The Derek Bentley Case has been an uneasy blight on the British legal system since the early 1950s. Two young, frightened boys were caught by police trying to break into to a building. One of the boys had a gun. When the policeman reached out to the youth to turn over the gun, his friend shouted "Let him have it," and the policeman was killed by a gun blast. Whether the boy understood "Let him have it" to mean he should turn over the gun or to kill the police officer has been debated ever since. But the result was the 19-year-old boy was executed for the crime -- only to be posthumously exonerated in 1953. In this dark and biting film by Peter Medak, the life of Derek Bentley (Chris Eccleston) that led up to the crime is recreated in pitiful detail, as well as the ensuing trial and execution. The story begins in 1952, when the likable Bentley is released from reform school. Bentley is an impressionable young man who returns home to his loving family -- his parents (Tom Courtenay and Eileen Atkins) and sister (Clare Holman) -- but becomes involved with a group of friends, led by the intimidating Chris (Paul Reynolds), who live in the poverty of post-World War II Britain and escape their bleak world by emulating the American gangster films they see at the local cinema. They play-act at being gansters, but with real guns ... and tragic results. ~ Paul Brenner, Rovi

CIA director Snyderburn (Joe Don Baker) talks former agent Leonard (Bill Cosby) into returning to the job in this failed Bond-style spy comedy. Leonard's mission is to stop the evil Medusa (Gloria Foster) from taking over the planet by controlling the behavior of the world's animals. The highlight of the film is when lobsters, fish, and frogs begin to attack the humans in a reversal of the food chain. Jane Fonda makes a brief appearance as she talks to Leonard while filming one of her exercise videos. ~ Dan Pavlides, Rovi

The complicated relationship of two men who have given their lives to the theater forms the basis for this acclaimed drama. During World War II, an aging but once famous Shakespearean actor, addressed by his cast and crew only as "Sir" (Albert Finney), continues to tour the British theater circuit with a rag tag group of elderly and handicapped actors who are exempt from military service. Sir has grown frustrated, senile, and is on the verge of a nervous breakdown; he's come to rely upon his dresser Norman (Tom Courtenay), an endlessly loyal homosexual who would do anything for the man he's come to love. Norman tries to guide Sir through yet another tour of the hinterlands in The Tempest. This expanded film adaptation of Ronald Harwood's award-winning stage drama also stars Edward Fox as Oxenby, an unhappy member of Sir's company; Sir was said to be based on real-life actor Donald Wolfit. ~ Mark Deming, Rovi

Made for television, I Heard the Owl Call My Name is set in an isolated Indian village in British Columbia. Tom Courtenay plays a naive young Anglican priest who is caught unawares by the primitiveness and poverty of his new parishioners. Bishop Dean Jagger, who's seen it all (and looks it!), uses alternating doses of toughness and tenderness to help Courtenay reach his flock. To do this, Courtenay must first reach within himself. Exquisitely adapted from the novel by Margaret Craven, I Heard the Owl Call My Name was first presented December 18, 1973. ~ Hal Erickson, Rovi

Alexander Solzhenitsyn's novel about brutal individual survival in a Russian labor camp in the 1950s is brought to the screen in this stark and spare adaptation by director Caspar Wrede, writer Ronald Harwood, and cinematographer Sven Nykvist. Tom Courtenay is Ivan, who is a prisoner in the eighth year of a ten-year sentence at a Siberian labor camp. Ivan's day consists of small accomplishments that enable Ivan to retain his humanity during conditions of extreme oppression -- he does not get sick, he grabs an extra smoke, he discovers a saw, and he helps to work on a concrete wall. When he prepares for sleep, Ivan is contented that the guards have not beaten him and that he has gotten through the day in one piece. And tomorrow morning, Ivan must start all over again. ~ Paul Brenner, Rovi

Director Anthony Mann's final film (Mann died during the filming, and the production was completed by the film's star, Laurence Harvey) is a kitchen-sink espionage drama with Harvey as Eberlin, a Russian spy and double-agent, homesick and pining for the Russian steppes. It is in this risky mood that Eberlin falls in love with the emaciated Caroline (Mia Farrow). Complications arise when he is directed to kill a Russian spy -- but the Russian spy happens to be himself. ~ Paul Brenner, Rovi

Life on a remote Greek resort island is forever changed when two atomic bombs are accidentally dropped there when a NATO plane flies overhead. This comedy chronicles those changes. When the pilots realize they've lost their load, they bail out of their plane and head for the island to get help. The government has beaten them to the punch though and has already sent out an agent disguised as a resort developer. All of them are busily looking for the missing weapons when the island is suddenly filled with clamoring, hedonistic tourists who believe the developer is going to build the best resort in the area first. When the Agean fish living just off the island begin to mysteriously die, everyone there realizes that the jig is finally up and they so give in to their wildest desires. ~ Sandra Brennan, Rovi

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, Rovi

King and Country was adapted by Evan Jones from John Wilson's play Hamp. Misfit World War I British soldier Tom Courtenay, on trial for desertion, is defended by martinet officer Dirk Bogarde. Disgusted by the assignment, Bogarde wearily asks the dullwitted Courtenay the reasons for his actions. Courtenay replies that, after being the sole survivor of a battle and discovering that his wife had been cheating on him while he was serving his country, he didn't see any purpose in going on; thus, he "went for a little walk". Bogarde's dislike of his client melts into sympathy, which in turn leads to temporary indignation over the manner in which the average enlisted man is treated by his aristocratic superiors. Despite his pleas for leniency, Bogarde's client is sentenced to be shot; after all, an example must be made. On the day of the execution, the men on the firing squad are so drunk that they're unable to carry out the sentence. Once more incensed by the "rabble" that he's forced to deal with, Bogarde takes the law into his own hands. ~ Hal Erickson, Rovi