Hazel Court Movies

Guest stars Fritz Weaver and Hazel Court are cast as Erik and Catherine Hagar, who operate a fraudulent charity organization from their lavish European estate. The IMF agents attempt to destroy the Hagars' racket by ruining the couple's "perfect" marriage. Essential to the success of this plan is the retrieval of a fortune in platinum, hidden in the Hagars' billiard table. First broadcast November 12, 1967, "Sweet Charity" was written by Barney Slater. ~ Hal Erickson, All Movie Guide

Though based on two Edgar Allen Poe stories, Masque of the Red Death relies more upon its mood and atmosphere than its story values for its success. During a devastating 12th-century plague called "The Red Death," the decadent, devil-worshipping Prince Prospero (Vincent Price) holds court over a bizarre masked ball. Already established as a sadistic torturer, Prospero insists that his "guests" indulge in numerous depraved games, most of them ending with someone's death. Only two innocents are permitted to escape intact, but they go through the torments of the Damned to do so. Hazel Court is on hand as a Satanist who brands her breast for Price's bored amusement, while Patrick Magee is horribly burned to death by "Hop Frog" (Skip Martin), Price's demonic flunkey. The literally diabolical performance of Vincent Price is superbly complemented throughout by the crimson-dominated cinematography of Nicholas Roeg. Unlike many of Roger Corman's economical Price/Poe projects, The Masque of the Red Death boasts a generous budget, which the canny filmmaker exploits to the utmost. ~ Hal Erickson, All Movie Guide

Roger Corman's success with low-budget adaptations of Edgar Allan Poe tales continued with this third installment, the first to lack the commanding presence of Vincent Price. Instead, we have Ray Milland as tormented protagonist Guy Carrell, who is so traumatized by the death of his father -- whom he believes was entombed alive after suffering a cataleptic attack -- that he becomes convinced that he will meet a similar demise. Guy's mounting dementia rapidly undermines his recent marriage to the lovely Emily (Hazel Court), particularly after he begins the construction of a specially designed crypt rigged with numerous escape devices. Encouraged by Emily to face his fears, Guy decides to view his father's remains, to prove once and for all whether he died peacefully. When the crypt is opened, however, what he finds there is so horrifying that he succumbs to a cataleptic episode himself, which doctors misdiagnose as a fatal heart attack... and Guy's worst fear soon becomes a reality. Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of The Lost Weekend), even if he fails to capture the manic intensity that Price brought to the other Poe films. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments. ~ Cavett Binion, All Movie Guide

A strange bet provides the basis of this comedy, a British theater producer decides to make some easy money by betting a psychiatrist, whom he overheard telling a colleague that he could create the perfect child by hypnotizing a pregnant woman, that the shrink has as many holes in his theory as he did in his head. The wager is made, and the producer then talks an actress friend into masquerading as the pregnant woman to ensure his win. Unfortunately for him, the actress and the doctor fall in love. Seeing that her sweethearts theories are being derided by his peers, she decides to help him out and get pregnant for real. To do this, she gets drunk, staggers over to the producer's apartment and demands that he satisfy her right then and there. Unfortunately in the middle of it all, the doctor shows up. Then the producer's fiancee pays a visit and the whole scam falls apart in his living room. Fortunately happiness ensues when the doctor and the actress marry and decide to try the experiment for real. ~ Sandra Brennan, All Movie Guide

The luscious Hazel Court is the main attraction of The Man Who Was Nobody. She plays a sexy private detective, summoned to solve the murder of a jewel thief. For a while it looks as though the man who hired Hazel, the thief's brother, may himself be the murderer. But it turns out that a deeply-in-debt gambler is the guilty party. The Man Who Was Nobody was an average entry in Merton Park Productions' Edgar Wallace series of the 1960s. ~ Hal Erickson, All Movie Guide

The Cartwrights play host to former big game hunter Lord Marion Dunsford (Edward Ashley) and his wife Lady Beatrice (Hazel Court). Having grown to abhor violence and bloodshed, Dunsford is now an object of contempt and ridicule to his wife, who prefers the company of "real men" like Adam Cartwright. Jealous over Beatrice's growing attraction to Adam, Dunsford is goaded into one last-and potentially fatal-hunting expedition. Also appearing in this Bonanza episode from March 26, 1960 is Bert Freed as Simon Belcher. "The Last Trophy" was written by Bill S. Ballinger. ~ Hal Erickson, All Movie Guide

Season five of Alfred Hitchcock Presents gets under way with a darkly humorous character piece, directed by Hitchcock himself. Laurence Harvey heads the cast as Arthur Williams, a fairly prosperous New Zealand poultry farmer. Ever since he was jilted by his sweetheart, Helen (Hazel Court), Arthur has vowed to remain a bachelor. When the avaricious Helen comes back into his life, Arthur tries to explain that he is "set in his ways" and not interested in matrimony. Not long afterward, Helen vanishes without a trace, compelling the police to pay a visit Arthur's farm. Though the cops can find no signs of foul play, it is obvious to the viewer that a certain amount of "fowl" play has occurred. ~ Hal Erickson, All Movie Guide

Scotland Yard inspector Benson (played by future "James Bond" Roger Moore) seems determined to monitor every movement made by Lady Gwendolyn Avon (Hazel Court). Benson informs his superiors that he is convinced that Lady Gwendolyn plans to smuggle a valuable emerald necklace out of the country, and then sell it so she won't have to pay the taxes on it. The story takes an unexpected turn when the necklace is stolen by a "person or persons unknown." ~ Hal Erickson, All Movie Guide

Shortly after murdering Arthur Chaundry (Arthur Gould-Porter), Jack Lyons (Denholm Elliott) marries Arthur's widow, Phyllis (Hazel Court). Although she is naturally distraught over her first husband's demise, Phyllis seems equally concerned with her missing crocodile-skin makeup case. To mollify Phyllis, Jack reports the loss of the case, providing the police with a thorough description of the missing item -- a description which, alas, turns out to be just a wee bit too thorough. ~ Hal Erickson, All Movie Guide

In this thriller, a newspaper columnist is killed and another reporter looks into it. He is shocked when his investigation implicates his own wife. Unable to believe this, he begins a more thorough search to reveal the true killer. ~ Sandra Brennan, All Movie Guide

Curse of Frankenstein was the "breakthrough" picture for the fabled Hammer Studios. Told in flashback, the story centers around Baron Victor Frankenstein (Peter Cushing), a dangerously arrogant scientist who takes it upon himself to play God. Using portions of dead bodies, Victor fashions a synthetic monster (Christopher Lee) with a bad attitude. In a radical departure from the Frankenstein canon, it is the imperious Victor who orchestrates the film's two murders by "borrowing" the brain of a learned professor, then leaving his next victim at the mercy of the monster. In 1958, the film spwaned the sequel Revenge of Frankenstein. ~ Hal Erickson, All Movie Guide

The Anglo-American Behind the Headlines is not a remake of the 1937 RKO "B" of the same name, though both share a newspaper setting. Reporter Paul Carpenter heads the investigation of a murder case. The victim was black-mailing showgirl Hazel Court, and as usual there's a plenitude of suspects. Also as usual, the journalists prove to be quicker on the uptake than the cops on the case. Behind the Headlines was based on a novel by Robert Chapman. ~ Hal Erickson, All Movie Guide

In this crime drama an insurance investigator takes a case from a pretty but troubled woman to save her from blackmail and ends up framed for murder. ~ Sandra Brennan, All Movie Guide