Country Joe & the Fish Movies

A young man is thrown into the center of the political and social tumult of the late '60s in this drama. It's 1968, and Ben Sweet (Nick Roth) is 18 years old and has just received his 1A draft classification. Ben does not want to go to Vietnam, and his father Sy (Henry Winkler) is understanding, though he believes Ben does have a responsibility to his country. As a compromise, Ben enrolls at the University of California in Berkeley, where he majors in economics but also hopes to indulge his interest in writing. Ben hasn't been in Berkeley long before his horizons are broadened by his childhood friend Mishkin (Sebastian Tillinger), who introduces him to marijuana and LSD, and Sadie (Laura Jordan), a classmate who takes him to bed for the first time. As Ben begins reconsidering the middle-class values he was raised with, he starts indulging his passion for playing guitar and joins a rock band with keyboard player Buddy (Wade Allain-Marcus) and drummer Blue (Tom Morello). Ben's political viewpoints also begin evolving when he meets campus radical Henry Wolf (Jake Newton), who believes a Marxist revolution is necessary in the United States -- and who steals Sadie away from him. On the rebound, Ben falls for Alice (Sarah Carter), the pretty blonde daughter of the college dean, but she bristles at his embrace of the counterculture as Ben becomes more deeply involved in music and politics. Ben's desire to write blossoms when he takes a class with Professor Hawkins (Bonnie Bedelia), a bohemian writing instructor who encourages him to explore his poetic side, but Ben's family are not entirely happy with the changes in his lifestyle. Nick Roth wrote and sang his own songs for Berkeley; he's also the son of director Bobby Roth. ~ Mark Deming, Rovi

This psychedelic anti-war film from the late 1960s features hippies, drugs, trippy light shows, sex, and rock n' roll, as it follows the exploits of a square Marine on emergency leave who learns to "turn-on" with a beautiful young flower child. Paul (Geoff Gage) is on leave from his tour of duty in Vietnam. He meets Melissa (Andrea Cagan), a young hippie girl, and the two start hanging out together. Paul is caught between his ultra-right-wing family and the hippies Melissa calls her friends, and as a result begins questioning his reasons for being in Vietnam. When the two separate after an argument, Paul tries to find Melissa at a peace rally before he has to return to the war in Vietnam. An excellent period soundtrack is provided by The Steve Miller Band, Country Joe & The Fish, Kaleidoscope, Quicksilver Messenger Service, and Eric Selten. ~ Dan Pavlides, Rovi

They used to say "don't trust anyone over 30," but there's no one over 30 left to distrust in this loosely plotted satirical comedy directed by Roger Corman. During the opening ceremonies for a chemical and biological weapons facility in Alaska, an experimental gas is accidentally released which has an unusual effect -- it rapidly advances the aging process of those over 25, while those under 25 are left untouched. Soon, the world's elders are dead, with the planet left to the youth. Wisecracking hippy Coel (Robert Corff) and his girlfriend, Cilla (Elaine Giftos), discover that rookie cops and conservative frat rats have taken over their hometown of Dallas, TX, so they hit the road in his vintage Ford Edsel in search of a friendly commune in New Mexico. Along the way, they pair up with music-obsessed Marissa and her radical boyfriend, Carlos (Ben Vereen), and as they look for their new home, they encounter Hell's Angels-turned-country club members, a neo-fascist football team, a pack of painfully shy would-be sexual predators, rock star and self-proclaimed "godhead" A.M. Radio (Country Joe McDonald), and Edgar Allen Poe (Bruce Karcher), who roams the highways on his motorcycle. Gas-S-S-S! (aka Gas-s-s-s...or, It May Become Necessary to Destroy the World in Order to Save It) proved to be the last of Roger Corman's many projects for American International Pictures; according to Corman, AIP subjected the film to severe prerelease cutting without his consent, and the interference was one of the factors that inspired him to start his own company, New World Pictures. The film also provided early supporting roles for Bud Cort and Talia Shire, the latter billed as Tally Coppola; psychedelic rock band Country Joe & the Fish appear in a concert sequence and provide the film's musical score. ~ Mark Deming, Rovi

The first concert film of the rock & roll era, Monterey Pop is an invaluable record of some of the major musical figures of the late 1960s. The organizers of the Monterey International Pop Festival, held June 16-18, 1967, wisely chose to record the proceedings on film for commercial distribution. Even if some of the festival's big acts -- The Byrds, The Grateful Dead, and Buffalo Springfield -- didn't make the final cut for various reasons, the roster of performers who did reads like a who's who of the era: Jimi Hendrix, Otis Redding, The Who, Jefferson Airplane, Big Brother and the Holding Company (featuring Janis Joplin), Simon & Garfunkel, and The Mamas and the Papas (that group's leader, John Phillips, was one of the festival's principal organizers). The festival's "international" tag is well-earned by one performer in the film: Ravi Shankar, whose final-day performance was one of the festival's highlights and closes the movie on an exuberant note. Though the festival seemed to be anticipating nearby San Francisco's Summer of Love, the film chooses to concentrate on the musical performers, with only brief intimations of the burgeoning counterculture. ~ Tom Wiener, Rovi